Jeff Hughes’ Jazz Jesters at the Sherborn Inn, 28 October 2014

Fine 7 pc Trad Jazz Band

Craig Ball and John Clark reeds, Steve Taddeo drums, Jim Mazzy banjo/vocals, Al Bernard tuba, Jeff Hughes leader/trumpet, Ross Petot piano.

Jeff Hughes trumpet, Craig Ball clarinet and tenor sax, John Clark clarinet, alto and baritone sax, Ross Petot piano, Jimmy Mazzy banjo/vocals, Al Bernard tuba, Steve Taddeo drums.

The Jazz Jesters were just back from a studio recording of their first CD.  They presented a nostalgic evening of authentic old tunes by hundreds of revered players newly arranged by John Clark.

When Dr. John Clark enrolled at Connecticut College, he discovered their vast Traditional Jazz library.  He immersed himself in it, absorbing every record and tape.  With that knowledge, he was able to create authentic arrangements of the bands of the 1920’s and 30’s – tonight was spectacular!

Craig on tenor, John on alto, bari setting beside him

many saxes!

 

They always begin with their theme song, This is My Lucky Day, with Craig on tenor sax.  Deep Henderson, Fred Rose 1920’s.  It wasn’t meant for Fletcher – it was about Deep Henderson Creek.  Two saxes give it a special fling.  In Zulu Wail, the two featured a fascinating exchange between two clarinets.

Jeff on open bell trumpet

 

Jones Law Blues (1929) was recorded by Bennie Moten’s Kansas City Orchestra.  Nice blues, great solo by Jimmy on banjo, and muted trumpet by Jeff Hughes.  This was the first time they used this tune.

Great trumpet solo.  The Yamaha Tuneable Bell trumpet was custom made for Jeff; it has a wide bell that gives it a warm cornet sound.

 

 

Jimmy playing banjo and singing

 

Jimmy was featured in a 1927 Walter Donaldson, Changes. noteworthy Tuba solo by Albie, who is sometimes pushing, sometimes just providing a steady beat.  Jimmy ‘owns’ Cabin In The Sky.  My Blackbirds are Bluebirds Now.   One tune was recorded by just about everybody through the ages, That’s My Desire.

 

 

90 year olds smiling and dancing

John and Gisela dance all night!

 

Jeff and John like to test new tunes on us, like Lew Pollack’s 1920’s Dianne.  Sweet dance tune, had John & Gisela Bruneccini  dancing.

 

 

 

 

 

They played King Porter Stomp, Blue River, Cabin In The Rain, Copenhagen, sweet romatic Moon Song, transporting us back to the Golden Era of Jazz.

Golden Gate was HOT, with great solos and celestially rocking alto sax by Clark.  Hughes was singing.

Jeff singing

Jeff Hughes belts out Golden Gate

 

Ross on piano

Ross Petot

 

 

Ross Petot is an exponent of George Gershwin’s and was featured on S’Wonderful.  His piano technicque is always Wonderful!

 

 

 

 

The early 30’s were Depression Years and featured many love songs.  Bunny Berigan recorded I Can’t Get Started.  They let Steve Taddeo loose on drums.  Steve used a newer 70’s drum, with 1930’s Buddy Schutz cymbals, cross sticking with press rolls like Gene Krupa used with the Mel Hallett band.

Steve standing and tapping on drum rims, rods

Steve Taddeo lets go!

Sweet Man was done by the Paramount Jazz Band.  Jim and Jeff were proud to be members of Ray Smith’s Band.  Tight number, with Craig’s clarinet, John’s alto sax and Jeff’s powerful trumpet on the front line.

They ended with an interesting 1920’s tune that interpolated another tune. That’s how they would introduce new tunes in the 20’s.  The Jazz Jesters did their own, with a sweet Broadway Melody, interweaving Breakaway, with a surprise ¾ time tempo (waltz) and vocal by Jeff.

Jeff Hughes is a skillful band leader, and attracts the finest musicians.  We’ll be hearing more of the great tunes played in the Jazz Decades when he collaborates with John Clark.  We’ll let you know when the Jazz Jesters CD becomes available.

The Sherborn Inn has been sold.  We may or may not have music here next year.  We’re looking for a new venue to keep these fine musicians playing our kind of music, just in case.  Any suggestions?

Morningside Quintet at the Sherborn Inn, October 14, 2014

drum, tenor, bass, piano

Morningside Group 1  Tim Blackman piano

Tim Blackman and Steve Gilbaine piano, Santiago Hernandez drums, Dan Fox double bass, Catherine Newell tenor sax, Bill Kuklinski guitar, Paula O’Sullivan and Jan Casey vocals.
Dan Fox  started the Morningside Music Studio in Arlington MA seven years ago with the purpose of providing busy adults with a place where they can work on their jazz playing.  But he has also dedicated much of his time to teaching young musicians all about jazz.  His success is evident, as some of his bands have played at Ryles Jazz Club at Inman Square in Cambridge.

Dan brought a group of his fine musicians, at the last minute, to perform at the Sherborn Inn on Tuesday October 14th, subbing for Craig Ball’s White Heat Quintet who were unable to make it.

17-yr old girl on tenor sax

Catherine Newell

 

 

Catherine Newell is a 17 yr. old rising star in jazz who began attending Berklee in the fall.  Catherine did a superb job of backing all the vocalists on tenor sax, as well as performing solos of her own, including Just Friends, Come Fly With Me.

 

 

 

brunette sings vocal

Paula O’Sullivan

Paula O’Sullivan is from Ireland and sang for many years on the folk scene in NYC. She is now pursuing her love of jazz.

She began with All of Me, In The Dark, When I Fall in Love in a Latin Beat. She gave hints of Bonny Raitt on Too Soon To Tell, continued with Lover Man, After The Lights Go Down Low..

 

Steve Gilbaine took over the piano, Bill Kuklinski joined on guitar, for the next vocalist, Jan Casey.

Brunette singing vocal, captured the audience

Jan Casey

 

Jan Casey was a professional violinist who toured with many orchestras worldwide. She now sings with the Tanglewood Chorus and has a large repertoire of jazz standards.

 

 

She began with Sunny Side of the Street, You Are, Moon River – waltz, nice piano, people were up dancing.  I’m Beginning To See The Light. I Love Paris was in a Latin beat, with excellent guitar by Bill.  Have You Met Miss Jones, Jan singing directly to one lady in the audience.  One of the regulars at the Sherborn Inn said “You are the best singer we’ve ever had here!”

It ended on an upbeat It’s All Right With Me, with a WILD guitar, then a soft, danceable, Every Time We Say Goodbye, with Catherine’s fine tenor sax accompaniment to the  Jan’s vocal.

vocalist, tenor, guitar, bass, piano

Morningside Group 2  Steve Gilbain piano, Bill Kulkinski guitar

Dan’s Morningside Studio is providing a perfect venue for anyone who wants to learn about jazz.  In addition to the usual jazz combos, Morningside will now offer a latin jazz group and and a blues/rock/funk ensemble both led by guitarist Peter Cicco

Dan plays trombone in many bands. TarBone is a project that features guitarist/vocalist Mike Duke and trombonist Dan Fox at Ryles Jazz Club.  His Star Singers Showcase is held there.

The Morningside Studio just moved to the center of Arlington, in the same building as the historic Regent Theatre.

See more at www.morningsidemusicstudio.com

Eli’s All Stars at the Sherborn Inn, October 2, 2014 – Final for 2014

7 pc Traditional Jazz Band

Eli’s All Stars

by Marce

Bo Winiker trumpet, Ted Casher reeds, Herb Gardner trombone/vocal, Bob Winter piano, Jimmy Mazzy banjo/vocals, Eli Newberger tuba, Carolyn Newberger washboard, Jeff Guthery drums,

This band touches my heart and spirit.  I arrived tired and stressed, but as soon as the music began it all faded away!  They kicked it off with Kid Ory’s Muscrat Ramble that had the walls vibrating, then moved to Gershwin’s The Man I Love with a duet of Bo Winiker’s pure crystal-clear trumpet and Bob Winter’s burning piano.

Ted evoked Eastern European expertise with Russian/Jewish music, Bei Mir Bist Du Schön (Secunda 1938) with a long joyful Klezmer verse on clarinet, and Jimmy singing the chorus.

Jimmy with Eli in background

Jimmy Mazzy feels the pain in the words when he sings.

 

 

 

Jimmy was featured, almost tearfully, on Irving Berlin’s How About Me?  “It’s over, all over”.  But not our music!

 

 

 

 

Caroline Newberger joined them on washboard for a tune they’ve never played here before, Washington and Lee Swing.  It was sensational! Bob Winter joined Carolyn in a duet, with the front line playing stop time in the background – perfect!

Caroline on washboard, with tuba and drum in background

Carolyn Newberger featured on Washington and Lee Swing

Chinatown is always attention-grabbing, especially with Jimmy’s scatting.  Winter’s piano solo Till We Meet Again was #1 song in 1915-16.  A love ballad, he started semi-classical then moved into swing, riveting concerto, finishing in sweet ¾ time.

Bob at piano with Jimmy guitar

The meister’s piano has amazing depths and textures.

Bo Winiker, trumpet pointing up into the airIt’s hard to follow that!

 

Bo Winiker managed it well with Louis Armstrong’s late 20’s Cornet Chop Suey, arranged by Herb Gardner.

 

 

 

Young man on tuba

Frank John, Eli’s new mentoree.

 

At intermission, Frank John, a new student that Eli is now mentoring, picked up Eli’s tuba and began to play around with the keys.

Frank is a promising first year student of Mike Roylance’s at New England Conservatory.  He hit a fortissimo pedal G that Eli has never played. That’s one note below the bottom of the piano keyboard!  We’ll be hearing more from him!

 

 

 

Herb singing into mic.

Herb Gardner is a man of many talents!

 

 

 

Herb sang and played the Cole Porter tune about the way young boys cavorted in the 1920’s, Let’s Misbehave.    How did he know?

 

 

 

 

Ted Casher is his own man – plays his version of Body & Soul, with hints of Coleman Hawkins.  It get’s to me every time!

My attempt at video – unfortunately  the camera was wrong side up; fix resulted in black edges.

We had to leave early – preparing for Jeff & Joel’s House Party in Connecticut the next day.   It was very difficult pulling away.  We hung in for Bo’s essence of Louis in his spectacular Potato Head Blues, and Bob Winter’s unique interpretation of Oh By Jingo. I was really sorry to miss the rest.

This was the band’s last performance here at the Sherborn Inn for this year, as the Thursday night Jazz has been discontinued due to too many holiday parties.

Hopefully we’ll all be back next year!  I really need that invigorating Jazz Fix!

Eli stands playing tuba

Eli Newberger

Jeff on snare drum, one 6 inch cymbal

Jeff Guthery

Steve Taddeo’s Swing Senders with Bucky Pizzarelli at the Sherborn Inn

Bucky Pizzarelli with 6 pc Swing Band

Steve Taddeo’s Swing Senders with Bucky Pizzarelli

Videos by Harold McAleer and Verne Welsh.

September 23, 2014 with Jeff Hughes trumpet, John Clark clarinet/alto sax, Dan Gabel trombone, Ross Petot piano, Bill Doyle rhythm guitar, Justin Meyer Bass, Steve Taddeo drums/leader, Caroline Griep vocals, and very special guest John “Bucky” Pizzarelli, 7-string guitar.

We’ve had many great Jazz Tuesdays at the Sherborn Inn over the last 19 years, but this topped them all!  Bucky Pizzarelli inspired the men to play better than ever with his amazing 7-string guitar.

Bucky is a dynamic rhythm player as well as a great soloist; loves to play.  He says “Every gig is a brand new day.”  They opened with Don’t Be That Way.

vocalist Caroline Griep

Caroline Griep

 

 

 

The Swing Senders’ vocalist, Caroline Griep, stepped up with her own excellent interpretation of  Blue Skies.    She was also featured on    I Can’t Get Started, Don’t Get Around Much Anymore, 

 

 

Caroline tells Bucky S’ Wonderful:

Steve let his Krupa  loose with Found a New Baby, going into his drumming walk-around, tapping anything within reach – tables, glasses, bottles on the wall at the bar. It concluded with Taddeo drumming on Justin’s bass, like Ray Bauduc and Bob Haggart on Big Noise From Winetka.  Justin knew just what strings to pick – sounded fantastic!

Taddeo took the snare drum by the piano for a quartet with Ross, John Clark, and Jeff Hughes and a barn burning Dardanella.

The two guitars played it nice and easy on a duet of Darn That Dream.  

Two guitars in a duet

They took turns leading and on rhythm. Marvelous!

Taddeo gave many of the musicians their own feature.  Bucky played with the Vaughn Monroe Orchestra from 1944-1954, before he went into the service.  Dan Gabel has been writing a biography of Monroe, and was featured on trombone with his theme song, Racing With The Moon.  Bucky said he only played it about 4000-5000 times!

Dan Gabel featured on trombone

Justin Meyer was featured on Just You, Just Me, with George Darrah on the Slingerland drums.  Bucky shines, playong soft and low on his solo of In a Mellow Tone and Send In The Clowns. His 7-string guitar is a joy to hear!

Jeff Hughes was featured with his 1946 Super Olds Trumpet on Prelude to a Kiss, marvelous trumpet, with piano backup, ending in a great extended flourish.

Ross Petot’s piano was featured with Bucky and the rhythm section of You Can’t Take That Away From Me.
Ross with rhythm section

For twenty five years Bucky played with the Benny Goodman’s Big Band and small groups.  They did Sing Sing Sing from  Goodman’s heyday.  John Clark didn’t want to play Goodman, but Bucky coaxed him into it, with help from the rest of the band.

Steve let his Krupa loose and Bucky joined him, bringing this fabulous evening to a close with a standing ovation.

Bucky and Steve

Bucky and Steve brought the evening to a close.

Bucky said these musicians were top notch, and Steve was a great drummer.  He told Steve he’d be glad to return.   He’ll also be at Sculler’s Jazz Club December 12th, 8pm for a Guitar Night with Gene Bertoncini and Ed Laub.

 

Bucky posing for camera with a big smileBucky played a solo a year ago with Richard Rodgers’ 1935 It’s Easy To Remember (But So Hard to Forget) with Ed Laub, Walt Bibinger  https://www.youtube.com/watch?v=j1tEEdM6JWM

He’s is a guitar genius, and also has had the expertise to remain a free agent.  In a Pizzarelli Biography he talks about 200 one-night stands with Vaughn Monroe, with Skitch Henderson on the Today Show, Benny Goodman, The 7th String, Life and Tales of Bucky Pizzarelli https://www.youtube.com/watch?v=goDqtP4MtqQ

Tunes played this evening;
Don’t Be That Way
Stomping At The Savoy
Blue Skies
S’Wonderful
Prelude to a Kiss
Stealing Apples
If I Had You
Found a New Baby
Dardanella
I Can’t Get Started With You
Darn That Dream
Honeysuckle Rose
Just You, Just Me
In a Mellow Tone
Racing With The Moon
Don’t Get Around Much Anymore
Send in The Clowns
Sing, Sing, Sing

Blue Horizon Jazz Band’s first 2014 Fall Session at the Sherborn Inn

6-pc Trad Jazz Band, no banjo

All the Blue Horizon Jazz Band ‘regulars’ were back!!

This was a special evening with no summer substitutes; all the Blue Horizon ‘regulars’  were back with their powerful brass front line.

trumpet and soprano sax on either side of string bass

Jeff Stout and leader Stan McDonald make a powerful team.  Stu Gunn’s steady bass gives them freedom to fly!

They began with All By Myself, Stan taking the first of many vocals.  Jeff’s trumpet was crystal clear on Roaming, Ross’s piano picking up riffs.  Their repertoire consisted of tunes from the 20’s to the 40’s, strongly based on melody. They have a genuine passion and feel for this music: Tishumingo, Bechet’s Lastic, Roses of Picardie, Gershwin’s Strike Up The Band.  Rosetta was hard-charging and wild!  Honky Tonk Town had Stu weaving from side to side with the beat.

muted trombone and drum

 

 

The front line is bolstered by the deep rich tone of Gerry Gagnon’s trombone.

 

Stan played a forceful soprano sax solo on Save It Pretty Mama.   He played low register clarinet on a rhythmic Wild Man Blues, with every instrument taking spontaneous, off the cuff solos on its many breaks.

Steve Taddeo on Slingerland drums

 

 

I Would Do Most Anything For You, Taddeo maintained a resourceful Traditional Jazz beat on his Swingerland drums all evening with the use of brushes,wood block, bell, choke cymbal and pinging the hi hat stand.

 

 

 

Ross Petot was featured with the rhythm section on You Can’t Take That Away From Me, keeping the music fresh by using his magical left hand as a walking bass line instead of his famous stride piano.   Marvelous!

Ross Petot on baby grand

Ross Petot  strayed  from his famous stride piano to keep the music fresh.

Trumpet and sax were perfectly synchronized on  When I Leave The World Behind, undergirded by Steve’s drums and Stu’s pulsating string bass.

The band has had fine substitutes like Paul Monat cornet and John Kafalas trombone over the summer (Gerry moved to impressive tuba).   But it was refreshing to have the whole band back for the Fall Season.  They sent us home with a gentle, sweet, Rose of San Antone.

The Blue Horizon Jazz Band is in its 19th year at the Sherborn Inn.  They’ll all be back, along with our New England Fall Foliage on October 21st.  Take a nice ride and join us!

New Black Eagle Jazz Band at the Sherborn Inn, September 11, 2014

7 pc real Trad Jazz Band

New Black Eagle Jazz Band

Tony Pringle cornet/leader, Billy Novick clarinet and alto sax, Stan Vincent trombone, Herb Gardner piano, John Turner string bass, Peter Bullis banjo, Pam Pameijer drums

The musicians of the travel-weary New Black Eagle Jazz Band were relieved to be back at their Home Bass, the Sherborn Inn, 33 North Main St. Sherborn MA.  One lives in Connecticut, one at Cape Cod, one in Marblehead, others Hudson, Sudbury, Norwood.  Just getting together is an event!  This summer they drove to up to the Berkshires Jazz Fest, down to Mt. Gretna in Pennsylvania, Music Mountain in Connecticut, back up to Deertrees Theater in Maine, as well as more locally at the Regatta Bar in Boston, and Amazing Things in Framingham.

Tony Pringle leads the NEW Black Eagle Jazz Band with an iron hand.

Tony Pringle leads the NEW Black Eagle Jazz Band with an iron hand.

 

The NEW Black Eagle Jazz Band began at the Sticky Wicket in October 1971, after founder Tommy Sancton of the original Black Eagle Jazz Band left for Oxford University in England.  The NBEJB’s 43rd Anniversary is coming up next month. (see below)

Under the direction of leader Tony Pringle, The Eagles continue to maintain that real spirit of New Orleans Traditional Jazz.

 

 

Pam, file photo, smiling

C. H. Pameijer

 

 

Their original drummer at the Sticky Wicket, Pam Pameijier came up from Connecticut tonight.  His reliable and dependable drumming revitalizes the whole band!

 

 

 

 

Herb at piano with a big smile

Herb Gardner plays trombone all over New England and in NY, and piano with the Red Molly.

 

 

 

Herb Gardner is the new pianist with the Eagles, but definitely not new to the neighborhood.  Herb was featured on Nobody’s Sweetheart Now  showing a deep respect for the melody in his choice of notes.

 

 

 

Curse of an Aching Heart was followed by one of Tony’s favorites – Pleading The Blues.   Papa Dip is an up-tempo tune about Louis Armstrong that was played by the New Orleans Wanderers – this band hasn’t played it in 10 years.  Nice Spiritual, Lead Me Savior, Give Me Your Telephone Number.  Billy moved to alto sax for Rosetta; Papa Di Da Da,

Billy on alto sax

Billy Novick is renowned  for his Alto Sax.

 

 

 

Billy was featured on a smoking Body & Soul, backed by the supportive rhythm of piano, bass and drum.

 

 

 

 

Stan Vincent on trombone

Stan Vincent, New Orleans knows how to play tailgate trombone

 

 

Climax Rag was a simmering hot number, not a Rag.  It was originally written as a Rag in 1914 by James Scott.  Stan Vincent plays it with a low, smouldering trombone.

 

 

 

 

 

Turner at bass

John Turner, Trad Jazz string bass

 

 

 

John Turner fits in well in the rhythm section with his authentic Traditional Jazz acoustic String Bass.

 

 

 

Wild Man Blues was a rousing stomp.  They closed with a familiar favorite, a real oldie, Panama,  sending us home with more fond memories.

The Band will be traveling back to Cape Cod on Tuesday, September 30th at the Woods Hole Community Hall, 68 Water Street, Woods Hole for JazzFestFalmouth.org.

They’ll return to the Sherborn Inn on October 9thThis will be their last Sherborn Inn gig for this year, so be there!

 Wolverine Jazz Band at the Sherborn Inn, September 9, 2014

7 pc Dixieland Jazz Band

Wolverine Jazz Band will be celebrating 19 years together in December

Jeff Hughes trumpet, John Clark reeds, Tom Boates trombone, Jim Mazzy banjo/vocals, Ross Petot piano,  Rick MacWilliams tuba, Dave Didriksen drums

All stellar Jazzmen who invoke the spirit of New Orleans Jazz, The Wolverines returned to their monthly gig at the Sherborn Inn.  We are fortunate that they rehearse their CDs  with us!  Bored with playing their nearly 20 years of  material, they searched for new things.  (Jimmy has a million of ’em.)

They began this first Jazz evening of September at the Inn with a salute to Fall, Jimmy singing a sweet Shine on Harvest Moon.

They shuffled around the early part of the 20th century with Walter Donaldson’s Love Me or Leave Me, King Oliver Creole Jazz Band’s  Mable’s Dream, it’s on their new CD.

They have many King Oliver tunes in their book. King Oliver had one of the best and most important bands in early Jazz, but he didn’t have many vocals.  Jimmy came up with I’m Lonesome Sweetheart.

Boates on muted trombone

Tom Boates, one of the top trombonist in New England

 

 

Tom Boates was featured on New Orleans Stomp; Kid Ory would have approved!

 

 

 

 

Dave Didriksen’s drumming pushed the front line into lovely polyphonic sound, with Rick adding a fine tuba solo.

Dave on drums

Dave Didriksen

Rick on tuba

Rick MacWilliams

Ross at Baby Grand

Ross Petot, stride pianist

 

Ross was featured on I Hate Myself for Being So Mean To You!  with a raucous interchange between trombone and clarinet.

I’m in Seventh Heaven will also be on the CD.  (Where did they find all of these that we never heard of before???)

 

 

 

Clark on bari sax

John Clark has become proficient at baritone sax.

 

 

A new tune for them was one J. C. Johnson wrote for the Paul Whiteman Band, played by Bix Beiderbecke, When.  Jimmy vocal, with fabulous baritone sax by Clark.

A tune written by a trombone player, Santo Pecora, She’s Crying For Me, John on bari sax,  had Tom on nice muted trombone, backed by drum & tuba.

 

 

 

Jimmy with left fingers  wrapped around neck of the banjo.  He learned from listening to radio and couldn't tell how they were holding it.

Jimmy has a unique hold on the neck of the  banjo that no one can replicate.

 

 

Another Classic tune on their new CD, Jimmy sings the verse on a sweet September in the Rain.  

Roll on Mississippi, Clark running the gamut up and down the scale on clarinet, Jimmy played his usual fantastic single string banjo.

 

 

Jabbo Smith’s Michigander Blues  was dedicated to both Sue Lewis & Bob Sickle’s birthdays (actually last Tuesday.)  Happy Birthdays, Kids!

There’ll Come a Day, San Antonia Shout, King Oliver’s 1930 Olga.  John Clark took a rare vocal on Oceana Roll.  He sounds fine!  Who Wouldn’t Love You, a fast tune Jimmy did with the Paramount Jazz Band.

Couple in their 90's swinging on the dance floor

John & Gisela Bruneccini danced the night away celebrating their 66th Anniversary.

 

 

 

John & Gisela Bruneccini danced away celebrating their 66th Anniversary.

 

 

Jeff on trumpet

Jeff has a varried collection of antique trumpets and cornets.

 

 

Django’s Nuage is on the new CD.  Jeff was amazing on his 1953 Selmer “Balanced Action” finely ornamented trumpet.

 

 

 

 

The finale, a good ol’ good one, Panama;  Boates squeezed in a snippet of ‘It’s a Small World.” on trombone.  (He had to be quick!)

This was a marvelous evening spent with our favorite musicians.  This was not a  rehearsal, it was more of a demonstration – the CD is ready and will be available in November.  The Wolverine Jazz Band will bring their magical Traditional/Dixieland Jazz back to the Sherborn Inn on Tuesday, October 7th.  Don’t miss it!

Eli’s All-Stars at the Sherborn Inn, 4 September 2014

7 pc trad jazz band

Eli’s All-Stars

Phil Person trumpet, Ted Casher clarinet, tenor and soprano sax, Herb Gardner trombone, vocal, Bob Winter piano, Jim Mazzy banjo/vocals, Eli Newberger tuba, Jeff Guthery drums,

Fresh from two sold-out performances with the Barrington Stage Company in Pittsfield, Massachusetts, the All-Stars were raring to go.  Trumpeter Phil Person completed an exciting front line, subbing for Bo Winiker.

front line, soprano sax, trumpet, trombone, sitting on high stools

Ted Casher, Phil Person, Herb Gardner

They started hot and heavy with Tijuana, a hot Latin tune.  It set the tone for the rest of the evening with these world-class musicians. Herb Gardner’s trombone took the intro on Spencer Williams’ 1926 Basin St. Blues, Jim singing, followed by banjo and tuba.

Ted took center stage with a fiery Lady Be Good on tenor sax. The band followed with a brassy Twelfth St. Rag that resonated off the ceiling!

Ted in front of band blasting on tenor sax.

Ted suggests that the ladies be good.

This Jazz is pure pleasure!  Always creative, Eli presented brand new material.  They tried out differing duets on a Stan Rubin tune, Miss Ida Blue, first clarinet with piano, then banjo and trombone, backed by a soft ensemble.  They tried three different endings until they found the one they liked.

Ted’s Harlem Nocturne on tenor sax was absolutely tantalizing; we never get enough of that wrenching tenor sax!  Also can’t get enough of Jimmy Mazzy’s unique style of singing, Someone to Watch Over Me, S’Wonderful.  He did a mournful, heartbreaking version of Al Jolson’s Swanee; the depth of his loneliness resounding in his voice.  They don’t need any more vocalists!

Bob winter was featured in another piano solo with The Man I Love;  fingers delicately floating over the piano, creating a masterpiece.

Bob Winter, pianist for the Boston Pops

Bob Winter, pianist for the Boston Pops

Herb Gardner returned on trombone and singing Nice Work If You Can Get It. 

Herb up front playing trombone

Herb Gardner

Nice work!  Herb keeps busy leading Stan Rubin’s Band at Swing 46 in Manhattan every Wednesday, backing the American powerhouse vocal trio, Red Molly, or playing piano for the New Black Eagle Jazz Band.

Phil Person was an apt substitute for Bo Winiker.  Phil is an Assistant Professor at Berklee, and has performed with Al Grey, Buddy Defranco, Tony Bennett, Keely Smith, Jack Jones, Scott Hamilton, Dick Johnson, Phil Wilson, Kay Starr, Steve Lawrence and Eydie Gorme, Margaret Whiting, the Tommy Dorsey Orchestra (directed by Buddy Morrow), Alan Dawson, Ricky Ford, Howard Johnson, and Ray Santisi, among others.

Phil Person was featured on Wait ‘til You Hear From Me,  playing fluid, sweet trumpet. Remarkable talent!

Phil playing muted trumpet

Bob Winter played a cool piano intro to South, with Ted on pure soprano sax, Jeff tapping temple blocks.

Jeff tapping on temple blocks, Ted on Sop Sax

Jeff keeps Traditional Jazz Beat on graduated temple blocks

Jimmy on banjo, Eli on reverberating turbo-charged tuba.  The two create synergetic magic.

Jimmy banjo, Eli standing on tuba

It was one of the highlights of the evening!

Bob smiling at Jimmy
Jimmy was featured on a tune that nobody else but Eli seemed to know, Tomorrow Night.  

It’s obvious Bob enjoys playing with the All-Stars, and listening to Jimmy and Eli.

 

Ted Casher sang his signature song with gusto, supported by Phil’s trumpet, I’ll Be Glad When You’re Dead You Rascal You.  (He dedicated it to Arthur S. DeMoulas.)  The tempo picked up with outstanding trumpet, piano, tuba – all building up to a WILD conclusion!  What a way to close an afternoon of amazing Jazz here at the Sherborn Inn.

Where was Carolyn Newberger?  Carolyn was sitting at the band table, sketching away as usual – she’ll have some great ones of the band.

One of her watercolors was recently accepted into the 14th Biennial North American Open Show of the New England Watercolor Society. The exhibition will be from October 15 to November 8 at the Plymouth MA Center for the Arts, 11 North St. Reception is October 18 from 2-4pm.

Carolyn's water color picture of a lady sitting sideways, leaning on her  arms

On September 13th Eli’s All-Stars kicked off Highland Jazz’s 32nd Concert Series in Newton, MA.  They’ll be back again at the Sherborn Inn on Thursday, October 2nd.  Don’t miss this one!  November and December Thursdays have been cancelled because of too many Holiday Functions.

See you October 2nd??

Marce

Classic Jazz at Lincoln Library starts 35th season!

To celebrate the start of their 35th season, CJALL presented the Library with “The Jazz Shelf”, a collection of books on Classic Jazz.
Logo with books

Classic Jazz at Lincoln Library

Presenting was Vern Welch of CJALL and accepting was Lisa Rothenberg of the Library and Haskel Strauss of the Friends of the Lincoln Library

Vern and Friends

Vern and Friends

picture of book shelf

Jazz Books at Lincoln Library

By Harold McAleer