Eli and The Hot Six at Primavera Ristorante July 20, 2017

Posted on July 22, 2017 by admin

Eli & The Hot Six

Bo Winiker trumpet/flugelhorn, Ted Casher clarinet/tenor and alto sax, Herb Gardner trombone, Bob Winter piano, Jim Mazzy banjo/vocals, Eli Newberger leader/tuba, Zac Casher drums, Elaine Wu, Watson Reid and Nat Coolidge vocals, Carolyn Newberger washboard

Eli and The Hot Six is composed of seasoned veterans with the wisdom and expertise gained from playing many, many gigs in a variety of venues. They exhude rhythmic energy with delicate ornamentations — and it’s always new, enriching and nourishing for your jazz soul.

Eli Newberger

Eli leads them with a subtle pointing and each has the courage to follow his impulse and makes the melody come alive. His monstrous tuba becomes the rhythmic instrument that guides them.

Eli was the Tiger in Tiger Rag with swinging synergy inspired by the burning tempo. In the middle, Eli motioned to Bo and Bob, and they abruptly responded, trading two bars then one bar, at that fast tempo. It was done seamlessly; amazing!

Bo Winiker

Bo Winiker’s trumpet generally establishes the melody, but doesn’t always take the lead. His ability to improvise seems limitless.

Bo created arrangements for this 7-piece band that made it sound like a full orchestra on Don’t Get Around Much Anymore and a
Duke Medley of
Mood Indigo,
Sophisticated Lady,
I’ve Got It Bad and That Ain’t Good,
with Ted switching to alto sax.

Clarinet master Ted Casher is also a full-blown tenor saxophonist with total command of the horn. it was a revelation to hear him on alto. His son Zac provided solid, swinging support every note of the way, with a loose touch that gets big sound.

Zac and Ted Casher, father and son team.

Bob Winter’s propulsive rhythms and fluent style were apparent on his unique version of Gershwin’s masterpiece Begin The Beguine. He plays challenging music that only top musicians can meet. He added so much!

Bob playing, Eli looking down with arms crossed, and smiling

Eli enjoying Bob’s surprises on keyboard

Herb Gardner

Herb Gardner’s supple fingers showed digital dexterity on trombone. He once said “Each trumpet player is different, and you change your lines to fit his style. Jazz is an exercise in manipulating music and it can be incredibly rewarding with these top players.”
Herb’s expertise was featured playing and singing on Nice Work If You Can Get It, and Let’s Misbehave, with a great drum solo by Zac.

Carolyn with eyes closed playing washboard with spoons

Carolyn Newberger – file photo

Carolyn Newberger added a little spice to the band with Miami Beach Rhumba on washboard, with Bob Winter’s encouraging assistance.

Jimmy Mazzy and Zac Casher

Jimmy’s one-note banjo and singing style are renowned. He kicked off this evening with banjo and vocal on Basin St. Blues.

But he’s a busy guy, so the band has added several new vocalists.

Elaine Wu

Elaine Wu’s deep feeling takes us inside each song, making each composition tender or perky, treating us with many tunes, including one we’ve never heard before, I’m an Errand Girl for Rhythm, send me.

Watson Reid

Watson Reid realy enjoys singing with this band, he’s a tasteful, swinging and inventive interpreter of Bill Bailey and Flat Foot Floogie

Nat Coolidge

Nat Coolidge gave a sweetly earnest performance on Summertime and You Do Something To Me – this was his first time with the band.

They finished with a fiery St. James Infirmary, with Jimmy scatting it to a close.

Music is a powerful motivator. Join them on Sunday and Monday presenting The Genius of Cole Porter Jul 23^rd 8pm at Barrington Stage Company, 30 Union Street, Pittsfield, MA 01201; Box Office: 413 236-8888 and Duke Ellington Swings! July 24 at 8:00 PM $45 info@barringtonstageco.org

TUNES:

Basin St. Blues – Jimmy
12^th St. Rag
Nice Work If You Can Get It – Herb
Begin The Beguine – Bob
I’ve Got You Under My Skin – Elaine
Tiger Rag – Eli
Summertime – Nat
Bill Bailey – Watson
Miami Beach Rhumba – Carolyn
Don’t Get Around Much Anymore
Ellington Medley:
Mood Indigo
Sophisticated Lady
I’ve Got It Bad and That Ain’t Good
Errand Boy (Girl) – Elaine
Let’s Misbehave – Herb
Route 66 – Elaine
Flat Foot Floogie – Watson
You Do Something To Me – Nat
Saint James Infirmary Blues – Jimmy
Limehouse Blues

Eli and the Hot Six at Primavera Ristorante June 15, 2017

Posted on June 23, 2017 by admin

Eli and The Hot Six

Bo Winiker trumpet, Ted Casher alto and tenor sax/clarinet, Herb Gardner trombone, Eli Newberger tuba/leader, Bob Tamagni drum, Elaine Wu and Watson Reid and guest Sarah (Gardner) Nova vocals

Skill and stamina – the musicians arrived early and practiced for two hours, then played for us from 7-9:30pm – preparing for their two-day Jazz presentation of The Genius of Cole Porter and Duke Ellington Swings! at Barrington Stage Company, Pittsfield, MA July 23 and 24. Tonight we had all Duke Ellington!! Who doesn’t LOVE Duke Ellington?

There were great solos from all the deeply skilled musicians, tasty notes, long and coherent phrases that reflected the story of the genre, the songs, and their individual contributions.

Front Line – Ted Casher, Bo Winiker, Herb Gardner

Elaine Wu and Watson Reid are now retired physicians, very relaxed and delighted to be singing full time.

They played some well-known Ellington tunes, starting with In a Mellow Tone, Mood Indigo, Sophisticated Lady; and some not-so-well-known, Elaine singing Never Trust Your Heart.

Guest Sarah Nova sang Shuffle Boogie and her own composition of Keep Your Hands Off It.

Don’t Get Around Much Anymore was WILD with Eli on tuba solo and Bo on flugelhorn.

We always enjoy Ted Casher’s tenor sax, but this was the first time we’ve heard him on alto. He said “it plays in the wrong keys”.

Drummer Bob Tamagni took a solo In Flat Foot Floogie where we could hear the melody elaborated rhythmically, which makes it ever so engaging. Great vocal by Watson Reid.

Bob Winter

Limehouse Blues was played at a good clip. Bob Winter played the melody rested in great chords, some expected, some not.

Herb played a solo like a young man with vim and vigor! Yet again the drummer played the melody, getting such a range of sounds on just a snare, bass and hi-hat. Eli sent those ripping riffs to the stars as he always has and we know he will continue to do so with such gusto.

I’m Beginning to See The Light, Take the A Train, Write Myself a Letter, Day Dream. Watson did his special version of Bill Bailey Won’t You Please Come Home.

Three birthdays were celebrated: pianist Bob Winter, Marce, and Sarah Abramson. We all shared a delicious birthday cake brought in by Jeannine James. This was Sarah’s first time here – she loves tuba; Eli gave her a Happy Birthday solo right at her table. She was enthralled!

Eli plays Happy Birthday

Marce wants especially to thank two very special ladies who took time out from their busy schedule to be here for this occasion, Music Therapist Kathleen Howland and vocalist Sarah (Gardner) Nova.

….and Marce’s family, with three grandsons:

Jason Towne, Marce, DJ Sardonini (from Florida) and his friend Sarah, Brian Towne.

It was a memorable evening for all of us!

Folks in Pittsfield MA are in for a treat when Eli & The Hot Six present The Genius of Cole Porter July 23^rd and Duke Ellington Swings! July 24^th 8pm at Barrington Stage Company, 30 Union Street, Pittsfield, MA 01201 info@barringtonstageco.org Box Office: (413) 236-8888.

Marce and Kathleen

Seacoast Stompers at Bemis Hall May 13, 2017

Posted on May 27, 2017 by admin

7 pc band with videographer Harold McAleer sitting in the middle of the aisle, taping

Seacoast Stompers with Dave Whitney

video by Harold McAleer

Dave Whitney trumpet, Craig Ball reeds, Lee Prager trombone, Jim Mazzy banjo/vocals, Frank Stadler leader/piano, Al Bernard sousaphone, Bob Reardon drums, Maureen Benson vocals

The Seacoast Stompers had a rip-roaring afternoon with a Full House at Bemis Hall in Lincoln, MA. For six years, they played monthly at the Acton Jazz Café, with a repertoire of tunes from the 20’s and 30’s. Arrangements were spontaneous and ad lib with a variety of styles and tempos from smooth swing to groovy blues and hot driving Dixie.

Dave Whitney

Frank Stadler is leader of the band, but graciously let Dave Whitney rule the roost with his rousing trumpet. Dave is well known for his amazing Louis-type trumpet.

They began with a joyous romp on the Seacoast Stomper’s theme song, At The Jazz Band Ball,

Dave Whitney has some favorite tunes. Maureen Benson joined him on Back o’ Town Blues.

Maureen Benson was comfortable with the band, personalizing some of the lyrics, picking on Craig. She gave us As Long As I Live, I Don’t Know Enough About You, It Don’t Mean a Thing If It Ain’t Got That Swing.

Jimmy Mazzy

Jimmy Mazzy was featured on Porter’s Love Song to a Chamber Maid; took the vocal on Clarence William’s Cake Walking Babies, scatted on How Can You Do That Thing To Me, Old Fashioned Love – he has a treasure trove of tunes.

Al Bernard on sousaphone

Al Bernard is a master of the tuba, listening to the soloists and backing them with many different chord phrasings wrapped in that monstrous sousaphone, as if it were easy!

Frank Stadler, Band Leader

The Seacoast Stompers played many favorites, Royal Garden Blues, Canal St. Blues, San.

Lee Prager

Lee Prager’s deep, burnished, trombone was reminiscent of Tommy Dorsey.

Craig Ball

Craig Ball was featured on The World is Waiting For The Sunshine.

Bob Reardon

Bob Reardon plays drums with marvelous precision, He keeps the band in time by tapping on the snare drum and ride cymbal, only letting loose on a couple of tunes. He picked the closing tune – always requesting the same one – Limehouse Blues.

The Seacoast Stompers keep the music fresh with their amazing creativity!
Check them out!

Blue Horizon Jazz Band at Primavera Ristorante May 4, 2017

Posted on May 7, 2017 by admin

Stan McDonald soprano sax, Phil Person trumpet, John Kafalas trombone, Gerry Gagnon tuba, Jack Soref guitar, Rich Malcolm drums.

The Blue Horizon Jazz Band played fine Classic Traditional Jazz at Primavera Ristorante on May 4^th. Stan McDonald dug into his massive collection of Traditional Jazz and provided charts for the musicians, bringing us great tunes the band hasn’t played in a long time.

McDonald in front playing soprano sax, Gagnon behind him with huge tuba

Stan McDonald and Gerry Gagnon

Stan McDonald led on soprano sax, Stan plays with the taste and inflection and inspiration of Bechet. Gerry Gagnon’s turbo-charged tuba played booming bass lines. Gerry is the longest continuous band member, 23 years. Initially he played tuba, later switched to trombone. A master of both instruments, he plays tuba when bass player Stu Gunn is away and the band has a reunion with John Kafalas on trombone.

Kafalas with trombone extended almost to floor

John Kafalas

John Kafalas’s trombone improvised counterpoint harmony lines to the sax and trumpet. John remembered the intro to “Farewell to Storeyville” perfectly from when he was a full-time member of the band years ago. It was good to hear that tune again! The band was glad when John moved back to New England.

Two Videos of Blue Horizon Jazz Band with John Kafalas by the late George Borgman:
Featured in this video are band leader Stan McDonald, the leader switches between the soprano saxophone and the clarinet, longtime member Walter Miller on trumpet, Hans Brack on bass, John Kafalas on trombone & double-bell euphonium, John Rayworth on banjo, Stu Grover on drums and Phil Hower on the piano. – Recorded at the July Fourth “Jazz Picnic” 1989.

My Creole Belle

You Do Something To Me

Back to 2017………..

Phil Person

Phil Person’s purity of tone reinforced the melody and lifted the whole band. He gave us a moving solo on “I Remember When.”

Rich Malcolm

Rich Malcolm’s drums maintained the Classic New Orleans Street Beat that is so essential to Traditional Jazz. He played for the Sox at Fenway the night before! He was well warmed up for tonight!

Jack Soref

Jack Soref played two solos. First a Django inspired “It Had To Be You.” Second a spellbinding “Dark Eyes. Youngest member of the band, he appreciates Stan McDonald’s depth and knowledge about the musicians of the 20’s and 30’s.

A special request altered the second set. “Marjorie” was celebrating her 89^th birthday in the dining room and kept peeking in on the music. Finally she came into the music room with her daughter, son-in-law and 2 grandsons. The band played a lively version of “Margie” as a birthday present. The entire family danced energetically with Marjorie to everybody’s enjoyment

The whole band played a memorable, hard-driving performance! There are only a few bands still playing New Orleans Traditional Jazz; Stan McDonald’s Blue Horizon Jazz Band perseveres at Primavera on the first Thursday of every month. Please join us at 7pm on June 1^st at 20 Pleasant St. Millis MA?

Tunes this evening were: June Night, Four or Five Times, All of Me, I’ll Never Be The Same, Rosetta, Running Wild, My Gal Rocks Me, Some of These Days, Blues in the Air, When I Leave the World Behind, Roaming, Rose of the Rio Grande, I Remember When, After You’ve Gone, Farewell to Storyville, Margie.

Eli and The Hot Six at Primavera Ristorante, March 16, 2017

Posted on April 5, 2017 by admin

Eli and The Hot Six: Bo Winiker trumpet/flugelhorn, Ted Casher clarinet/tenor sax, Herb Gardner trombone, Bob Winter keys, Jimmy Mazzy banjo/vocals, Eli Newberger leader/tuba, Bob Tamagni drums, Elaine Wu and Watson Reid vocals.

(by Marce. Click on pictures to see enlargements.)

The Hot Six play contemporary, classic jazz, joining the present with the glorious past. They kicked it off with sparkling spontaneity on At The Jazz Band Ball, a tune by Nick LaRocca, cornetist with the Original Dixieland Jazz Band. (They were the first to record a commercial jazz recording 100 years ago.)

Tiny Elaine looking up at Watson, both singing their hearts out

Elaine Wu and Watson Reid

Vocalists Watson Reid and Elaine Wu (two doctors, no waiting) came up complaining about the weather with Baby, It’s Cold Outside.

We never get enough of the heartfelt Jimmy Mazzy vocals and unique one-string banjo, tonight singing You’re Nobody Sweetheart Now and There’ll Be Some Changes Made.

The Amazing Jimmy Mazzy – one of a kind – and we have him here!

Elaine singing, left hand up in the air, Ted on tenor sax

Elaine Wu with Ted Casher

Elaine sang Lullaby of Birdland with Ted backing her on tenor sax. She also graced us with I’ve Got You Under My Skin, and I’ve Got The World on a String – and she does. She’ll be retiring from Medicine soon and singing full time!

Bob completely absorbed in playing keyboard

Bob Winter

Bob winter gets absorbed in Irving Berlin’s How Deep is the Ocean. He creates soaring melodies with much musical sophistication.

Ultra-tight all-star assembly on The Sheik of Araby, propelled by Bob Tamagni’s drumming.

Eli Newberger

They continued with one of our favorites, Limehouse Blues.

Bob began it with an incredible piano intro, then a Herb & Bo duet moved it to double time, Bob Winter was amazing, backing them using only his left hand.

Eli added fine tuba solo.

Waitress holds cake while she blows out candles

Jeannine is surprised with a birthday cake.

Overtime, the Fans here have become one big Family. Tonight there was a birthday cake for ‘regular’ Jeannine James. It was a complete surprise.

Bo holding handkerchief and smiling like Louis Armstrong

Bo Winiker plays Louis. Sings in his own voice, not imitating Louis.

We welcomed Bo Winiker back with his powerful trumpet. He grew up in Millis and many of his friends were here to welcome him back. He dedicated Louis’s Wonderful World to the Harkey family.

Herb playing trombone with Ted on clarinet

Herb Gardner, back from playing hot spots in NY.

Herb was featured singing and playing You’re Driving Me Crazy, nobody plays trombone like Herb Gardner!

A smiing Carolyn with Eli and Tamagni in back

Caroline’s flying spoons on washboard.

Carolyn Newberger joined the band with a rousing Washboard Roundolay.

Watson Reid

Watson Reid surprised is with the complete verses of Bill Baily. There were so many, we didn’t even recognize the song until the band started the chorus.

With ensemble backing him he also entertained us with Don’t Get Around Much Anymore.

When this infectious music gets to your feet, you can’t sit still! Six of us just had to get up and dance!

We just couldn’t sit still!! This was so much fun! Photo by Harkey.

Ted on gut-wrenching tenor sax

Ted Casher played Blue and Sentimental with marvelous subtones on gut-wrenching tenor sax Thank you, Ted!

Bo took over with an Ellington tune, Do Nothing ‘Till You Hear From Me, with smokey flugelhorn. Bob Winter was asked to play something. He surprised us with Angry, creating chordal subtleties and melodies. The Hot Six closed this delightful evening with Ida, published in 1903.

There is nothing like this anywhere else; we had such fun! This music is so uplifting; weeks later we were still glowing. They will be back here April 20th. Join us!

Dan Gabel’s Centennial Jass Band, March 30, 2017 Primavera Ristorante

Posted on April 3, 2017 by admin

6 musicians standing in black tux and bow ties

Dan Gabel’s Centennial Jass Band

Dan ‘Daddy’ Gabel – 1912 King Trombone, Cow Moos
Jeff ‘LaRocca’ Hughes – 1910 Conn Cornet, Horse Whinny
John ‘Shields’ Clark – Clarinet and Rooster Coos
Ian ‘Rags’ Frenkel – Piano and fashion consultant
Bill ‘Sbarbaro’ Reynolds – 1915 Snare drum, traps (no hi-hat), barn sound effects
Rick ‘Robinson’ MacWilliams – Tuba and President

Many Traditional and Dixieland Jazz Bands across the world this month are celebrating the Original Dixieland Jazz Band recording the first commercially issued jazz 100 years ago! We had our own version Thursday Night at Primavera Ristorante in Millis, MA with Dan Gabel’s Tribute to the #OriginalDixielandJassBand.

Jeff Hughes, John Clark and Dan Gabel have played together in many bands, but tonight they morphed into cornetist Nick LaRocca, clarinetist Larry Shields and trombonist Eddie Edwards.

6 musicians all sitting and playing, no banjo

Front Line: John Clark, Jeff Hughes, Dan Gable

They played all ODJB tunes, starting, of course, with the Original Dixieland One Step. I thought I’d died and gone to heaven!

It continued with Livery Stable Blues, that became the first jazz single ever issued. It has the barnyard animal sounds that Gunther Schuller called “Barnyard Hocum.”

John Clark

John Clark was dynamite on Clarinet Marmalade. John is leader of the popular Wolverine Jazz Band, and arranging and composing tunes of his own.

Larry Shields co-wrote the ODJB classics Clarinet Marmalade with Henry Ragas, which became one of the landmark compositions of early jazz and was a very popular jazz standard in the 1920s. He also co-wrote At the Jazz Band Ball, Ostrich Walk, and Fidgety Feet.

Dan’s Centennial Jass Band made Ostrich Walk into a polyphonic thriller!
Singing The Blues is usually associated with Bix Beiderbecke, but the ODJB were the first to play it. They went to London in the 1919, where they played I’m Forever Blowing Bubbles.

This was the first time the musicians had ever played these arrangements together; the intensity grew as they absorbed the techniques.

Fidgety Feet was a Hot One!

Till My Daddy Comes Home, front line trading fours.

Alice Blue Gown started out as a waltz, but not for long – second chorus turned into hot toe-tapping Dixieland.

Rick sitting playing tuba, eyes looking up at ceiling

Rick MacWilliams

Downtown Strutters Ball has been played by just about every band, but they played faster than usual. Nice tuba by Rick MacWilliams.

(The ODJB didn’t have a tuba so Rick was given the title of “President” of the band.)

Bill with just bass drum, 1915 snare, and one smaller drum and 3 cymbals. No hi hat.

Bill Reynolds

Drummer Bill Reynolds (Tony Sbarbaro)
knows his Trad Jazz beat and kept the band in perfect time on cymbals and a 1915 snare drum, using the same simple drum set they had back then. No hi hat.

Ian with huge hands playing keyboard, huge reach on fingers

Ian Frenkel

Astounding playing by Ian (Henry Ragas) on Syncopation Rag, with his wide finger spread. This was recorded by Benny Goodman in his Carnegie Hall Concert.

You can listen to Ian Frenkel on a real piano on Soundcloud – https://soundcloud.com/search/sounds?q=ian%20frenkel

John Clark sang When You and I Were Young Maggie. He dedicated it to his #1 Fan, 90+ year-old Betty Weaver, who is a regular at Primavera, as she was at The Sherborn Inn and Sticky Wicket. She talked John Clark into singing years ago.

St. Louis Blues –

Dan Gable sang Pardon Me, Pretty Baby, resplendent leader in long-tailed tux and two-toned shoes.

Jeff Hughes’s Dad’s favorite was the 1919 Tell Me. Piano and cornet took first chorus; what a sweet cornet!

Dan Gable added some fancy crooning – he first heard it on a Bill Crosby recording.

Jeff with elbows out aiming cornet straight at the crowd.

Jeff Hughes

Jeff Hughes was in his element on a 1910 Conn Cornet.

He has a vast collection of cornets and trumpets, and leads many bands of his own.
Tops in our book!

The ODJB had Jim Robinson on piano for the 1920 Broadway Rose. It was issued on Victor 18722 A.

They closed this breathtaking evening with a fierce trombone Tiger on Tiger Rag.

New Orleans music is a living, breathing organism. We sincerely hope Dan Gable keeps this Centennial Jass Band playing long after the celebrating is over!

The Original Dixieland Jazz Band

Riverboat Stompers at Primavera Ristorante February 16, 2017

Posted on March 22, 2017 by admin

Jazz Sea Cruise – January 1-19, 2018 Phone 352.205.1777 Fax: 352.415.0779

Riverboat Stompers

The Riverboat Stompers with guest Craig Ball performed peppy renditions of New Orleans favorites at Primavera Ristorante, with Craig Ball (cl), Neil Flewelling (ct), Frank Batchelor (tb), Steve Taddeo (dr), Phil Hower (p), Pierre Lemieux (tu), and Eric Baldwin (bj)

by Marce, videos by Pierre Lemieux

They began with Original Dixieland Jazz Band One Step, celebrating The ODJB’s recording of Jazz for the first time 100 years ago!

Neil and Frank filling in for Steve Straus.

Leader Steve Strauss was on temporary disability, so Frank Batchelor led the band and Neil and Frank took turns doing the vocals, having fun with You Took Advantage of Me. I Can’t Give You Anything But Love.

Phil Hower

Phill Hower introduced Rose of Washington Square. (He’s the only one who knows the verses.) Phil’s heroes are the great stride pianists of the 1920’s and ’30’s, and he emulates their techniques and style. with a strongly rhythmic left hand.

Frank did the vocal, Phil in absolute rapture on keyboard. Eric Baldwin took this solo on guitar

The theme from This Old House, Louisiana Fairy Tale is always a favorite!

Pierre Lemieux

Bei Mir Bis Du Schoen – Eric moved to banjo. Excellent solos all around, including Pierre Lemieux’s tuba. Pierre maintains that Trad Jazz beat in many bands!

Phil Hower and Pierre Lemieux have been with the Riverboat Stompers band since its inception in 1990.

Bei Mir Bis Du Schon (To me you are Beautiful)

Somebody Stole My Gal was WILD with Craig Ball clarinet. The high ferver continued with Coney Island Washboard Roundelay.

Steve Taddeo and Craig Ball

Steve Taddeo’s drumming was tasteful and appropriate, evoking Baby Dodds behind the soloists. He added an excellent drum roll solo on Floating Down to Cotton Town.

Eric on banjo with Phil keyboard in the back

Eric Baldwin

We’ve been listening to Eric Baldwin play guitar for many years, but we really enjoyed Eric’s banjo playing!

Frank Batchelor

Frank Batchelor sang It’s a Sin to Tell a Lie, followed by fine band ensemble.

Muskrat Ramble

Phil started Sweet Lorraine; he knows ALL the verses. Eric returned to guitar; Neil took the lead, calling out the time for an upbeat Ain’t She Sweet.

clarinet and trombone pointing to Neil seated and playing cornet

Fine front line

Neil Flewellen

Neil playing a superb Sleepy Time Down South. Neil has been heard playing both in the Dixieland-style and swing all across New England.

He took the vocal on Bill Bailey, Please Come Home.

They closed with a relatively new tune, Moonlight. Steve Straus will be back with this Powerhouse Group at Primavera March 23rd and ….

NOTE THIS! The band will be taking its first Jazz Cruise January 5-19 on the Holland America Caribbean Dixieland Jazz Cruise, with Bob Schulz Frisco Jazz, New Orleans Nighthawks, & Grand Dominion, and more!
Join them… Phone 352.205.1777 Fax: 352.415.0779
Dixieland Jazz Sea Cruises

Eli and The Hot Six at Primavera Ristorante January 19, 2017

Posted on March 10, 2017 by admin

Eli and The Hot Six

Bob Winter keys, Eli Newberger leader/tuba, Bob Tamagni drums, Ted Casher clarinet and tenor sax, Phil Person trumpet and Herb Gardner trombone and vocals. Not shown: Elaine Wu and Watson Reid vocals.

The Hot Six were in rare form, playing to a full house at Primavera Restaurant. There was a highly receptive audience! Ted was back after an illness with his moose-enhanced clarinet, Bob Tamagni was back on drums after recovering from surgery. Eli led the band starting with God Bless America.

Elaine with hand across her chess, passionately singing into the mic.

Elaine Wu

Lullaby of Birdland featured the return of spitfire vocalist Elaine Wu …we look forward to hearing her. She captivated the audience with Embraceable You.
Sophisticated Lady started with fine ensemble, with Elaine adding her fulsome voice. She will be retiring as a physician soon and will have fun being a full-time Jazz Vocalist. Hurray for us!

On clarinet that is embellished with a two-inch piece of moose horn.

Ted Casher

They played many tunes that were new to us – a Hymn to Roses – Tango De La Rosa – Georgeous!

Ted took a melodic intro on tenor sax for Rose Room – in remembrance of Phil Harris and Alice Faye. He is amazing on any instrument – whether clarinet, tenor or soprano sax.

With a big smile and head full of wavy gray/white hair he is also a doctor.

Watson Reed

Watson Reid took center stage for a bright and buoyant Flat Foot Floogie with a Floy Floy; and later sang an unusually slow verse on Bill Bailey, embellishing and improvising the tune.

standing stage center, playing trombone, with tuba and drum in background

Herb Gardner

Versatile musician, Herb Gardner was featured on trombone and vocal with Close Your Eyes. His trombone traded fours with Ely’s tuba on Hoagie Carmichael’s New Orleans.

Since Herb moved back here from New York, we enjoy his many stories of all the legendary musicians he played with at the Metropole, Eddie Condon’s and more.

Limehouse Blues was a WILD instrumental, with each musician contributing his instrumental voice.

Phil playing muted trumpet. He has a full head of white hair pulled back into a pony tail.

Phil Peson

Phil Person’s sweet muted trumpet was a riveting concerto with his range of tone and shading on Sugar.
Herb joined him, closing with a soulful vocal.

Eli standing and playing beautiful ornately carved tuba.

Eli Newberger, leader

Eli transformed that cumbersome tuba into a viable solo instrument on a sublime Memories of You. Jimmy Mazzy usually accompanies him, but was unavailable this evening.

It was a rambunctious, uplifting evening of fine music with Bob Winter playing many colors on piano and always sneaking in a few surprises. They do enjoy playing together!

Bob laughing heartily after a musician played something unique, while Eli plays tuba in the back.

Bob Winter and Eli Newberger

Bob Tamagni showed us he’s feeling just fine, ending this memorable evening with Tiger Rag:

Eli and The Hot Six were not at Primavera in February, but will return with Hot Jazz on March 16^th with the full crew and Bo Winiker back on trumpet. Hope to see you there!!

Marce

Blue Horizon Jazz Band at Primavera January 5, 2017

Posted on January 29, 2017 by admin

Blue Horizon

Stan McDonald soprano sax, Phil Person trumpet, John Kafalas trombone, Jack Soref guitar and banjo, Stu Gunn double string bass, Rich Malcolm drums.

Stan McDonald’s Blue Horizon Jazz Band enthusiastically opened the 2017 Thursday Jazz Season raring to play Traditional Jazz after a two month hiatus.

Stan McDonald, leader
with Stu Gunn behind him

Stan kicked off many of the tunes on sax starting with Roses of Picardy. Phil Person took the lead with Stan playing counterpoint on many tunes for an evening of fine Traditional Jazz.

Phil on trumpet, white hair with short pony tail

Phil Person

Phil Person adds his own unique voice on trumpet with beautifully simple phrasing, understanding this Trad Jazz that isn’t often heard at Berklee, where he teaches all levels of Ear Training. Listening is vital to improvising great jazz.

John Kafalas

Hot rhythm intro to Gee Baby, Ain’t I Good To You, Stan and Phil playing riffs on Kafalas’ trombone solo.

John Kafalas has been a member of the band in the past and fills in for the few times Gerry Gagnon is away.
(Check out his 1988 Jimmy Mazzy Podcasts on http://www.kafalas.net/jazzcast/)

When I Leave The World Behind was dedicated to my cousin, Donald Fleuette, who died at two o’clock that afternoon in a Providence Hospice. Thank you! It’s been a tough three months.

Blues in the Air started with a guitar intro, great solos by front line, ending with Stan soprano sax cadenza. They played great ensemble on Memphis Blues.

Front Line, John Kafalas, Stan McDonald, Phil Person

Jack Soref was featured solo on a banjo/guitar with Sunny Side of The Street, backed by fine string bass and drum. He says the banjo/guitar was Django Rheinhardt’s original instrument. It’s a banjo with a guitar neck. Swing That Music was WILD! He also played Georgia Cabin on banjo.

Stu Gunn

Stu ensures they have the proper chords. He’s always listening, filling in any holes that might suddenly appear. He played fine slap bass on Everybody Loves My Baby.
He is first call on string bass and also plays symphonic classical music in several orchestras. Knows his stuff!

Rich Malcolm uses many subtle tricks keeping the Trad Jazz Beat – you need to watch him carefully to catch them. On Marchand de Poisson he turned the drum sticks around and played them with the backside giving it more emphasis. Instead of rim-tapping or using a wood block, he taps on a couple of sticks wired between the drums.

Backward sticks

right stick taps sticks placed across two drums

Tapping on sticks instead of rim

Dardanella started with a 4-bar rhythm vamp, Stan playing fine chorus on soprano sax, and ending with a band stinger!

They closed with Louis’s Sleepy Time Down South.

The Blue Horizon Jazz Band will be playing the first Thursday of every month at Primavera Ristorante. Check out the Primavera Schedule. Thank you, Ellen McDonald!

Eli & The Hot Six at Primavera November 17, 2016

Posted on November 20, 2016 by admin

Eli and The Hot Six

Phil Person trumpet, Ted Casher reeds, Herb Gardner trombone, Bob Winter keys, Jimmy Mazzy banjo/vocals, Eli Newberger leader/tuba, Bob Tamagni drums

Eli & The Hot Six played fantastic contemporary jazz Thursday November 17th at Primavera Ristorante in Millis, MA. They enjoy playing together; it’s always a fun evening watching and listening to this band! Next month they will be the ONLY band playing here – save the Date, December 15^th 7-9:30pm

The Front Line enjoyed playing riffs and challenging each other as Eli pointed to each of them. They worked on tunes they have never played before and others they haven’t played for years. It was a revelation!

Ted Casher, Phil Person, Herb Gardner

They began with a song Jimmy hadn’t sung in 20 years, Down By The Riverside, with the others chanting “ain’t gonna” before his every line.

Ted Casher on soprano sax

Ted Casher usually plays clarinet and tenor sax, but this evening he played mostly soprano sax. Tenor sax came out for a very fast Salt Peanuts with Jimmy scatting his chorus. At the end of the evening he played a smoky Where or When on tenor sax, the slowest that he’s played it in years.

Jimmy Mazzy is the only person who can emulate Bessie Smith’s sensual emotions.

Jimmy sang Louis Armstrong’s You’ll Never Walk Alone and absolutely astonished everyone singing the last chorus very slowly in heartfelt Mazzy style. There is only one Jimmy Mazzy in the whole world and we were privileged to hear him on Bessie Smith’s Christmas Songs: Christmas Comes But Once a Year and At The Christmas Ball.

Bob listens and accentuates Eli’s tuba

Eli and Bob Tamagni have lively exchange on a rambunctuous South Rampart St. Parade

They paid tribute to W.C. Handy on his birthday with a stunning Saint Louis Blues, with Phil’s fine solo on trumpet with the band in stop time. Eli held long difficult notes on tuba, Piano trading fours with tenor sax. They were having a ball!

Bob Winter enjoys being with this band. It’s a break from the Boston Pops.

Bob Winter was featured with deep, lush sound on a tune written by Charlie Chaplin, Smile

Phil Person filled in for Bo Winiker on trumpet

Guest trumpet Phil Person was featured on a soulful I Want a Little Girl, with band backing him in stop time. (Herb took the vocal!)

Herb Gardner played at Eddy Condon’s in NY

Herb Gardner was featured on vocal and trombone, extending the slide to its maximum length in Dixieland Style for Write Myself a Letter.

Bob Tamagni keeps the beat with many tricks

Tamagni has a minimalist Trad Jazz drum set, keeping time with tambourine on the banjo player’s national anthem, Waiting For The Sunshine. It was one of those never-ending tunes with each musician taking a final solo, Bob finally closing it on drums.

Their lyricism and expertise shaped the festive mood this evening. They closed with Eli leading on China Boy. It shows how they enjoy being together!

Eli and The Hot Six will be the only Thursday Jazz Band at Primavera in December – on the 15^th at 7pm. Mark your calendars!.

by Marce

Tunes:
Down By The Riverside
Salt Peanuts
Sit Right Down and Write Myself a Letter
South Rampart Street Parade
Saint Louis Blues
Lover
Christmas Comes But Once a Year
At The Christmas Ball
Nobody Knows You When You’re Down and Out
The World is Waiting For The Sunrise
I Want a Little Girl
Washington and Lee Swing
I Cover The Waterfront
China Boy

New England Traditional Jazz Plus

Swing, Traditional Jazz, Dixieland Jazz, Big Bands

Tag Archives: Dixieland Jazz

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