Traditional/Dixieland Jazz back at the Acton Jazz Café!
1st Saturday/month AFTERNOON 2-5pm (1:30 seating) $10
452 Great Rd. Acton, MA  (978) 263-6161

December 6th, 2008
SEACOAST STOMPERS
All photos by Wil Davis

December Flyer   Videos


all photos by Wil Davis

Seacoast Stompers at the AJC: http://nejazz.com/RecentPerformances.htm
for all reviews

Aug 2010
May 2010

6 Mar 10 by Marce
Mar 10 AJC Jimmy Mazzy
Feb 10 AJC Carrie Mazzy
Dec 09 AJC
Nov 09 Taddeo walk-around
Sep 09 - w/ drummer Reardon
May 09  at Bemis
March 09
November 08 1
November 08 2
November 08 3
(New England's Gene Krupa)

Sketch by Bob Nilsen


Seacoast Stompers at the Acton Jazz Café, on a beautiful, bright, Saturday afternoon. Craig Ball instantly ignited the band  with a rich, hot clarinet on Jazz Band Ball, exchanging rapid-fire solos with the only other member of the front line, Scott Philbrick, playing on a  golden vintage 1931 Conn cornet (a gift from Peter Popko.)  The overflow crowd sensed straight away this was going to be one special afternoon.  One more precious moment in time, the 1930's, and an afternoon of sensational Dixieland jazz.

Frank Stadler piano/leader, Jimmy Mazzy banjo/vocals, Bob McHenry acoustic bass, Steve Taddeo drums, are all experienced traditional jazz players who are "at the top of their game” and enjoy what they do.  It's contagious.

They soared to Please Don't Talk About Me When I'm Gone.  And paused.  Only then did Frank take the mic to address the eager fans.  He introduced Jimmy Mazzy, our own National Treasure.  Creating a bit of suspense (even for the musicians,) he asked Jimmy to begin the next tune without announcing it.  Any musician who has played with Jimmy is accustomed to this.  He's in his own world; just plays.  Eventually each one gets it and jumps in.  With a bit of reflection, he started picking on the banjo.  But this time he really dug deep into his immense collection of classic traditional tunes, because the guys weren't joining in, but looking at each other.  It took them a while. They listened to the tune, the keys, chord sequence.  They had never heard it before, but one by one, they jumped in, and soon they were all in sinc for Papa Celestin's Almanzoer. That's jazz! 

Deed I Do had Stadler and Jimmy blending, trading fours, followed by Bob McHenry in flawless command of the string bass; Taddeo discreetly keeping time.   He can be discreet.. 


Honoring the holiday season, they threw in a Christmas tune which easily shifted into irrepressible, toe-tapping Dixieland, Santa Clause is Coming To Town.  There was a request for the plaintive Do You Know How It Feels To Miss New Orleans; the discreet Taddeo shifted into Gene Krupa mode, with lots of press rolls choke cymbal as well as ride and hi-hat.  He attempted Gene's infamous drumming walk-around, but was restricted from moving very far by the capacity crowd.

Taddeo drums on table
Steve drums on table.
Never missing a beat.

Scott  took the intro to Basin Street on cornet, a crystal clear toned simulation of what is usually a trombone, then let Taddeo's constrained  energy loose!  There was no stopping him now.

Wikipedia describes the early 1940's tune, Big Noise from Winetka:
W
ritten by composer and bass player Bob Haggart. It was first recorded in 1938 and featured Bob Haggart and drummer Ray Bauduc, both members of the swing/dixieland orchestra Bob Crosby and the Bobcats. Remarkable for their unusual duet feature: Haggart whistles the melody and plays the bass, while only Bauduc accompanies him on the drums. Halfway through the solo, Ray Bauduc starts drumming on the strings of the double bass, while Haggart continues to play with his left hand, creating a very percussive bass solo.


Well, we have our own Ray Bauduc and Bob Haggart remarkable duet. Bob McHenry playing the string bass,  while Steve Taddeo drums on the strings, creating fascinating rhythms, while Scotty whistles the Haggart melody.  You really have to see and hear this in the flesh to appreciate it!

     drumsticks on string bass  

.What an act to follow.  But Frank is up to it.  Piano feature, Jada, had Stadler enticing eloquent, expressive melodies from the ebony and ivory.  Very nice! 

All photos (except one) were taken by Wil Davis, of William H Davis & Associates Inc. www.k1wd.com.  He caught Al Enrenfreid dancing with Alice.  (Al appreciates a fine string bass, he is  usually playing one, Friday nights at Walden Books.)

And Wil caught Marce standing by the bar, also taking pictures. 


Scotty put down the cornet and took out his guitar, sat down next to Jimmy for Rose Room, evoking Django Rheinhardt's Gypsy Swing.

Jimmy is brilliant and takes great pleasure in political satire, fitting his own words into the next tune, a "Corporate song" to the melody of Brother, Can You Spare a Dime. Leave it to him!

"Once I stole the White House,
 A. I. G.,
 Goldman Sachs and the prime. 
 Bailed out your retirement,
 Hear my pleas -
 Brother Can You Spare a Dime".



photo by Marce

A barn-burning Dr. Jazz  included more rapid fire interchanges between Craig and Scotty, and another of Jimmy's inimitable vocals.  Then Craig let loose with a Tour de Force of The World is Waiting For The Sunrise, with octaves that would have raised Benny Goodman!



Jim & Carrie Mazzy, recently celebrating their 22nd Anniversary, presented a tender duet on Rose of Washington Square.


Gwen Vivian,  AJC Proprietor, and a fine vocalist in her own right, took the mic for All The Things You Are, subbing her own lyrics on the second verse.

Gwen's band, Starchild, a jazz quartet with a modern approach to standards, performs some early evening sets at the Café.


The afternoon seemed over in an instant!  "It can't be over already??" But with your support, we could have many more beautiful, bright afternoons of  toe-tapping, hard driving and swinging Dixieland style traditional jazz  at the Acton Jazz Café. Venues that offer traditional jazz and swing on a regular basis in this locale are relatively few and far between! The Café is small, intimate, like being in your own living room, and serves fine food.  Please join us on the first Saturday of every month?  Advance reservations STRONGLY RECOMMENDED.  Cover charge $10 pays the band - they're worth it!

Check out the Seacost Stompers   November 1st at the AJC.
And if you haven’t already, check out the Seacoast Stompers on the first Saturday of the month at the AJC!

All photos by Wil Davis

 Please    $20/year would help keep this site on line

© New England Traditional Jazz Plus
 Milford MA 01757
http://www.nejazz.com
email marce@nejazz.com

BACK TO TOP

 


 


By Marce, Updated January 1, 2009