Tag Archives: Banjo

New Black Eagle Jazz Band luncheon at Sherborn Inn, October 23, 2013

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New Black Eagle Jazz Band

New Black Eagle Jazz Band

Tony Pringle leader/cornet, Stan Vincent trombone, Billy Novick clarinet and alto sax, Bob Pilsbury piano, Peter Bullis banjo and red sox, Jess Williams string bass, Bill Reynolds drums

Starting into their 43rd   year this month, the NBEJB still has it – the Traditional Jazz that draws crowds.   Everybody was elbow-to-elbow at the Sherborn Inn’s Wednesday luncheon, just like the old days at the Sticky Wicket.  People were bussed in from Senior Centers and enjoyed the Inn’s fine food and especially the music.  There were still some Stickey Wicket ‘regulars’ here, loyal fans, who have followed the band for all those years.

large crowd in back, couple at table for 2 in front, half of the crowd at the Sherborn Inn

Part of crowd at the Sherborn Inn’s luncheon

The Band played many of their old chestnuts, Tony singing When Your Hair Has Turned To Silver.  I’m Travellin’ –  Jesse Williams is the newest member; he injects new vigor into the band. (He was probably beginning first grade when the band started at the Wicket.)  Louisian-I-A, Tony on vocal.

Scott Joplin’s 1920’s ragtime by Arthur Marshall – Kinklets, is actually a pre-jazz number published in 1906. They didn’t improvise but Pilsbury played it as a fine ragtime number, Jesse bowing the bass.

Earl Hines 1930’s Rosetta. Together.  Duke’s East St. Louis Toodle-oo, Billy on super sax. Mahogany Hall Stomp. 

Jesse slapping bass, Tony on cornet

Jesse Williams slapping bass

Billy’s incomparable tenor sax was featured with the Rhythm Boys on Body and Soul.   Peter’s plink, plink, plink, banjo maintaining the Trad Jazz Beat, and still wearing his red sox.  (The Boston Red Sox won the World Series Pennant Race a week later!)

Billy and rhythm section, Peter wearing his red sox

Billy featured on Body and Soul. Note Peter’s red sox.

Stan Vincent on Trombone

Stan Vincent solo on Old Rugged Cross

 

 

Jesse’s string bass echoed Peter’s banjo on Old Rugged Cross.  Bill’s soft, skillful drum roll backed Stan’s fine tailgate trombone solo.

 

 

They finished with another Sticky Wicket chestnut – Panama.  Two hours went by too quickly!!  The crowd loved every minute of it!

The Eagles will be back here at 7pm on their usual 2nd Thursday of the month, November 14th.  Check out their site and available CDs at http://blackeagles.com/.

The Sherborn Inn lunches are held on the 2nd and 4th Wednesday of the month, 11:30am-2pm.  Good deal: Great music, 3-course luncheon, tax and gratuity, complete for only $25.

Neville Dickie at the Sherborn Inn, June 4, 2013

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Neville piano, Jeff Hughes trumpet, Stan McDonald reeds, Dave Bragdon drm

Neville Dickie and Band

The Sherborn Inn was packed elbow-to-elbow with eager fans for celebrated British pianist Neville Dickie’s 12th appearance at the Sherborn Inn on Tuesday, June 4, 2013.

After mixing with his fans, Neville sat at the baby grand and revived a fount of pieces from the 1920’s with ragtime, boogie, stride – pop.  With drummer Dave Bragdon, he started on the 1920’s Charleston Mad, from one of his many albums.  He turned to Dave and asked “What do you fancy doing?”  They came up with a sunny and warm version of  Benny Goodman’s  Red Sails in the Sunset.

Neville turns and watches Dave

Neville and Dave

Dickie generally plays solo piano in concert. Not here; he takes it easy and becomes part of the band, giving him a chance to relax, walk around, talk with his enthusiastic fans.

Stan McDonald on soprano sax

Stan McDonald

 

 

Stan McDonald joined them on soprano sax, with Jeff Hughes on trumpet for James P. Johnson’s If I could Be With You, Neville starting with the verse, Stan on vocal and saxophone.  Roses of Piccardie, It Had To Be You, with Neville’s clever backing and multi-layered playing.

Wrap Your Troubles in Dreams.  Jelly Roll Morton’s Tijuana, crisp soprano sax.

Jeff was featured on a boogie that they created on the moment, The Sherborn Boogie, Jeff getting glorious sounds from a rare 1946 Martin Committee Olds Trumpet.  (Jeff has a vast collection of instruments, and he makes them all sound great!)

Jeff Hughes featured on trumpet with Neville and Drums

Jeff Hughes feature

During the break, Ross Petot kept the piano hot, giving us umpteen inspiring variations of Gershwin’s Sentimental Gentleman from Georgia.  He has a fantastic left hand of his own, definitely with some James P. Johnson influence.

Four handed piano, Ross and Neville

Ross Petot and Neville

 

He slipped into some eight-to-the-bar (probably for Neville’s sake)  and played his specialty stride piano on Stairway to Paradise.  

Neville joined him for four-handed piano, two pyrotechnicians playing an ingenious variety of choruses.
Lynn Sickle and Janet Borgman

 

Neville said he’s happy to see the same faces here, year after year, and remembered Lynn Sickle. She was in her special chair – always next to the piano, here with Janet Borgman.  Neville played his own swinging version of All of Me, Lynn’s favorite – he remembered.

It’s hard to tell who is having the most fun here, Neville or the fans.  He relaxes, tells tales, he’s “one of the guys”.

He says “Musicians like to drink, and I’m no exception. I read that liquor is the root of all evil, so I gave up reading.”
“I quit drinking once, it was the worse 20 minutes of my life!”
“I enjoy playing here at the Sherborn Inn;  Stan provides the music, Ellen provides great beer”.

Neville standing with a beer

Neville relaxes

Ross took over at the piano and gave him a chance to mingle with the crowd.
Soprano sax and trumpet traded fabulous fours on Make Me a Pallet on Your Floor,  Stan singing.  After You’ve Gone was another lively one.

Ross, Stan, Jeff, Dave - no Neville

Ross Petot and Band

Dave & Neville returned with a sweet Keeping Out of Mischief Now, segue into a racing tempo on Handful of Keys, Neville’s fingers leaping across the keyboard.  Marvelous.

Dave was featured on drums with Nagasaki, because Neville never could find a drummer who could keep up with his flying fingers.  He continued playing at a dizzying pace, but Dave Bragdon kept up with him!
Dave Neville 1Neville reprised the first boogie ever written, Pine Top Smith’s Sheik of Araby, with the left hand leaping back and forth on the keyboard.

There was a request for him to play solo piano – which is his general mien; he does for hours at most other venues. With Dave’s accompaniment, he played Willie the Lion Smith’s finger breaking Swanee River Boogie.  He said “It’s a joy to do this gig – Sutton & Surrey.”

Too soon, the band closed with a sizzling Found a New Baby.  As he was leaving, heading for New Jersey, Neville said “Please Keep supporting live jazz.”

We sure will.  Thank you for being here with us, Neville, see you again next year!!

You may catch Neville when he’s at home in the Sutton Jazz Club, Thomas Wall Centre, Benhill Avenue, Sutton, Surrey, England.  The Club was formed by Pat and Neville Dickie in 1989 and is noted its music, as well as Neville’s famous prawn vol-au-vents. They also serve a wide choice of hot food, such as fish, chicken, meat pie, saveloy, or vegeburger, all served with chips, and backed by Neville’s Trio comprising  of Neville Dickie (piano), Terry Lewis (bass), and Norman Davey (drums). Top class musicians from the United States, Europe, Australia and, of course, Great Britain, join them each month.