Eli’s All-Stars at the Sherborn Inn, 4 September 2014

Posted on September 4, 2014 by admin

Eli’s All-Stars

Phil Person trumpet, Ted Casher clarinet, tenor and soprano sax, Herb Gardner trombone, vocal, Bob Winter piano, Jim Mazzy banjo/vocals, Eli Newberger tuba, Jeff Guthery drums,

Fresh from two sold-out performances with the Barrington Stage Company in Pittsfield, Massachusetts, the All-Stars were raring to go. Trumpeter Phil Person completed an exciting front line, subbing for Bo Winiker.

front line, soprano sax, trumpet, trombone, sitting on high stools

Ted Casher, Phil Person, Herb Gardner

They started hot and heavy with Tijuana, a hot Latin tune. It set the tone for the rest of the evening with these world-class musicians. Herb Gardner’s trombone took the intro on Spencer Williams’ 1926 Basin St. Blues, Jim singing, followed by banjo and tuba.

Ted took center stage with a fiery Lady Be Good on tenor sax. The band followed with a brassy Twelfth St. Rag that resonated off the ceiling!

Ted in front of band blasting on tenor sax.

Ted suggests that the ladies be good.

This Jazz is pure pleasure! Always creative, Eli presented brand new material. They tried out differing duets on a Stan Rubin tune, Miss Ida Blue, first clarinet with piano, then banjo and trombone, backed by a soft ensemble. They tried three different endings until they found the one they liked.

Ted’s Harlem Nocturne on tenor sax was absolutely tantalizing; we never get enough of that wrenching tenor sax! Also can’t get enough of Jimmy Mazzy’s unique style of singing, Someone to Watch Over Me, S’Wonderful. He did a mournful, heartbreaking version of Al Jolson’s Swanee; the depth of his loneliness resounding in his voice. They don’t need any more vocalists!

Bob winter was featured in another piano solo with The Man I Love; fingers delicately floating over the piano, creating a masterpiece.

Bob Winter, pianist for the Boston Pops

Herb Gardner returned on trombone and singing Nice Work If You Can Get It.

Herb Gardner

Nice work! Herb keeps busy leading Stan Rubin’s Band at Swing 46 in Manhattan every Wednesday, backing the American powerhouse vocal trio, Red Molly, or playing piano for the New Black Eagle Jazz Band.

Phil Person was an apt substitute for Bo Winiker. Phil is an Assistant Professor at Berklee, and has performed with Al Grey, Buddy Defranco, Tony Bennett, Keely Smith, Jack Jones, Scott Hamilton, Dick Johnson, Phil Wilson, Kay Starr, Steve Lawrence and Eydie Gorme, Margaret Whiting, the Tommy Dorsey Orchestra (directed by Buddy Morrow), Alan Dawson, Ricky Ford, Howard Johnson, and Ray Santisi, among others.

Phil Person was featured on Wait ‘til You Hear From Me, playing fluid, sweet trumpet. Remarkable talent!

Bob Winter played a cool piano intro to South, with Ted on pure soprano sax, Jeff tapping temple blocks.

Jeff tapping on temple blocks, Ted on Sop Sax

Jeff keeps Traditional Jazz Beat on graduated temple blocks

Jimmy on banjo, Eli on reverberating turbo-charged tuba. The two create synergetic magic.

It was one of the highlights of the evening!

Jimmy was featured on a tune that nobody else but Eli seemed to know, Tomorrow Night.

It’s obvious Bob enjoys playing with the All-Stars, and listening to Jimmy and Eli.

Ted Casher sang his signature song with gusto, supported by Phil’s trumpet, I’ll Be Glad When You’re Dead You Rascal You. (He dedicated it to Arthur S. DeMoulas.) The tempo picked up with outstanding trumpet, piano, tuba – all building up to a WILD conclusion! What a way to close an afternoon of amazing Jazz here at the Sherborn Inn.

Where was Carolyn Newberger? Carolyn was sitting at the band table, sketching away as usual – she’ll have some great ones of the band.

One of her watercolors was recently accepted into the 14th Biennial North American Open Show of the New England Watercolor Society. The exhibition will be from October 15 to November 8 at the Plymouth MA Center for the Arts, 11 North St. Reception is October 18 from 2-4pm.

On September 13th Eli’s All-Stars kicked off Highland Jazz’s 32nd Concert Series in Newton, MA. They’ll be back again at the Sherborn Inn on Thursday, October 2nd. Don’t miss this one! November and December Thursdays have been cancelled because of too many Holiday Functions.

See you October 2nd??

Marce

Eli’s All-Stars at the Sherborn Inn, August 7, 2014

Posted on August 7, 2014 by admin

Bo Winiker trumpet, Ted Casher clarinet, tenor and soprano sax, Herb Gardner trombone, Bob Winter piano, Jim Mazzy banjo/vocals, Eli Newberger tuba, Jeff Guthery drums, Carolyn Newberger washboard

This was a superb evening, with the All-Stars’ driving classic jazz, enjoying each other’s company. They were playing for each other, as much as the people, but the audience couldn’t help participating. The band played a treasure trove of Louis Armstrong hits. Instead of featuring a single vocalist, leader Eli Newberger took advantage of the many fine voices in the band, especially Jimmy Mazzy. (We never tire of hearing Jimmy!)

Ted started with an aggressive clarinet on Muscat Ramble, written by Kid Ory and first recorded by Louis Armstrong and his Hot Five in 1926. Eli’s All Stars played it with explosive polyphonic ensemble!

Herb sings Old Rocking Chair.

Herb Gardner took the first vocal on Irving Berlin’s Old Rocking Chair. He was spellbinding! Rocking chair will never get him.

Bo Winiker’s trumpet spearheaded this tribute to Louis Armstrong. His passion is obvious on Louis’s Hello Dolly.

The one and only in the world.

The one and only Jimmy Mazzy sang many tunes, starting with a powerful vocal on an Armstrong rarity, Irish Black Bottom.

Only three of them were familiar with it, this was the first of several tunes that many of the band had never played before. There was some good natured bantering by the guys in the front line on how they would approach it. But great musicians can make it happen. The buoyant rhythm section was sparked by Guthery’s drums. Jeff has added something new to his Trad Jazz drum set – a set of four ancient temple blocks, putting them to good use.

snare drum, one tom, ride cymbal,cow bell, four ancient temple blocks

Jeff Guthery and his unique Traditional Jazz drums

Potato Head Blues was requested by a friend in the audience. There was a jovial discussion by the men in the front line on how to approach this. Bo gave it the Armstrong touch, concluding with a triumphant ride-out final chorus.

Jimmy dreamy ballad, Kiss to Build a Dream On, was backed by harmonically sophisticated ensemble.

Mosaic has just released the entire Louis collection that also contains tunes from Louis’s Hot 5 and Hot 7. One of the tunes, Cornet Chop Suey, influenced a 14-year old Eli Newberger to play this kind of music. Resourceful Herb Gardner created this arrangement, and played Trummy’s bright, energetic sound on trombone with the band’s tempestuous performance.

Change of pace – Jimmy started St James Infirmary in a melancholy tone (it’s someone lamenting the death of their loved one) when the band picked up the tempo. On impulse, Eli jumped up and joined Winter for four-handed piano. (Eli was the original piano player for the Black Eagle Jazz Band.)

Four-handed piano

Another tune most had never played before, Ol Miss, Ted lead on soprano sax, with Jimmy scatting. The energy level was so high the audience began clapping in time.

C’est Si Bon, an unqualified gem, they were really enjoying this. Bob’s piano sounded like a rippling waterfall. The front line took turns on various duets, trumpet and trombone, clarinet and drum, tuba and banjo. Nice!

Jim began another soft melodic vocal on Basin St. Blues. Bob changed the tempo into ¾ time on piano, before the band kicked it up into double time.

Eli called up Carolyn Newberger with an instrument usually associated with woman’s work, the washboard. But this woman is an accomplished, prize winning artist; she was busy sketching pictures of the band until now. At one time she was a First Grade teacher who put hubby Eli through Medical School.

The tune was Don’t Forget to Mess Around When You’re Doing the Charleston. (Mess Around was the name of a dance in the 20’s.)

Carolyn’s enthusiasm stirred Bob Winter into a piano/washboard duet. Nowhere else are you going to hear anything like this!!

Bo put heart and soul into his vocal into Louis’s Wonderful World, closing on trumpet with an exuberant high note.

The whole evening was such a pleasure no one wanted it to end, but we were already on overtime. They closed with a philosophical contemplation, with only Bob on piano and Jimmy banjo and vocal, You’ll Never Walk Alone.

They’ll be back again with another evening of Traditional jazz on the first Thursday of next month, September 4^th, just after Labor Day. Join us for some revitalizing Classic Jazz!

Eli’s All Stars with vocalist Gabrielle Goodman at the Sherborn Inn, July 3, 2014

Posted on July 7, 2014 by admin

Eli’s All-Stars at the Sherborn Inn

Bob Winter piano, Eli Newberger tuba, Jeff Guthery drums, Ted Casher clarinet/tenor and soprano sax, Bo Winiker trumpet/flugelhorn, Herb Gardner trombone/piano,

Threatening storms, Hurricane Arthur coming up the coast, the upcoming holiday, nothing deterred revelers at the Sherborn Inn who came to hear Eli’s All-Stars. It was also Bo Winiker’s birthday, and the whole Winiker Family was here, including Mom.

The band celebrated Louis Armstrong with Strutting With Some Barbecue, and then a blues, Basin St. Blues, Bo leading on trumpet with band playing counterpoint.

Eli joins Bob at piano

Eli joined Bob at the piano, and the beat quickly turned to Jump ‘n Jive; then back into a slow beat, Jeff soft drum roll, front line closing with a slow, joint wa, wa, wa. Marvelous!

Ted Casher’s tribute to Louis was a raucous vocal on his 1930s novelty tune, I’ll Be Glad When You’re Dead, You Rascal You.

Eli introduced vocalist Gabrielle Goodman, a jazz, R&B, classical and gospel vocalist, and Professor of Voice, with a four octave voice range, who teaches at Berklee. “Happy 4th of July, even if is the day before” she said, and began with Bring It on Home to Me a song by American singer-songwriter Sam Cooke, released in 1962. The song has become a pop standard, covered by numerous artists of different genres, but none could compare to this lady. She had us captivated from the first note!

Route 66 – Gabrielle had us clapping in time before she even uttered a note. She ruled! Scatting like Sarah Vaughn, she lead the band with her numerous changes in tempo. She asked “Who is deeply in love?” and Carolyn Newberger’s hand shot up. Gabby responded with a silky, smooth, My Funny Valentine, with Ted’s emotional tenor saxophone, and Bo Winiker on smoky flugelhorn. Heartrending!

She took us on a trip on a familiar special train that goes from lower Manhattan to Harlem, with a passionate, hard-charging romp on The A Train. The crowd was enthralled and responded with heavy applause.

Eli announced the next song was written by a trombone player (heavy groan here). But the trombone player was Edward “Kid” Ory and this was his Muskat Ramble.

Herb Gardner took over for his fine rendition, then Eli let loose with a turbo charged tuba, with backup from pulsating piano and drums.

While the band took a break, Herb Gardner took over the piano with a novelty tune about New Hampshire’s “Summer People” – “They’re only here until Labor Day, then Back in October for the foliage.”

Back Home Again in Indiana featured Bo on full, rich, open flugelhorn.

Louis Armstrong used to begin his All Stars with another tune that Bo has been working on. Herb did the arrangement; Bo featured on trumpet with a freewheeling rendition of Cornet Chop Suey. Fabulous!

Gabby returned with Taking a Chance on Love, a song she recorded on her second CD. She sang this as a ballad in honor of the 4th of July. It was one swinging ballad!

She asked if she could change the schedule of tunes, in order to sing Misty, just her and Bob on piano. Lovely! They have often worked together; he’s a great friend and pianist for the Boston Pops. Gabrielle has an impressive background; her expertise spans the entire jazz era up to modern jazz.

Bob Winter was featured on piano with Someone To Watch Over Me, Bo adding soft, mellow flugelhorn.

Gabrielle sings an awesome America The Beautiful

To celebrate our country’s birthday, Gabby contributed a profound, soulful America the Beautiful. It left the audience in awe!

Eli requested a ‘change of pace’, introducing Carolyn Newberger on washboard. Carolyn played washboard years ago in a café they started when they were Directors at the International Residence Hall at Yale. The washboard had been stored in the attic for 50 years, until Eli found it.

Now Carolyn is merrily playing washboard with many of Eli’s bands; usually Coney Island Washboard Roundelay; but not this time. This time she delighted the audience with spoons on washboard on James P. Johnson’s The Charleston.

Carolyn sketching musicians

When she’s not playing washboard with the band, she’s pencil-sketching the musicians. She is an accomplished painter and has had three showings this month, one at Framingham’s Danforth Gallery where she received an award. Tonight she did a couple of sketches of Gabrielle, and one of Bo.

Eli’s All-Stars surprised us by closing with When The Saints Go Marching In, and they marched, up and down the aisles – even Jeff with his snare drum, ‘The Saints’ went marching in.

Bo leads parade up the aisles

Bill Winiker takes photo of parade

Glorious way to end this celebration of our Country and Bo Winiker’s birthday!

The All Stars will be back here at the Sherborn Inn on the 1st Thursday of every month, next is August 7th. They will be at Barrington Stage Company, Mr. Finn’s Cabaret, Blatt Performing Arts Center, 36 Linden St., Pittsfield, MA on August 24 and 25. They will also kick-off the 32nd Highland Jazz Series in Newton, MA on September 13th.

Gabrielle continues teaching at Berklee. We hope she’ll be back!

Eli’s All-Stars at the Sherborn Inn, April 3, 2014

Posted on April 15, 2014 by admin

7 traditional jazz guys posing in front of piano with big grins

Eli’s All Stars at the Sherborn Inn, April 3, 2014 – Kick-off for regular 1st Thursday of the month

Eli has gathered seasoned professionals who have made jazz music their life’s work for over 50 years – it’s their first love. They came from everywhere, Herb Gardner from the New Jersey Jazz Society gig the day before, Jimmy Mazzy from a week in Florida with the Williams Reunion Jazz Band, Ted Casher from the Crosby Whistle Stop in Charlestown. Bob Winter – who knows? Bo Winniker is younger, but he was raised listening to his parent’s Winniker Orchestra. With friendly competition and improvisational skills they sound more dynamic with each new appearance at the Sherborn Inn
They connected with each other, and they connected with the audience, right from the start – with Ted on clarinet for 1917 Rose Room, and a fiery At The Jazz Band Ball, first played by the Original Dixieland Jass Band in 1917.

Rebecca in simple white dress with black belt

Rebecca Sullivan, vocalist with Eli’s All Stars

Rebecca Sullivan is already a jazz vocalist, songwriter and educator. She’ll receive her degree this year from the New England Conservatory of Music, and head for Scotland in August. You can hear Billie Holiday inflections in a lovely Stardust, but her voice is attractive wholly on its own. She continued with Bo Winniker’s trumpet and Ted Casher’s tenor sax at breakneck speed on ‘Deed I Do.

Cheek to Cheek:

Summertime provided marvelous solos:

Somewhere Over The Rainbow with fresh and different solos by piano, trumpet and muted trombone.

Eli Newberger on circa 1909 Holton Del Negro CC tuba

Eli embraces his circa 1909 Holton Del Negro tuba as he offers just the right chords behind soloists.

It’s a gorgeous instrument, with an expressive quality unlike other tubas – and no one better to express it!

Squeeze Me

Jeff Guthery on New Orleans Traditional Jazz Drumset

Jeff Guthery provides the propulsion so these All-Stars have the freedom to follow their fancies. New Orleans bands of 20s couldn’t record bass and drums, so they played on wood block and bell. Jeff’s drum set is very simple, just a snare drum, floor tom, wood block, cow bell, 6” cymbal. Not even a high-hat. He added a suspended ride cymbal, just arrived. Fresh out of the box, he brought the 20” Turk Ride Cymbal in for its first trial.

He took an eight-bar intro to I Got Rhythm, Ted following on tenor, Bo’s amazing trumpet solo with band in stop-time, Rebecca vocal, followed by the whole ensemble making rhythm swing. The listeners were sitting on the end of their seats. This enthusiastic audience does listen!

The inimitable Jimmy Mazzy

At the request of the front line, Jimmy gave a demo of when D flat comes in on Fidgety Feet. Jimmy instinctively played the whole thing. They said: “ We’ll keep going ‘till we get it right”. Sure sounded right to us! Jimmy and Eli had a duet on a song that has many names – we’ll stick to Chicago Breakdown, with Jim scatting. They make a great team

Jimmy sings Till Then

Eli says, “Here is a tender interpretation by Jimmy Mazzy, the banjo virtuoso and singer, of a popular song written by Eddie Seiler, Sol Marcus, and Guy Wood to express a World War II soldiers plea to his sweetheart to await his coming home. Its sweetness and uncertainty — and Jimmy’s profound sense of the poetic and musical meaning — is complemented by Bo Winiker’s gorgeous flugelhorn solo and Bob Winter’s sensitive exploration of the melodic line.”

Ted Casher was featured on Body & Soul, using tenor sax subtones like Coleman Hawkins’ masterpiece that makes women swoon. Sensational!

Bob Winter creates a concerto out of Oh By Jingo!

Eli asked Bob for a fast tune. Oh By Jingo became a hit in the post-World War I era, 1919. With prodigious technique, he made this novelty tune sound like a concerto!

Eventually these marvelous videos may end up as a DVD. We hope.

Time for one more tune, an old New Orleans favorite sung by Jimmy, who feels the pain in every word. No pain in the music, it was so hot and heavy, Eli jumped up to join Bob at the piano for a rocketing chorus of St. James Infirmary Blues. Amazing ending.

Bob sitting playing high notes, Eli standing playing low nores

Eli joins Bob Winter on swinging hot St. James Infirmary Blues

We are so fortunate to have these professional musicians playing here for us at the Sherborn Inn. Anyone passing through wonders how come they haven’t heard this before? Because it’s not played on radio or television; you can only hear this fantastic aggregation of musicians right here at the Sherborn Inn. Join us On May 1^st and the 1st Thursday of every month for more Great Jazz!

By Marce
Videos by Kathy Wittman, BallSquare films,
Sound by Frank Cunningham

Eli’s All-Stars at the Sherborn Inn, February 4, 2014

Posted on February 4, 2014 by admin

Eli’s All Stars photo by Kathy Wittman

Eli’s All Stars with Bob Winter, the pianist with the Boston Pops; giant of the Boston jazz scene, Bo Winniker trumpet, Herb Gardner trombone, Ted Casher clarinet/tenor sax, Jimmy Mazzy banjo/vocals, Eli Newberger leader/tuba, Jeff Guthery drums and Rebecca Sullivan vocals. Over the past year the band has incrementally morphed from a trio to an octet and sounds more dynamic with each new appearance at the Sherborn Inn. (stay tuned – for more photos and videos)

The original Traditional Jazz bands of Joe “King” Oliver, Jelly Roll Morton, Louis Armstrong and W.C. Handy included banjo and tuba in their rhythm sections. Eli Newberger follows their style of Traditional Jazz, playing tuba while leading a band of outstanding musicians.

The music room at the Sherborn Inn was filled with a crowd from Greater Boston, who appreciate Traditional Jazz and Swing. There were many musicians in the audience; even Bill Winiker was here to back his brother Bo.

The All-Stars kicked it off with Ted Casher’s 16-bar clarinet improvisation on Lady Be Good. Winter led vocalist Rebecca Sullivan with a piano intro on I’m In The Mood For Love. Rebecca did many fine vocals, manipulating the phrasing and tempo. On ‘Deed I do, Rebecca performed wonderful scatting conversations with clarinet, trumpet and trombone. My One And Only Love, sung with soul, was performed as a duet with the piano. Lovely.

Ted Back’s Rebecca with soft tenor sax

Ted was featured with Klezmer clarinet intro, singing in growling voice on multiple verses of Bei Mir Bis du Schoen, a tune that caught people by surprise. He settled into the Ted we know while singing the chorus. Jeff kept time tapping the rims of his simple Traditional Jazz drum set where he has recently removed the hi-hat, excess cymbals, and tom toms to achieve a more authentic Trad Jazz sound. Excellent.

Eli turned the page to Ellington, with Bob Winter featured on Sophisticated Lady. Bob plays from the heart; constructing deeply moving music. He has extensive performing experience in clubs, television, radio, and theaters, including performances with Henry Mancini, Teddy Wilson, Buddy DeFranco, Mel Torme, Luciano Pavarotti, Eddie Daniels, Stan Getz, Cleo Laine/John Dankworth, and Airto Moreira.

Rebecca returned with Jazzy scatting on S’posing – including a great section of tuba trading 4s with drums, followed by one of Jimmy’s meticulous banjo solos. The More I See You had Rebecca start with melody backed by Ted’s soft tenor. Ted Casher (our own Coleman Hawkins), plays sweet tenor sax. They moved upbeat, with Rebecca singing and scatting along with Winter’s piano.

Chinatown featured Jimmy on banjo and vocal, with Ted on soprano sax solidly amplifying the front line. Jeff let loose on drums, turning it into a swinging tune; Eli had everyone clapping the beat. Delightful performance!

When the band took a break. Herb Gardner sat at the piano and delighted the audience with his skill on the keys while Bob Winter looked on with a gleaming smile. Resilient spirit, Herb was supposed to be in New Jersey the night before, playing for the New Jersey Jazz Society. Our sympathy goes out to them – their concert had to be cancelled because of heavy snow – as were airplane flights, so WE were fortunate to have Herb Gardner here! Sorry, NJJS.

Herb Gardner at the piano, talking on mic, with Bob Winter smiling in the background.

Herb Gardner during the break

Herb played and sang his own version of “The Ground Hog Song”. “I want to hibernate with you until it’s Ground Hog Day”. That’s all we’ll say about that. A solid entertainer, he is a fine piano player and vocalist, as well as famous for his trombone work, and his daughter, vocalist Abbie Gardner.

Bob and Eli on baby grand

The emotional register switched to sunny and warm with Ted featured on a special rendition of Night Train with gut-wrenching tenor sax playing. Fabulous! Jimmy took this vocal scatting, while Bo Winiker played smokey flugel horn. Eli joined Bob for that last, eight-to-the-bar, rocketing chorus of “Night Train.” It doesn’t get any better than this!

Rebecca returned with a swinging, rousing vocal Them There Eyes, with Eli in background. Eli plays tuba behind everyone – but it’s so smooth, you don’t even realize he’s there – the music is subtly enhanced, intensified.

Something new – they played Brubeck’s Take Five; first time they’ve ever played it, and it was the first time Eli played a jazz tune with a 5/4 time signature.

one snare drum, one tom used as bass, one six-inch cymbal

Jeff Guthery on authentic Traditional Jazz Drum

Jeff handled it brilliantly. He was an international businessman – now he’s finally following his dream as a student at Berklee, and playing drums regularly with the All-Stars.

Eli gave Jimmy a choice of songs – that’s always dangerous, as he has a repertoire that goes back to the late 1890′s. He only revisited the early 1930’s for this one – I’ll Never Be The Same; a performance of just Jimmy backed by soft tuba.

Pianist Teddy Wilson used this tune to bring vocalist Billie Holiday and tenor saxophonist Lester Young together at a 1937 session. They would have loved Jimmy and Ely’s version!

Jim singing and playing banjo, Eli looking on, smiling

Friends and compadres, Jimmy Mazzy and Eli Newberger

What a Difference a Day Makes, Rebecca returned for another nice ballad. She got things moving with up-tempo scatting on Oh, Oh, Oh, What a Little Moonlight Can D, with clarinet, trumpet and trombone bouncing off each other. Bo’s left leg kept jumping up and down with the beat – it was such a barn burner!

Closing time approached, and they closed this marvelous evening with another Dixieland War Horse, South Rampart St. Parade. They did justice to its infinite references to many songs, with Jeff going wild on drums!

Usually it ends in a trumpet flourish, but veteran Herb Gardner took it on trombone, leaving all of us asking for more, more!

There will be more. This was an evening filled with great Jazz played by the best. For those of you who missed it, there will be many more.

Eli’s All-Stars will begin a regular gig the 1^st Thursday of every month 7-9:30pm with this same group at the Sherborn Inn. Come join us for some outstanding Traditional Jazz and Swing!

Videos by Kathy Wittman, BallSquare films, sound by Frank Cunningham

Eli Newberger’s All-Star Septet, featuring Bob Winter and Randy Reinhart

Posted on January 14, 2014 by admin

Eli’s All Star Septet at the Sherborn Inn, January 14, 2014 Randy Reinhart trumpet, Ted Casher Reeds, Herb Gardner trombone, Bob Winter piano, Jimmy Mazzy banjo, Jeff Guthery drums, Eli Newberger tuba, Rebecca Sullivan vocals, Caroline Newberger washboard.

This was delectable hot jazz by musicians playing from the heart, enjoying the challenge of improvising, never quite knowing what was coming next, deeply listening to each other and responding in lively, pulsating jazz.

The All Stars opened with At the Jazz Band Ball, a jazz instrumental first recorded by the ODJB (Original Dixieland Jass Band) in 1917. Eli introduced Randy Reinhart , a celebrated virtuoso on cornet, trumpet and slide trombone, just back from playing in Japan. Randy played lyrical cornet on You Can’t Take That Away From Me, setting the tone for this splendid evening.

Randy Reinhart

Rebecca Sullivan’s phrasing adds to the sweetness of the songs. Blue Skies, Lullaby of Birdland, Them There Eyes sung in her own unique expressive nuances. She has an extraordinary broad range, and uses it to the fullest. Jimmy took the final vocal, with Ted on tenor sax, cornet interweaving with trombone. Fabulous!

Rebecca Sullivan

Rebecca was backed by all the instrumentalists in a poignant Georgia, with tuba solo that shows why Eli was voted best Traditional Jazz Tuba Player in polls by the Mississippi Rag and Jazzology Magazine.

Bob Winter loves playing piano!

Bob Winter has played with the Boston Pops and supported vocalists for over 30 years. He obviously enjoys making fine music and sharing it with us. His stunning harmonies and sudden key changes on Over the Rainbow took our breath away. Some of the band literally gasped. He was featured with a passionate and riveting Satin Doll and backed Rebecca’s capricious Dancing Cheek to Cheek with smooth walking bass notes.

Jimmy Mazzy plays and sings “Tomorrow Night”

Jimmy dug into his storehouse of great early 1900’s tunes and came up with Tomorrow Night. Just Jimmy and banjo; soul warming, he really gets his head around the lyrics:

Ted Casher, powerhouse tenor sax

Ted Casher is a precious gem. He’s a powerhouse on tenor sax, and was featured on a Lady Be Good that raised goose bumps. Let’s hope we get a video of this one! Eventually there will be a DVD,

Dynamic Front Line

What a Difference a Day Makes – the front line was a combustible combination, brilliant polyphonic improvisation with extraordinary give and take. They toned down for the piano solo backed only by Jeff’s fine brushing on the snare drum.

At times Randy’s cornet executed clever embelishments all around Eli’s tuba. Randy was relaxed and enjoying himself. So was the audience, intently listening to this fabulous music.

Only ten minutes left, Randy approached the close with an unforgettable Someday You’ll Be Sorry, a tip of the hat to his idol, Louis Armstrong.

Introducing Special guest, Carolyn Newberger, adding spice to the All Stars with her washboard on Jelly Roll Morton’s Ain’t Gonna Give Nobody None of My Jelly Roll.

Jimmy, Eli, Jeff, and Carolyn and washboard

Carolyn Newberger adds zest to the All Stars with washboard

They closed with a quick Tiger Rag, originally played by the ODJB in 1917. Eli’s All Stars played it with equal fiery enthusiasm, with a roaring tuba tiger, great solos – drummer let loose, nice muted trombone by Herb Gardner. Another barn burner! We’re looking forward to more lively New Orleans Jazz in the next version of Eli’s All Stars with Bob Winter, piano (Boston Pops) and Rebecca Sullivan, vocalist (New England Conservatory), and Bo Winiker, trumpet, with Ted Casher, clarinet and tenor sax, Herb Gardner, trombone, Jeff Guthery, drums, Jimmy Mazzy, drums, Eli Newberger, tuba, and guest washboard wizard, Carolyn Newberger at the Sherborn Inn, 33 N. Main Street, (inters. of Rts. 16 & 27) Sherborn, MA Reservations: 508-655-9521 or info@sherborninn.com. Hope to see you there!!

Videos by Kathy Wittman, recorded by WGBH’s Frank Cunningham

Tunes:

1. At the Jazz Band Ball
2. You Can’t Take That Away from Me
3. Blue Skies
4. Georgia on My Mind
5. Satin Doll
6. Stardust
7. Cheek to Cheek
8. Tomorrow (Jimmy’s banjo and vocal)
9. Ain’t Gonna Give Nobody None of My Jelly Roll
10. Them There Eyes
11. Our Love is Here to Stay
12. Lady be Good
13. Over the Rainbow (piano solo)
14. Lullaby of Birdland
15. What a Difference a Day Makes
16. Some Day You’ll Be Sorry (cornet feature)
17. Tiger Rag

Jazz Tuber Trio Plus Four at the Sherborn Inn, November 12, 2013

Posted on November 12, 2013 by admin

Piano, Banjo, Vocalist, Tuba, Drum, Ten Sax, Trombone

Jazz Tuber Trio Eli, Jimmy and Ted, Plus Bob Winter piano, Rebecca Sullivan vocals, Jeff Guthery drums, Herb Gardner trombone, Carolyn Newberger washboard

It certainly was an exciting evening at the Sherborn In on November 12, with Boston Pops’ pianist Bob Winter joining The Jazz Tuber Trio. Bob Winter has been the pianist for the Boston Pops for over 30 years, but also has extensive experience in clubs, television, radio, and theaters, including performances with Henry Mancini, Teddy Wilson, Buddy DeFranco, Mel Torme, Luciano Pavarotti, Eddie Daniels, Stan Getz, Cleo Laine/John Dankworth, and Airto Moreira.

Bob Winter

Bob set the mood with piano intro to an upbeat Found a New Baby, just as New York’s Herb Gardner walked in carrying his trombone case. Surprise!

Herb Gardner moved to NY in 1963 and began touring with Wild Bill Davison, Kenny Davern and Dick Wellstood, was a regular at the Metropole, Jimmy Ryan’s and Eddie Condon’s nightclubs. He’s appeared with virtually all of the classic jazz musicians in the New York City. He just walked in, took out the trombone, sat down and started playing.

Ted Casher and Herb Gardner

We love this marvelous hot jazz. You never know what’s going to happen next! Instrumental titans playing delectable hot jazz!

No holds barred – combustible combinations of piano, tenor sax, trombone, Eli’s tuba maintaining a deep underpinning bassline, Jeff Guthery laying down the beat with brushes.

Jeff Guthery mostly uses brushes

Eli introduced vocalist Rebecca Sullivan, an accomplished vocalist and teacher, with a three-octave range. She’s learning something new at the New England Conservatory of Music, with Eli Newberger assigned as her mentor. She’s an emotionally powerful performer, singing very slowly, which takes considerable skill.

Squeeze Me.

Eli called for a fast tune, Bob responded with a lovely solo on Ida. (Here he is at the Tavern Club in Boston 2010. http://www.youtube.com/watch?v=JtAF92TCxtE)

Rebecca makes the songs personal and passionate.

Silky-smooth Satin Doll, Rebecca sings it in her own style, stretching out words and syllables, adding unexpected emphasis, going from low to high when least expected.

In a more romantic tune, a lovely Someone To Watch Over Me. We were mesmerized and only caught a partial video.

I can’t Give You Anything But Love, Rebecca almost talking the vocal, backed by Winter on piano. Eli said “He plays in unconventional keys to support her exceptional range, with an amazing lower register.”

The unpredictable reed-man, Ted Casher began the Ukrainian Ochi Chyornye with tenor sax in Klezmer style, the band slipping in with Dark Eyes. Eli’s turbo charged bass riffs gave it energy and drive.

Rebecca, with Jimmy and Eli

Mean to Me, Rebecca feeling the song.

Jimmy took off in his own unique single-string banjo with Fidgety Feet, Jeff backing him with brushes on snare drum. Fans had fidgety feet! Winter finished the last chorus with multi-layered intense piano.

Carolyn Newberger had spent most of the evening listening to the music while drawing portraits of members of the band. Carolyn’s Portraits.
(Her works “In The Moment” had a Showing last month at The Harriet Tubman Gallery Boston.)

She sat in on washboard for Louis Armstrong’s 1936 Don’t Forget To Mess Around When You’re Dancing the Charleston, Jimmy on vocal. The washboard began to come apart, but Carolyn maintained her cool, set it on the floor, holding the instrument vertical and in one piece, never missed a note playing spoons through the whole tune. Bravo!

Caroline Newberger, resourceful washboard maven, joins the rhythm boys

Carolyn Newberger, resourceful washboard maven, adds rhythm

Eli plays tuba like a solo instrument with energy and drive on Perdido, supported by Jeff’s brushes, the ensemble connecting in breathtaking tempo, led by clarinet and tenor sax. Listeners were dancing in their seats!

They closed with romping polyphonic ensemble on Royal Garden Blues, Jimmy scatting, each instrument taking a final solo.

Great fun! And we’ll be doing it all again on December 3^rd, with the addition of another titan, Boston’s famous Bo Winiker on trumpet! See you there?

Jazz Tuber Sextet at the Sherborn Inn

Posted on October 1, 2013 by admin

Eli on piano, clarinet, banjo, string bass, and drums

Jazz Tuber Sextet

Jazz Tuber Sextet at the Sherborn Inn, October 1, 2013

Ted Casher clarinet, tenor and soprano sax, Jim Mazzy banjo/vocals, Eli Newberger piano/tuba, Rebecca Sullivan vocals, Andrew Schiller string bass, Jeff Guthery drums, Carolyn Newberger washboard

Jimmy Mazzy and Andrew Schiller

The Jazz Tuber Trio returned to the Sherborn Inn with three new members. Rebecca and Jeff have been with us before, but this was bassist Andrew Schiller’s initiation to the Inn.

The Tuber Trio kicked it off with a rousing HOT Dr. Jazz.

Jazz Tuber Trio

Then Eli moved to piano for Bessie Smith’s Put It Right Here, backing Jimmy’s vocal.
Eli loves to play both tuba and piano. His absolute rapture in making music is obvious, and he shares that joy with his audience.

Eli Newberger

Rebecca is a grad student at the New England Conservatory in jazz voice and contemporary improvisation, Andrew is also at NEC, Jeff is at Berklee College of Music. Eli let them loose with a sauntering swing on Perdido, with Rebecca’s refreshing vocal, and Andrew’s relentless pulse on string bass.

Rebecca Sullivan

Somewhere Over The Rainbow – Eli on piano backing Rebecca. She has a unique approach to the music, slowly nurturing, passionately stretching it out, reaching deep into the soul of the song. Summertime – Marvelous!

Ted Casher

Back Home Again in Indiana, Andrew on bass, Eli was back on tuba, trading 4s with Jimmy’s scatting. Ted’s soprano sax backed Rebecca on It Had To Be You. On Satin Doll he moved to tenor sax enlivening Jimmy’s singing and scatting. His moaning tenor backed Rebecca’s sentiment on Our Love is Here To Stay.

Jeff Guthery

The Tuber Trio with Andrew and Jeff went wild on Birth of the Blues. Never gets dull! Tenor sax took a whirling intro into I Got Rythm, with Eli on piano, Andrew bass, Rebecca vocal, featuring Jeff Guthery’s dynamic drumming.

And always in the wings, Carolyn Newberger came up front for her special Coney Island Washboard Roundolay – with the washboard that has been resurrected from the attic after 50 years. Retirement has its rewards! Jeff summed it up with one word: “Smokin!”

Carolyn now has more time to devote to her artwork, recently back from her showing, In The Moment, at the Harriet Tubman Gallery in Boston. http://www.carolynnewberger.com/

The evening closed with Mean To Me, with Eli back on piano, Jimmy banjo, Ted on soprano sax, Andrew string bass, Jeff swirling brushes on snare drum.

The Jazz Tuber Trio will return November 12^th with more surprises. See you there?

Jazz Tuber Trio + 3

Posted on April 2, 2013 by admin

At the Sherborn Inn, April 2, 2013

The Trio, with Ted Casher on reeds, Jim Mazzy banjo/vocals, Eli Newberger tuba/piano, have been joined by a fine drummer, Jeff Guthery drums, for some really Hot Jazz.

The biggest surprise this evening was Rebecca Sullivan, a grad student at the New England Conservatory in jazz voice and contemporary improvisation. Eli is one of the NEC board members who’s participated in the mentoring program since its inception in the mid-1990’s. She and Eli were “assigned” there to one another in the Fall as “mentor” and “mentee.”

Although Eli had heard that Rebecca was great, he had no idea how great. “Did she ever bless us with her swinging and moving interpretations of this familiar material?” Eli.

She certainly did. She’s a natural, charming entertainer, with passion for the music.

She began with Gershwin’s Our Love is Here to Stay, and Sunny Side of the Street.

I Can’t Give You Anything But Love, Somewhere Over The Rainbow with her own unique version of the verse.

She instantly captivated the audience with her phrasing and tempo, drawn out pearly notes.

My Old Flame

I Can’t Give You Anything But Love, Baby

The Tubers pulled out an old war horse, That’s A Plenty. They deeply listen to each other and to the music itself, making it energetic and exciting.

The inexhaustible Ted Casher began Bei Mir Bis Du Schoen mixing klezmer clarinet and swing, with Eli backing on tuba and Jeff wild on drums. He introduced Just Squeeze Me (But Don’t Tease Me) on tenor sax, with Rebecca enjoying some high spirited scatting with Ted.

In complete control of the band, Ted is master on clarinet, tenor sax, soprano sax and even a dynamic vocal of Charlie on the MTA.

Now you citizens of Boston,
Don’t you think it’s a scandal
That the people have to pay and pay
Vote for Tom Menino
Fight the fare increase!
Get poor Charlie off the MTA.

You will hear him playing all over the six New England States, thanks to his most avid supporter, his wife Vel. (Thank you, Vel!)

We’ve been listening to Jimmy Mazzy since the early 70’s when he was playing with the New Cabaret Jazz Band at Billy Mitchell’s Postime in Nantasket Beach. He hasn’t changed a bit, and we’re still just as fascinated with his banjo and vocals: an exuberant Big Bad Bill (Is Sweet William Now), Just a Gigolo sounding like a soft love song, Jeff backing him on drums with nice soft brushes. Put it Right Here (Or keep it out there) Eli playing barely detectable low notes on tuba.

Jeff Guthery first played here last January with the Jazz Tuber Trio. Jeff is enrolled in Berklee College of Music.

With rhythmic pattern and tempo, and whispering brush strokes and accents, he plays HOT Traditional Jazz as if he were born to it!

Eli has an enormous commitment to two professions, preventing child abuse, and music. He is world famous for his tuba, but also gets very emotional playing the piano!

Jimmy Mazzy and Eli have been friends for close to 40 years. Weekend seminars on abuse at Children’s Hospital conducted by Eli and Carolyn Newberger in the early 70’s had intermittent breaks of tuba and banjo demonstrating abuse in the songs of the 20’s and 30’s.

Carolyn Newberger was playing washboard back in the mid-1960’s when she and Eli were Resident Directors at Yale’s International House for foreign students. They started a Friday Night Café, where musicians could Jam, and she played washboard.

Eli and Carolyn, who is an artist (see drawings below), child psychologist, and musician, have succeeded in sharing both their personal and professional lives, working together on several projects and often sharing the stage.

On their 50th anniversary, Eli pulled the washboard out of the attic, and Carolyn is back to being an enthusiastic player. With Carolyn on washboard, Ted on soprano sax, Jimmy banjo and scatting, all backed by tuba, we heard a vibrant rendition of Coney Island Washboard Roundelay.

This evening was filled with fast moving, energetic hot jazz. It was also an intimate, informal musical experience with friendship and camaraderie between the musicians and their followers and supporters. We’ll all be back.

The Jazz Tuber Trio, with Rebecca Sullivan and Jeff Guthery, will return to the Sherborn Inn on August 6, October 1, November 12, and December 3rd. Mark your calendars!

And remember the name – Rebecca Sullivan. You’ll be hearing more from her! http://www.rebeccasullivanjazz.com

New England Traditional Jazz Plus

Swing, Traditional Jazz, Dixieland Jazz, Big Bands

Tag Archives: Jeff Guthery