Steve Taddeo’s Swing Senders and The Midiri Brothers at Bemis Hall

shows band, hall, and crowd

Swing Senders and Midiri Brothers full house at Bemiis Hall, Lincoln MA

by Myron Idelson
photos: Marce
videos by CineDevine

On November 7 2015 at 2pm there was no ambiguity in store musically for an overflow crowd.  Steve Taddeo Swing Senders with special guest Midiri Brothers Paul and Joe, returned by unanimous demand, presented jazz lovers and enthusiasts with a fevered performance.

Against the drop back of historic Bemis Hall the Swing Senders thankfully populated by Joe Midiri clarinet, alto and soprano sax, Paul Midiri vibes, trombone and drums, Bill Cable cornet, Gerry Gagnon trombone, Robin Verdier piano, Bill Doyle guitar, Justin Meyer string bass, Craig Ball clarinet, Steve Taddeo drums, Caroline Griep vocals, unabashedly raised traditional jazz to new heights.

Steve Taddeo is a rare talent, a brilliant and dynamic drummer with native talents who fires up the Swing Senders and any band he plays for because of his consistently inspiring drums.  His unique style displaying superb musicianship is bright, inventive, quite intense, soft with sticks or brushes and with no difficulty in communicating with the musicians and vocalist Caroline Griep on their lofty level.  His playing has unanimity of purpose, of thought, musical and otherwise, inspiring the band to a sense of freedom and play; all combined with an air of maturity that is unique unusual superlative uncommon – in other words RARE.

Stomping at The Savoy

The program consisted of Stomping at the Savoy, Ida, Avalon, All of Me, Jeepers Creepers, Pennies From Heaven, Crazy Rhythm, I’ll Do Anything For You, and Dinah.  Each one played with an exuberance and excitement producing a feeling of exultation which consistently caused volcanic eruptions of applause during and after every number.

Joe bent over, Paul with left arm in the air about to strike vibes

Joe Midiri clarinet, Paul Midiri vibes

What a Dream

What a joy!  This group, the Swing Senders, combined with Joe and Paul made it absolutely amazing.  It must be remembered by all of us who were there as an evening that consistently and joyously incited and inspired not only the audience but the fellow musicians. Steve’s Swing Senders and The Midiris invariably project a wonderful uninhibited aura of spontaneity that brightens every place they perform. Ditto for November 7th.

Caroline smiling, Craig Ball has his arms on her back

Caroline Griep is appreciated by band and fans alike.

Caroline’s value to the Swing Senders is tremendous; the guys love her and she loves them.  The whole spirit of the room, the band and audience perks up perceptibly when she sings.  Caroline is dedicated to her music and modestly never fully recognizing her talent.   She is devoted and anxious to please not only her listeners but her musical conscience as well.

In addition to Craig Ball’s scintillating wizardry on clarinet, Craig was the music director and was wonderfully imaginative and wisely selecting solos at the proper times, from himself, Bill Cable’s souring and sweet trumpet, Robin Verdier’s stride piano, Justin Meyer’s chordal bass, Gerry Gagnon sonorous trombone, Bill Doyle’s syncopated guitar.  All of their solos were driving, probing soaring and sweet.

Joe’s soprano sax rendition of Si Tu Vois Ma Mere displayed a pure tone and beauty so remarkable and emotional, steeped in greatness and perhaps musical immortality.  Many of us wept.

Pennies From Heaven sung by Joe produced a return to life of Louis himself.

Finally, the dueling drums with Steve and Paul were sheer drumming skill and beauty, gorgeous and heralded clean and clear strokes, for imagination and wit, for originality, consistency, extraordinary drumming skills, making obsolete single, double, and triple ratamacues and paradiddles.

No other audience has heard a drum duel to match Steve and Paul.  The evening can be summarized thusly: a story of inspiration and imagination, a story of energy, a story of love and a lesson for all of us in giving.  And we the listeners were the gracious receivers.

Myron sitting and pointing at band

Myron Idelson

 

 

 

 

 

 

 

 

Many thanks to Harold and Shirley McAleer and Eve Welts for all their work at Bemis Hall, Vern Welch for moral support, and to SteveTaddeo for bringing us the Midiri Brothers.                                                                                  Marce

 

 

 

 

 

Hot Steamed Jazz Festival June 20-22, 2014

That was the Finale of the Hot Steamed Jazz Festival 2014 – Jimmy Mazzy singing “We’ll meet again, don’t know where, don’t know when…”   Many of us started to cry.  The Jazz at the Festival was fantastic, but the attendance was not.

by Marce
Videos by Eric Devine

Traditional and Dixieland Jazz has been featured at the Essex Steam Train since 1986 – when it was The Great Connecticut Traditional Jazz Festival.  When TGCTJF moved to Moodus CT, a dedicated group of Trad Jazz aficionados, including Joe and Shirley Bombaci, hoped to maintain some Traditional Jazz in Essex.  With staunch volunteers and supporters, they created the Hot Steamed Jazz Festival that celebrated it’s 20th anniversary in 2012.  I’ve been to every one, and it’s been very difficult getting my heart around this.

In 2014, Ten bands performed in simultaneous sessions under two tents on the grounds adjacent to the Essex Steam Train.   A Gospel service on Sunday was performed by Jeff Barnhart, who also led the Festival All Star Band.

Eric Devine (CineDevine) published many of the VIDEOS Check them out. A few are presented here.

The Festival began Friday night with Art Hovey’s talented students – The “Route 17 Stompers”  mostly from Durham, Connecticut, which is just up Route 17 from the site of the old Millpond Tavern; hence the name.

Young band of upcoming musicians

Art Hovey’s Route 17 Stompers

The Bands:

–         Jeff Barnhart, Connecticut’s own jazz pianist virtuoso

–         Galvanized Jazz Band from Connecticut with Cynthia Fabian
Fred Vigorito cornet, Fred Vigorito Jr. cornet  Russ Whitman reeds, Bill Sinclair piano, Ben Griffin trombone, Art Hovey tuba/bass, Tom Palinko drums

–         Dan Levinson’s New Millennium All Stars with Molly Ryan from New York, and John Hokum trombone, Mike Davis cornet, Jan Frankel piano, Rob Akins bass, Rich Levinson drums,

–         Sunnyland Jazz Band
Bob Barta – Banjo, Vocals
John Klumpp – Trumpet, Vocals
Art Hovey – Tuba

–         Wolverine Jazz Band from Massachusetts
John Clark – reeds
Jeff Hughes – cornet
Tom Boates – trombone
Ross Petot – piano
Jimmy Mazzy – banjo / vocals
Rick McWilliams – tuba
Dave Didrickson – drums

 

–         Heartbeat Dixieland Jazz Band from Connecticut

Tom Brown – Trumpet
John Clark- Reeds
Noel Kaletsky – Reeds
Skip Hughes- Trombone
Ben Griffin – Trombone
Shari Lucas – Piano
Steve Keeler – Guitar
Albie Bernard – Tuba
Bill Logozzo — Drums
Michele Berting – Vocals

Sun Jeff Barnhart

 

 

Gospel Service on Sunday was officiated by Jeff Barnhart, with help from Jason Senn and The Festival All Stars: Noel Kaletsky, Lou Green, Emily Asher, Lou Bocciarelli, Al Bernard, Skip Hughes, Tom Palinko

two trombones

Emily Asher and Skip Hughes

string bass and sousaphone

Lou Bocciarelli and Al Bernard

Skip Hughes put heart and soul itno Old Rugged Cross. Jeff said it: “That, Ladies and Gentlemen, is what we call sharing our gifts!”

WOW!

–         Ivory and Gold

–         Ben Maugher’s Vintage Jazz Band from Pennsylvania
Ben Mauger (cornet), Brian Priebe (trombone), Bob Rawlins (reeds), Bob Kreitz (piano), Bruce Campbell (Bass), Larry Bortz (drums)

–         Riverboat Ramblers led by local musician and entertainer John Banker, with Joe MacWilliams keyboard, Sherman Kahn reeds, Bab Barta banjo, Sal Ranello drums and washboard.

Ramblers Trio

–         Festival All Stars led by Jeff Barnhart – Jeff collected many musicians for different sets.  This one has Jeff Hughes trumpet, Noel Kaletsky and Craig Ball reeds, Al Bernard sousaphone, Tom Palinko drums.

 

–    Jazz Jesters from Massachusetts

Jeff Hughes – trumpet
John Clark – reeds
Craig Ball – reeds
Jimmy Mazzy – banjo / vocals
Ross Petot – piano
Albie Bernard – tuba
Steve Taddeo- drums

 

The Hot Steamed Festivals always concludes with The Galvanized Jazz Band marching from the Louis Armstrong Tent to the Hole in the Wall Gang Tent to join whatever band is playing there – this time it was Jeff Hughes’ Jazz Jesters, with Jimmy Mazzy banjo and vocals. They were joined by Sarah Spencer.

The music and musicians at the 2014 Hot Steamed Jazz Festival were fantastic.  Many of the Fans who have been here since the beginning were here, but with more canes, walkers, and wheelchairs.  But as in other Festivals across the country, there weren’t enough of us to make the Festival break even.

We were told by management of The Essex Steam Train that we can’t hold it here anymore.   As Jimmy was singing the Finale, “We’ll  meet again, don’t know where, don’t know when”, we left the Hot Steamed Jazz Festival in tears.
Eric Devine (CineDevine) published many of Bands’ VIDEOS Check them out.

Jeff Barnhart and his Hot Rhythm for Essex Winter Series

Jeff Barnhart, Gordon Au, Dan Levinson, Vince Giordano

Jeff Barnhart and his Hot Rhythm

By: Jean Hadley
Photos by Ed Ohr
Videos by CineDevine

The music of THOMAS “FATS” WALLER
John Winthrop Middle School – Deep River, Connecticut,   March 2, 2014

Jeff Barnhart and His Hot Rhythm celebrate the music of Fats Waller at the The Stu Ingersoll Jazz Concert hosted by the Essex Winter Series.  Artistic director – Mihae Lee, Jazz artistic advisor – Jeff Barnhart.

Trumpet: Gordon Au (http://www.gordonaumusic.com/)
Reeds — Dan Levinson (http://www.danlevinson.com)
Piano: Jeff Barnhart (http://www.jeffbarnhart.com/)
Banjo: Bob Barta (http://sunnylandjazz.com/?page_id=6)
Bass — Vince Giordano (http://vincegiordano.com)
Drums: Kevin Dorn (http://www.kevindorn.com/)

Although the weather report was predicting threatening weather, people came out in droves to hear Jeff and his ensemble of fine musicians.  From the beginning to the end, it was an afternoon of delightful entertainment.

Jeff at piano

Jeff Barnhart                      all photos by Ed Ohr

 

 

Jeff, a piano virtuoso, opened (solo) playing Waller’s most well known HONEYSUCKLE ROSE/1929. From then on, it was non-stop.

 

Following this solo, the band members assembled and set the pace for an unforgettable performance. Each musician, highly skilled in his music artistry,  are men who have a plethora of credits and a dossier that has no end.

Some people think OKOM (our kind of music) is passé  or some say outmoded….not so!  Before us, on stage, one could see two very young musicians (30 years old) who have already made a huge name for themselves and an impact on the younger generation of musicians and fans.

Gordon on trumpet, Kevin on drums

Gordon Au and Kevin Dorn

To hear young Gordon Au (trumpet) you might think he has been playing for a very long time. He may be young but his music talent, repertoire and credentials are outstanding.  Next, Kevin Dorn (drums) another young and talented musician on the scene, has been delighting audiences for several years here in Connecticut, New York City and Europe.

 

The band came to full circle with three greats, in the music industry, Vince Giordano, Dan Levinson and Bob Barta all well known in the USA and abroad. These three wonderful musicians need no introduction.

Dan on clarinet

Dan Levinson

BoB Barta banjo, Vince Giordano string bass

Bob Barta and Vince Giordano

Now begins the music, for which the members of the audience were patiently waiting.

After Jeff finished his fantastic rendition of HONEYSUCKLE ROSE (and brought down the house) Jeff proceeded to spend time entertaining us with wonderful stories about Fats and his brilliance on the piano and his composing ability and, all this in his too short life of 39 years. However, what he left behind has and will last forever.

Jeff talks about Fats Waller – At Twilight

Jeff Barnhart – Handfull of Keys

You’re Feets Too Big

I am writing this, without giving you details of everything that occurred on stage, but rather to encourage you to make every effort to hear this band when they do a repeat of this concert. You will be surprised how many Fats Waller numbers you will recall, and hear some you never knew he wrote.

Here are several numbers that were played and introduced to many of us for the first time…..HOLD MY HAND, AT TWILIGHT, HANDFUL OF KEYS, THE MINOR DRAG, MOPPIN & BOPPIN AND RUMPSTEAK SERENADE and, some well- known to the audience, I’M CRAZY ‘BOUT MY BABY, THE JOINT is JUMPIN’, WHAT DID I DO TO BE SO BLACK AND BLUE, AIN’T MISBEHAVIN’.

Thank you Jeff, Vince, Dan, Bob, Gordon and Kevin.

Jan Hadley
Videos by CineDevine
Photos by Ed Ohr

More Videos:
I’m Crazy ‘Bout my Baby
http://www.youtube.com/watch?v=-iL6_rPspfM

Hold My Hand
http://www.youtube.com/watch?v=UgDcKBuuh3M

Handful of Keys
http://www.youtube.com/watch?v=iq9Lz7S1TRE

Keepin Out of Mischief Now
http://www.youtube.com/watch?v=RA8nWAO9EZY

You Must Be Losing Your Mind
http://www.youtube.com/watch?v=592mL8HEHTA

Minor Dag
http://www.youtube.com/watch?v=hOEVhOVN4h4

The 12th Street Rag:
http://www.youtube.com/watch?v=bBoG1Gsigjs

I’ve Got a Feeling I’m Falling:
http://www.youtube.com/watch?v=0pnDOF3NhMQ

When The Saints Go Marching In
https://www.youtube.com/watch?v=sZVdRAKjMTs

Keeping Out of Mischief Now
https://www.youtube.com/watch?v=RA8nWAO9EZY

Moppin’ and Boppin’
https://www.youtube.com/watch?v=cbN1bmceqKU#t=146

You Must Be Losing Your Mind
https://www.youtube.com/watch?v=592mL8HEHTA#t=11

Rumpsteak Serenade
https://www.youtube.com/watch?v=pQ_g7jm0Y0g

 

Jeff and Joel’s House Party, October 11-13, 2013

14 musicians lined up on long staircase

Official Staircase picture, by Eric Devine

Bottom up – Bob Barta, Bill Reynolds, Jeff Barnhart, Daniel Barda, Alain Marquet, Noel Kaletsky, Ian Frankel, Emily Asher, Freddy Vigorito, Tom Palinko, Gordon Au, Lou Bocciarelli, Joel Schiavone, Albie Bernard

By Sue Finn
Pictures by Sue Finn and Marce

Daniel on trombone, Alain on clarinet

Daniel Barda and Alain Marquet

It was wonderful to have Daniel and Alain there all the way from France to perform for us.  How they did it through the jet lag is beyond me.  I was particularly impressed with Daniel’s ‘Ory’s Creole Trombone’.  I was sitting close enough to hear him say that he had no warning that he was going to be asked to play that – amazing!  And hearing Alain & Noel together was magical – especially ‘China Town’.

I thought the addition of the Friday night concert was a cool way to give us all a chance to hear D & A in depth.  Nice touch having Bill play washboard on ‘Washboard Wiggle’ – wonder if it made them feel at home!

Daniel, Alain, Bill Reynolds on washboard

Paris Washboard, with Bill Reynolds on washboard

Saturday afternoon started the weekend ‘proper’ with the full contingent of super-talented musicians, in various permutations for all of the two days. There were many different styles.

Emily Asher and Daniel Barda

Emily Asher and Daniel Barda

 

 

Some highlights:  ‘Mood Indigo’ with two trombones,

 

 

 

Fred Vigorito cornet and Gordon Au trumpet

Fred Vigorito and Gordon Au

 

 

 

‘Cakewalking Babies’ with trumpet and cornet,

 

 

 

‘Bogalusa Strut’ and, of course,  ‘Joel’s Banjo Frenzy’ sing along with Noel being a good sport and playing a banjo again – although he always says he won’t!

 Joel with banjo leading sing-along, Palinko drums, Barnhart piano, Barta banjo

Joel’s banjo sing-along

Noel plays untuned banjo

Noel Kaletsky on banjo

The finale for this set was ‘South Rampart Street Parade’ with 11 of the 14 musicians joining in.

Finale Saturday 4pm

Finale Saturday 4pm

The ‘history lesson’ on Saturday evening was very informative and something new (I think – I wasn’t at the 3rd House Party so Jeff may have done it there).  In my opinion this set included some of the best music of the weekend, including the aforementioned ‘Ory’s Creole Trombone’.  I was surprised at the bebop number – definitely learned something there.  I always thought bebop was like swing and the dance similar to jitterbug.  Needless to say this trad jazz fan didn’t like it but it didn’t sound as if Jeff expected anybody to!  My favorites from this set were:  ‘At a Georgia Camp Meeting’, ‘At the Jazz Band Ball’, ‘Stevedore Stomp’ & ‘Big Bear Stomp’.

 

most all musicians

Saturday night Finale

Sunday brought more wonderful music – where do they get their energy?? – and included some novelty numbers – ‘Down in Jungle Town’, ‘A Chicken Ain’t Nothing But a Bird’ and the (unplanned) ‘Rooster Song’ solo by Jeff.  Also another sing along.  In this set I especially liked ‘Limehouse Blues’,

Gordon Au singing, Noel playing clarinet

Gordon sings

 

 

‘Happy Feet’ with Gordon singing, Jeff & Ian’s piano duet and the grand finale of the weekend with ALL the musicians playing ‘High Society’.

 

 

table filled with food and people helping themselvees

Volunteers served delicious meals

 

 

 

Can’t end this without a mention of the volunteers – they are amazing, working quietly, mostly behind the scenes and making sure it all runs smoothly and everyone has a truly memorable weekend.

 

 

Now we all have to be very patient and wait until October, 2014 for the next one!  We are SO lucky to be able to hear such talented musicians play amazing music just for us…………

Sue Finn

 Questionnaire

>From Marce:    List of 16 hours of Tunes!
Eric’s videos are in the works, there will be more on this later.   If you were a witness to this marvelous weekend, please share your comments with us.  Send to marce@nejazz.com.

I’ll See You In My Dreams

Comments:
Eric Devine:
“It’s hard to put into words the feeling I have when I’m at Jeff and Joel’s House party.  I find myself literally surrounded by incredibly talented musicians and enthusiastic fans who all like what I like.  It feels like a big Trad Jazz family reunion in some ways. This house party (number 4) may have been the best yet.  It’s hard to say this because each party has been exciting, fun and unique, but the addition of a Friday night show with Alain Marquet, Daniel Barda, Jeff Barnhart and Bill Reynolds was really spectacular.  On Saturday night Jeff narrated a 50-year history of jazz that was interesting and funny.  There were so many great moments from this party, from the comedic interchange among musicians to the really hot tunes to the conversations with musicians and other fans.  I am grateful that Jeff, Joel and all of the house party volunteers find a way to make this party happen and I look forward to the next one.”

Marilyn Snow:
What  a great weekend–jazz heaven. Loved the music (such great talent) and the surroundings, food, and company, all just wonderful. What a marvelous concept.

 Fred Vigorito, cornetist:
Thank you Joel Schiavone and Jeff Barnhart for a fabulous, fun filled weekend of hot Jazz! Thank you Glen and Carol Ott for the delicious food!  Over 200 Jazz fans enjoyed the sounds of 14 talented musicians giving it their all.  Thank you, volunteers. It couldn’t happen without you!  This was so much fun!  Playing with Daniel and Alain of Paris Washboard! Sharing the trumpet slot with Gordon Au.  Working with trombonist Emily Asher, drummers Bill Reynolds and Tom Palinko, bass man Lou Bocciarelli, clarinetist Noel Kaletsky, banjoists Bob Barta and Joel, tuba man Albie Barnard, pianists Jeff Barnhart and Ian Frenkel.  You should have seen and heard Jeff and Ian’s duet, with one piano!  Sad to see it all come to an end, but the good news is that it will happen again next year, Oct 11 and 12, 2014.  This will sell out for sure, so buy your tickets soon! Go to: www.jeffandjoelshouseparty.com

Hot Steamed Jazz Festival – Funky Butt Jazz Band

Videos by Eric Devine – CineDevine

Piano, Kaletsky, drummer, Pierce, tuba

Pierce Campbell and The Funky Butt Jazz Band

Pierce Campbell guitar and vocals, Noel Kaletsky reeds, Lauren Evarts piano, Al Bernard tuba, John Rispoli drums

Pierce Campbell on guitar

Pierce Campbell on guitar

 

The Funky Butt Jazz Band was started by his father, Pete Campbell and Bud Gettsinger 36 years ago.  Pierce took over the band for playing traditional jazz, has various small combinations, and also performs solo..

He borrowed Noel Kaletsky and Albie Bernard from the Festival All Stars, for Summertime, Georgia, Dinah, One Meat Ball, I’m Confessing, Jelly Roll, Ain’t She Sweet, Buddy Bolden Blues.  All great Trad tunes.
The Valley Railroad gave him an opener for Buddy Bolden’s  Blues. Noel on soprano sax.

Loren Evarts on piano

Lauren Evarts

 

 

Lauren is a regular member of The Funky Butt Jazz Band.

 

 

 

 

 

Noel on alto sax – Georgia

John Rispoli, drums

John Rispoli

 

 

 

John Rispoli is a monster on drums!

 

 

 

 

Al Bernard on tuba

Al Bernard on tuba

 

 

 

Al Bernard put away the sousaphone and took out the tuba to play melodies for this session.

 

 

 

Ain’t Gonna Give Nobody None of My Jelly Roll

 

Noel Kaletsky on alto sax

Noel Kaletsky

 

 

Noel Kaletsky is a complete band unto himself!
Unbelievable, from the Festival’s start to finish.

Price Campbell said it succinctly,
“Faster than a silver bullet!”

 

 

 

 

They all went WILD on Ice Cream!

Currently Pierce plays a variety of music which showcase his versatility. He performs solo singing and playing original and Celtic folk, American pop and Jazz classics. He performs Irish and original Celtic folk with The Kerry Boys, traditional Jazz with The Funky Butt Jazz Band, vocal Jazz classics and originals with The Pierce Campbell Jazz Duo/Trio and pop rock classics with Pierce Campbell and the Scramble. During the day, he entertains seniors at venues throughout CT.

Funky Butt Jazz Band

Hot Steamed Jazz 2013 – Dan Levinson’s New Millenium All Stars

Dan, trumpet, string bass, trombone

Dan Levinson’s Millennium All Stars

Dan Levinson is a jazz Historian in New York devoted to Traditional Jazz, with a vast collection of memorabilia going back to the 1900’s.  He has at least nine different bands.  Fortunately for us, he spends much of his time searching out the newest talent coming out of the music schools and teaching these young NY musicians our kind of music, so it will be preserved well into the future.

He seems to save the Millenium All Stars for us at the Hot Steamed Jazz Festival. We have no idea how many young bands he is responsible for, but he has been bringing new ones here to the Hot Steamed Jazz Festival for 16 years.  (He breaks the new ones in with a discerning Traditional Jazz Audience.)

This band was actually from the Millennium Generation, with recent graduates of the Manhattan School of Music.  Jack Holkum on trombone is 21.  Mike Davis cornet, Rob Atkins bass.

Gatsby-looking Davis, suited Holkum

Mike Davis, Jack Holkum

string bass

Rob Atkins

Good looking, maybe in his mid-30's

Kevin Dorn, drummer

Except for drummer Kevin Dorn.  Kevin was a young drummer when he first arrived here with Dan 15 years ago in 1998; now he’s one of the “elders” in the band, and has a great Traditional Jazz Band of his own.

 

 

Ian Frankel, about 7 feet tall, sitting at the piano

Ian Frankel

 

 

Dan invited a fine Connecticut pianist, Ian Frankel, to join the band.  Dan promised him there would be no reading, but this is Jazz, and it’s never the same twice.  Frankel cleverly breezed through several surprises.

 

 

 

They began with Dan on clarinet  with the title tune of an album by his Swing Wing Band, featuring Molly, At The Cod Fish Ball.

It includes Bud Freeman’s Summa Cum Laude Orchestra’s Copenhagen.

Molly has been coming here since 2004 – she is now Mrs. Dan Levinson.  Molly also sang some tunes from her own new album, Swing For Your Supper, and I’d Like to Wake Up in the Morning Where The Morning Glories Grow.

 

Molly in a kitchen apron cooking

Swing for your Supper

The Milleniums presented another tune from the Cod Fish Ball album, originally done by the Rhythm Makers, a mixed band, unheard of at the time. Oh Peter, You’re  So Nice.  In 1932 it featured PeeWee Russell on clarinet, with Eddy Condon on guitar, Joe Sullivan piano, and Zutti Singleton drums.  Dan moved to tenor sax for the 1936 Mez Mezro & Sy Oliver, Hot Club Stomp.

Another from Molly’s Album, done by Bing Crosby and The Bob Cats, You Must Have Been a Beautiful Baby.  A mellow front line backed Molly on Ruth Ettings 1930 Ten Cents a Dance.

They closed with the Gershwin’s The Lorelei from Pardon My English that opened at the Majestic Theatre, New York on January 9, 1933.

We sure hope Dan Levinson and Molly Ryan are available with more of New York’s new talented musicians for next year’s Hot Steamed Jazz Festival!
http://danlevinson.com/ensembles.html

Hot Steamed Jazz 2013 – Bob Seeley

Boogie Woogie Bob Seeley at the Yamaha

Boogie Woogie Bob Seeley at the Yamaha

Bob Seeley, 85 years old in September, is a “National Treasure,” an exponent and proponent of Boogie Woogie.  He grew up when Boogie was popular music, never forgot Meade Lux Lewis, Albert Ammons, James P. Johnson.  He remembered when Albert Ammons and Pete Johnson played a duet at Carnegie Hall in 1938, from spirituals to boogie – it was a Boogie Woogie Dream!

A natural entertainer, he speaks about all the great pianists of the past, including some we’ve never heard of, like Freddy Slack, who wrote Strange Cargo.

Bob turned to the audience and talking

Bob Seeley teaches us about past masters

Bob started out with Seeley’s Boogie.  He played W. C. Handy’s St. Louis Blues first in boogie, then switched to stride – first slow, then at a thundering pace, sounding as if there were three pianists.  Unbelievable!

He was having a problem with the piano – the ‘sustained key’ pedal on the Yamaha piano was hard, and stride has many sustained notes. He just pushed harder.

Seeley EHe asked for requests and unfortunately got one – Jay was having his 70th birthday and his wife asked for Happy Birthday. Jay got his Happy Birthday Boogie.  (Fortunately there were no copyright police around to collect the royalties on it.)

Seeley with a big smile playing Happy Birthday Boogie

Seeley loves what he’s doing!

Amazing Grace began very slow and reverent as a spiritual and quickly turned into a fast boogie – audience loved it, and he loved the audience. “Mature audience – thank goodness!!”

This is from the 2012 Hot Steamed Jazz Festival:

Hot Steamed Jazz Festival is located at a Steam Train Museum – he had to play something about railroads – he chose Honky Tonk Train.  This was Meade Lux Lewis’ special tune that requires a muscular left hand. It has a repetitive bass that sometimes gives the left hand cramps.  He was ferocious and wild!  From there he continued with Pete Johnson’s JJ’s Boogie – at an exhausting pace!

He gets together with another fine piano player whenever he’s here at the Hot Steamed Jazz Festival.  They generally start out peacefully.  But with Barnhart, one never knows…

Seeley and Barnhart at 4-handed piano

Seeley and Barnhart at piano

Barnhart and Seeley, peacefull playing 4 handed piano

Jeff Barnhart and Bob Seeley

Barnhart leans over in front of Seeley,  both still playing

 

When Barnhart plays – Seeley can’t sit still – no way!  Loves to prance around.

Seeley dances behind Barnhart  Seeley prances around while Barnhart plays piano   Seeley prancing, knees bent, hands behind back

And he never misses a parade!

Seeley marching tapping tambourine

Always has his tambourine with him…

He is a Happy-go-lucky Treasure!

“Boogie Woogie demands precise fingering and split second timing.  It’s one of the most demanding and dangerous pieces of music to perform and only a handful of people left on earth possess it.”

Here he was on June 11th at the Blind Boone Ragtime & Early Jazz Festival in Columbia,Missouri ~ June 11, 2013. Video by Tom Warner (tdub1941)   http://youtu.be/M8fz6jLnLr0

We are indeed fortunate to have Bob Seeley here in Connecticut to show us how its done.  See you next year!!

 

Bob Seeley – Detroit

 

Hot Steamed Jazz 2013 – Festival All Stars, led by Jeff Barnhart

Barnhart piano, Kaletsky clarinet, Palinko drums, Bocciarelli string bass

Beginning of the Hot Steamed Jazz Festival All Stars….

Jeff Barnhart led the Festival All Stars, starting out with four people on Friday night, including indefatigable Noel Kaletsky, who never stopped playing until the last note on Sunday!  Tom Palinko was on drums, Lou Bocciarelli on string bass.  Jeff said they were “happy to take requests, to keep the band riled up.”   As the festival progressed, more All Stars sat in.

Noel Kaletsky on soprano sax

Noel Kaletsky on soprano sax

 

 

 

Back Home Again in Indiana, Noel plays soprano sax and clarinet with a passionate intensity.

 

 

 

 

Jeff said “This is an ironic name for a JRM tune in a tempo that Jelly Roll Morton called: Tempo Disturb the Neighbors.” Sleep.
Barnhart, Palinko, Bocciarelli, and indefatigable Noel in complete control on wild clarinet
Sleep.  http://www.youtube.com/watch?v=HiKdRIWGbNA

Winin’ Boy Blues accidentally started as Buddy Bolden Blues – Stop! Rewind!  They decided on Winin’ Boy, Jeff proving that less is more on piano, leaving silent pauses – silence can be more  important than sound to put over a tune; (Who said that?)  Noel Kaletsky soared through the stratosphere on clarinet.

Al Bernard arrived from Rockport, MA, wrapped in sousaphone.  Lou and Al took turns pushing the basses on Swing That Music.  Jeff Barnhart gave us a lesson in Jazz History, explaining the difference between the music of the 20’s and 30’s.  He played one chorus of the 20’s Sousa-feel with Al on sousaphone, and a second chorus with the 30’s two-beat Swing feeling with Lou walking the bass and Noel on swinging soprano sax.

China Boy (PC: East Indian Child) was a barn burner, Jeff tore into the piano, fabulous bass, they let Palinko loose on drums.   JRM’s Ain’t Misbehaving.

drum, sousaphone, string bass

Tom Palinko, Al Bernard, Lou Bocciarelli

 

What does one do with two basses?  They  experimented with having both a sousaphone and bass on the same band, taking alternate choruses.  Never gets dull!
Bob Barta sang a poignant  My Gal Sal with the 8-pc All Star Band:
https://www.youtube.com/watch?v=9JjfHEiUbMY

Eric Devine presents an excellent split-screen view of Barnhart/Barta scatting on:
Sweet Sue

More musicians appeared over time, Kaletsky on alto sax, Steve Taddeo drums, John Clark soprano sax, Fred Vigorito cornet, Lou Bocciarelli string bass, Ben Griffin trombone, Al Bernard sousaphone, Jamil Jorge, fresh out of Connecticut College, on trombone.

9 piece band

More All Stars

On Avalon, Jeff Hughes trumpet, Craig Ball sharing reeds with Noel, Bob Barta banjo, Jamil Jorge on trombone; two basses trading 4s.
Avalon   https://www.youtube.com/watch?v=RJXQF-3luB4

Jeff plays The Entertainer:

“1910 Shine, when there was nobody around except Noel Kaletsky; dedicated to me.” Jeff B.  Barnhart’s hands blur playing stride, Kaletsky & Craig Ball reeds, Hughes, Barta, Jamil, Bocciarelli, Palinko WOW!
Shine

We caught the Festival Band again on Sunday, with Fred Vigorito on cornet, Albie Bernard sousaphone, Jeff Hughes trumpet, Ben Griffin Trombone, and Jamil Jorge on trombone for a barn-burning  That’s a Plenty, with Noel, Fred, and Ben, both basses – complete insanity!

Noel and Clark both on soprano sax

soprano saxes

 

Dans Les Rues D’Antibes – Steve Taddeo (Swing Senders) joined Palinko on drums, two basses, John Clark AND Noel Kaletsky on soprano sax.  It just got wilder.  Who made that request?  Thank you!

John Clark and Noel Kaletsky are an orchestra unto themselves, mixing and matching all those reeds.

 

 

 

Fred cornet, Ben trombone

Fred Vigorito and Ben Griffin

 

 

Moving from all reeds to all brass, Jeff Hughes trumpet, Freddy Vigorito cornet, two trombones, Someday Sweetheart.  Griffin plays a really sweet trombone!

 

 
Jeff Hughes’ golden horn led with Barnhart on vocal, Kaletsky & Craig Ball reed duet, Barta & Bocciarelli trading 4s on If I Had You.
http://www.youtube.com/watch?v=bhKrOBq7GFw

Everybody was wired for the Finale, High Society, everyone taking a shot at Alphonse Picou’s soliloquy, even Albie on sousaphone.  Albie & Lou shared bass lines.  Palinko and Taddeo shared drums.  It was a wild ending to a fabulous weekend! Steve Taddeo joins Tom Palinko on drums for finale

Thank you Shirley Bombaci and Crew for persevering and giving us another weekend of great Traditional and Dixieland Jazz.    There will be more great bands next year – we’re looking for an appropriate date when they will all be available.  We hope more volunteers will step up.  How about it??

 

Hot Steamed Jazz 2013 – Midiri Brothers

Joe on clarinet, Paul vibes

Joe and Paul Midiri

Joe Midiri – Clarinet, Saxophones, Paul Midiri – Vibraphone, Trombone, Pat Mercuri – Guitar, Ed Wise – String Bass, and Jim Lawlor – Drums.

The Midiri Brothers, identical twins, graduated from Glassboro State College in the mid-1980s, and have been keeping Swing alive all over the country ever since.

Joe Midiri’s creativity, technique of breathing, and sound – as with his clarinet in D over High C, is unsurpassed.  Paul does many of the arrangements, and his vibes remind us of the great Red Norvo in the Benny Goodman Sextet.

Shine:

Joe used the circle breathing technique for holding a note forever on After You’ve Gone. Ed Wise used his voice mike, humming along when he’s bowing that marvelous string bass.

ED WISE

Joe Midiri on soprano sax

 

 

Always, the song I sang to my grandchildren when they were babies.  Joe moved to soprano sax, again holding long notes, for The September Song – sweetest soprano sax you ever heard!

 

Ed Wise Humming along with his string bass

Ed Wise Humming along with his string bass

 

 

 

Paul did the arrangement for a tune he heard on a Count Basie recording, Let’s Go – clarinet and vibes playing together in sync, with Ed humming in the background.

 

 

 

Joe Midiri sings Louis A.

Joe Midiri sings Louis A.

 

 

 

Joe’s Louis Armstrong imitation is precious, sometimes on Wonderful World.

 

 

Here he’s Louis on Pennies From Heaven.  Joe on alto sax, Paul trombone.

Pennies From Heaven

Pat Midiri on guitar

Pat Midiri

 

 

 

Pat Mercuri, guitar, plays catchy riffs, fills in any spaces.

 

 

 

Avalon:

Together:

 Paul joins drummer Jim Lawlor for Lime House Blues

The Midiri Brothers are entertainers as well as virtuoso swing musicians.  They keep the crowd laughing with their sibling rivalry banter.  The Midiri Brothers Sextet keep dancers Swinging!  Check out their schedule at  The Midiri Brothers – New Jersey

 

Hot Steamed Jazz Festival – Heartbeat J.B.

Basic Heartbeat Jazz Band

Heartbeat Jazz Band (from video)

Bill Logozzo’s Heartbeat Jazz Band, “New England’s Most Lovable Jazz Band”, has many variations, but always plays great Traditional and Dixieland Jazz, and even some Rock & Roll.  Bill picks the best musicians from Connecticut, Massachusetts, Rhode Island, New York, and Florida — they are all eager to be in this band.

This session, recorded by Eric Devine, has Sherman Kahn and Noel Kaletsky reeds, Tom Brown cornet, Skip Hughes trombone/vocals, Ben Griffen trombone, Steve Keeler guitar, Shari Lewis piano, Al Bernard sousaphone,  Bill Logozzo drums, Jane Campedelli vocals.

Jane Campedelli

Jane Campedelli

You can feel the camaraderie between the members.  Skip Hughes starts the vocals on this one, Louisian-I-A;  he motions Jane to join him. Albie backs them.

Vocalists with sousaphone in center

Jane, Albie, and Skip. (Marce photo from other session)

Skip Hughes is a gregarious singer, belts out the tunes, and really connects with the audience.  But here in Georgia he reveals another, softer, side.

Roll the Patrol is usually Skip’s tune, but he let Janie start this one.

Ben Griffin takes the intro on When You’re Smiling.  Marvelous!  Bob Price couldn’t be here, Steve Keeler filled in, focused on guitar.  You’ll be hearing more from him!

Stevedore Stomp is strictly instrumental, with two trombones, and Noel on alto sax, Sherman clarinet, Tom Brown on growling cornet.

Second session, multi-instrumentalist John Clark stepped in for Noel. Clark and Kahn work together and play off each other – superb craftsmanship.

John Clark joins band on bari and soprano sax

John Clark joins Heartbeat Jazz Band

Sherman Kahn alto sax and clarinet, John Clark bari sax, soprano sax, clarinet, Tom Brown cornet, Skip Hughes trombone/vocals, Ben Griffin trombone, Steve Keeler guitar, Shari Lewis piano, Al Bernard sousaphone,  Bill Logozzi drums, Jane Campedelli  vocals.

They opened with a good ol’ good one, New Orleans, and ended up with some Rock & Roll. With Skip and Jane singing, Clark took out the baritone sax for Goody Goody.  They asked him to call the next tune, he chose Sweet Georgia Brown that featured two trombones.

guitar, trombone, sousaphone, trombone

Steve, Ben Griffin, Albie, Skip Hughes

Down in Honky Tonk Town, powerful, with Sherman on tenor sax, Clark on soprano sax, hot dazzling solos buoyed by propulsive rhythm section.  Both on clarinet, they ‘worked like government mules’ on Avalon.

Sherman Kahn and John Clark on clarinet

Sherman Kahn and John Clark

Jane and Skip are a show by themselves.   Big discussion on who will start Just a Closer Walk With Thee, Jane says to Skip, “You start, like you always do”. Skip replies “And you’ll get the last word in, I’m sure”!

Jane and Skip, sousaphone in middle

Jane and Skip go at it

Jane got the last word in, softly backed by Ben on trombone.

Tom Brown cornet

Tom Brown cornet

 

 

John Clark beat out a hard driving tempo for a scorching   Running Wild.   Clark’s soprano sax traded 4s with cornetist Tom Brown setting sparks flying.

 

 

 

 

 

Steve Keeler, guitar

Steve Keeler

 

 

Steve Keeler  made the guitar intro to a Dolly Parton tune, Pretend, and pushed the beat on Hey Good Lookin’  Jane and Skip scatting.  Please Don’t Talk About Me When I’m Gone.

 

 

Bill Logozzo is a most unique individual. This world needs more like him!  Besides being a fine musician with a great band, he drums up charitable support for the needy with his high-powered Heartbeat Dixieland Jazz Band and Musical Dreams for Human Harmony.

Bill Logozzo on drums

Bill Logozzo

His mission: “To solicit and earn funds through musical productions and programs for the purpose of helping people from all religions, races and ages, with specific medical needs and/or handicaps. To achieve the highest donation rate possible, through minimal expenses and volunteer labor.”

Karen Senn is now letting the world know where they’re playing by emailing The Heartbeat Weekly Pulse  and posting on Facebook.

Website:   Heartbeat Dixieland Jazz Band – Connecticut