New Black Eagle Jazz Band

Luncheon at the Sherborn Inn
January 23, 2013

Stan Vincent trombone Tony Pringle cornet Billy Novick clarinet

Powerful front line, Stan Vincent trombone, Tony Pringle cornet, Billy Novick clarinet.

A piercing laugh that cuts through the crowd, a beer set warming on a table, Tony's low-tone growl between notes.  Hasn’t changed in 41 years.  Must be the New Black Eagle Jazz Band!

Ross Petot on piano

Guest pianist for this Sherborn Inn Luncheon was Ross Petot.

He played as if he'd been with this band forever.  Not so. 

Ross's piano is always in the background somewhere, a few notes here and there, filling any spaces.  Difficult. This band doesn't leave many spaces!

 


Propulsive rhythm section, Peter Bullis banjo keeping that Trad Jazz beat, still wearing his red sox; Jesse Williams string bass, Ed Reynolds drums.
 
drum, banjo, string bass

 

Jesse took the first chorus on Hiawatha (A Summer Idyll) bowing on string bass, then driving the tempo with a slap bass on second chorus, Ed's drum sounding like a tom tom.

Rhythm section kept sensitive stop chorus behind Billy's brilliant alto sax on Sam Morgan's Bogalusa Strut, with more of Jesse's slap bass, on a borrowed instrument!

 

 

Billy was featured with the rhythm boys and Ross Petot on Billy Strayhorn’s Chelsea Bridge, playing long, melodic lines, and his own signature, hair-raising phrasing.

Billy on alto sax with rhythm section


Stan Vincent on muted trombone

Stan Vincent and his Tailgate Trombone were robust and swinging in Give Me Your Telephone Number, a tune written by a trombone player, J.C. Higgenbotham.

Tony had the vocal on When Your Hair Has Turned To Silver, followed by Stan's smoldering trombone, Ross comping on piano.  Love this music!!

 

Ross  was featured on Jelly Roll Morton's Honeysuckle Rose, playing in different styles, including his own special stride.

Drum, bass, piano


Following a universal search for a proper reed player for the band, Billy Novick joined the New Black Eagles more than 25 years ago, (seems like yesterday!) and has been a driving force behind the band ever since.

Billy has also written much of the music for The Great Gatsby Ballet performed at the John F. Kennedy Center for the Performing Arts in Washington D.C.

Heads up, California:  He'll be taking Billy's The Great Gatsby Ballet to Sacramento, CA on February 7-10.

Billy sitting in chair, smiling, lovingly holding his alto sax
Billy and his Selmer Mark VI of the 60’s,  
the Cadillac of alto saxophones

The drivers work together producing powerful, moving rhythm...
Ed Reynolds on drums looking at Jesse
Ed Reynolds
Jess with a big smile playing bass
Jesse Williams

They wrapped it up with the same Brahms Lullaby that we danced to in the mid-70's.  Some  things don't change.

NOTE: They'll be back on the 2nd Thursday of each month, except for Valentine's day - the New Black Eagle Jazz Band will be back at the Sherborn Inn on February 21st.



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© New England Traditional Jazz Plus
 Milford MA 01757
http://www.nejazz.com
email marce@nejazz.com

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By Marce, Updated January  2013