Dave Whitney Quintet, featuring Christine Fawson, at Amazing Things Arts Center, October 6, 2013

Dave Whitney Quintet with special guest Christine Fawson

Dave Whitney Quintet with special guest Christine Fawson

The Amazing Things Arts Center is the best place to listen, and really hear, two master trumpeters; marvelous acoustics.  It just doesn’t get any better than this, Christine Fawson and Dave Whitney, twining around each other on trumpet or vocals – they have  synergy, supported by the fine rhythm section of Jon Wheatly guitar, Mark Carlsen bass, and Reid Jorgenson drums.  Dave and Christine never sounded better!   What a great way to spend a rainy afternoon!

New England’s Dean of Trumpeters, Dave started first, backed by the rhythm section, on a Rose Room, circa forties’ era Jazz and Swing tune.  He focused on Louis Armstrong, singing an early 1932 Louis’ That’s My Home.  Down In Honky Tonk Town Louis recorded in 1940.

Jon Wheatley on acoustic guitar

Jon Wheatley on acoustic guitar

 

Louisiana featured Jon with special vamps on ‘agnostic’ guitar.
Besides being a Talented soloist, Jon is a great team player laying down beautiful chords and keeping solid time.
He has a great capacity of repertoire, being comfortable in everything from Dixieland to modern jazz. He has listened to many great guitarists: Eddie Lang, George Barnes, Barney Kessell and Herb Ellis to name a few but has his own personal style.

Christine lets it all out

Christine lets it all out

 

 

 

 

Dave introduced the talented Christine Fawson singing an upbeat  Irving Berlin tune on this dreary, rainy day, Blue Skies.

 

Christine added some of Ella’s inventive scat-singing on Do Nothing ‘Till You Hear From Me, with Dave behind her on muted trumpet.  Their passion for this music is infectious.

Reid's hands - Reid Jorgensen's plays soft drum with his hands

Reid Jorgensen’s plays soft drum with his hands

 

Charlie Chaplin’s favorite, Smile is a song based on an instrumental theme used in the soundtrack for the 1936 Charlie Chaplin movie Modern Times. Chaplin composed the music; he would have loved Christine’s vocal, backed by Reid playing softly with just his hands, on the drums.

This is Christine’s theme song – Don’t Fence Me In.  She likes Cole Porter’s lyrics and chord changes  “They don’t write like this today.”   Celestial trumpets played sweet harmonious sounds, Dave taking the melody first, Christine counterpoint.

Dave and Christine in sync on trumpet

Dave and Christine in sync on trumpet

We all know Tangerine from Herb Alpert’s Tijuana Brass  Whipped Cream album; fabulous, with Reid’s drum tapping on snare drum.

Mark on string bass

Mark Carlsen

 

Mark has a history of playing with the new Tommy Dorsey Band led by Buddy Morrow.  He is also a great team player, laying down beautiful chords and keeping solid time.  He’s an excellent soloist, but prefers to take only one or two choruses on a tune, instead giving the group great bass lines and working flawlessly with Jon and Reid.

Here he is backing Dave’s vocal on Irving Berlin’s Marie.

 

 

Christine was back with a smokin’ Avalon – from her CD.  Glorious trumpet duet, with Chris and Dave taking turns singing.

Christine took a break.  Dave returned with the rhythm section.  He latched on to Putting All My Eggs In One Basket from Cape Cod’s cornetist Ruby Braff.  I Can’t Get Started, from Mister Trumpet – 1937 Bunny Berigan, the tune that put him on the map. Dense interplay between trumpet and guitar.

Dave and Reid have been together for many years, in Dave’s Big Band and small combos.  Reid’s brushwork is weighty, but particulate – he listens.  He was featured on a good ol’ good one, Found a New Baby.

Reid Jorgenson on drums

Reid Jorgenson

Jon standing at podium playing solo

Jon Wheatley, solo, on Slow Burning

 

 

 

Jon’s flowing finger work and sounds were featured on his solo of  George M Smith’s Slow Burning.

 

 

 

Dave called Christine back.  Reid’s drumming softly complemented Christine’s soulful scatting on I Could Write A Book.

She put heart and soul on In The Wee Small Hours of The Morning, revealing her own singular, personal style.  Video by Harold McAleer.

Louis did this one with Velma Middleton, You’re Just In Love.  Dave and Chris played trumpets in harmonic syncopation, then sang totally different choruses from the tune – at the same time.

Christine teaches at the Berklee College of Music and also sings with the vocal jazz group, Syncopation. She said she’s learned so much from watching and listening to Dave play.  Obviously.

They closed with the Trad Jazz “National Anthem”, The Saints.  It was a warm, friendly  afternoon of fine Jazz and Swing; it was a real pleasure being here and listening to these virtuoso musicians!

We never know when they will get together again, but you can bet it will be on the www.nejazz.com calendar!

Marce

Burlington Discover Jazz Festival 2013

Onion River Jazz Band

Onion River Dixieland jazz=the cruise

By Colette

May 31-June 9, 2013
The 2013 Burlington Discover Jazz Festival is over!  It ran over a whole week with most days offering music from noon till late.

Just to speak of the last Friday and Saturday, there were gigs by many different high schools, some fun with kids 11 to 14 years old and diverse talents.  Bellows Falls Union High school was quite good and mature.

The best was the VT All State Jazz ensemble. Because of the rainy weather, the Flynn Stage housed some of the events, it was a great venue.

Fairfield Center School

Fairfield Center School

Fairfield Center School with 11-year-old sax, front, 3rd from left

At 5pm it was a WPTZ Block party for Channel 5 TV with the all women (7) Zili Misik… They were highly rated, may be the acoustics were bad… It was a disappointment.

Zili Misik, 7-piece women band

Zili Misik

The jazz cruise at 7pm Friday was the only full Dixieland offering by the Onion River jazz Band, it was good despite the raw and foggy weather!

Saturday the weather being better the events were back outdoors. The Jake Whitesell Quartet was worth the uncomfortable chairs and the occasional drizzle!

Jake Whitesell

Jake Whitesell, tenor sax

At the Jazz Lab (a worthwhile place to check out) the Luce Trio jazzed up Bach and other baroque music reminiscent of Jean-Pierre Rampal with a sax instead of a flute!

Definitely an event worth while to make an effort and a long drive to attend!

 

 

Neville Dickie at the Sherborn Inn, June 4, 2013

Neville piano, Jeff Hughes trumpet, Stan McDonald reeds, Dave Bragdon drm

Neville Dickie and Band

The Sherborn Inn was packed elbow-to-elbow with eager fans for celebrated British pianist Neville Dickie’s 12th appearance at the Sherborn Inn on Tuesday, June 4, 2013.

After mixing with his fans, Neville sat at the baby grand and revived a fount of pieces from the 1920’s with ragtime, boogie, stride – pop.  With drummer Dave Bragdon, he started on the 1920’s Charleston Mad, from one of his many albums.  He turned to Dave and asked “What do you fancy doing?”  They came up with a sunny and warm version of  Benny Goodman’s  Red Sails in the Sunset.

Neville turns and watches Dave

Neville and Dave

Dickie generally plays solo piano in concert. Not here; he takes it easy and becomes part of the band, giving him a chance to relax, walk around, talk with his enthusiastic fans.

Stan McDonald on soprano sax

Stan McDonald

 

 

Stan McDonald joined them on soprano sax, with Jeff Hughes on trumpet for James P. Johnson’s If I could Be With You, Neville starting with the verse, Stan on vocal and saxophone.  Roses of Piccardie, It Had To Be You, with Neville’s clever backing and multi-layered playing.

Wrap Your Troubles in Dreams.  Jelly Roll Morton’s Tijuana, crisp soprano sax.

Jeff was featured on a boogie that they created on the moment, The Sherborn Boogie, Jeff getting glorious sounds from a rare 1946 Martin Committee Olds Trumpet.  (Jeff has a vast collection of instruments, and he makes them all sound great!)

Jeff Hughes featured on trumpet with Neville and Drums

Jeff Hughes feature

During the break, Ross Petot kept the piano hot, giving us umpteen inspiring variations of Gershwin’s Sentimental Gentleman from Georgia.  He has a fantastic left hand of his own, definitely with some James P. Johnson influence.

Four handed piano, Ross and Neville

Ross Petot and Neville

 

He slipped into some eight-to-the-bar (probably for Neville’s sake)  and played his specialty stride piano on Stairway to Paradise.  

Neville joined him for four-handed piano, two pyrotechnicians playing an ingenious variety of choruses.
Lynn Sickle and Janet Borgman

 

Neville said he’s happy to see the same faces here, year after year, and remembered Lynn Sickle. She was in her special chair – always next to the piano, here with Janet Borgman.  Neville played his own swinging version of All of Me, Lynn’s favorite – he remembered.

It’s hard to tell who is having the most fun here, Neville or the fans.  He relaxes, tells tales, he’s “one of the guys”.

He says “Musicians like to drink, and I’m no exception. I read that liquor is the root of all evil, so I gave up reading.”
“I quit drinking once, it was the worse 20 minutes of my life!”
“I enjoy playing here at the Sherborn Inn;  Stan provides the music, Ellen provides great beer”.

Neville standing with a beer

Neville relaxes

Ross took over at the piano and gave him a chance to mingle with the crowd.
Soprano sax and trumpet traded fabulous fours on Make Me a Pallet on Your Floor,  Stan singing.  After You’ve Gone was another lively one.

Ross, Stan, Jeff, Dave - no Neville

Ross Petot and Band

Dave & Neville returned with a sweet Keeping Out of Mischief Now, segue into a racing tempo on Handful of Keys, Neville’s fingers leaping across the keyboard.  Marvelous.

Dave was featured on drums with Nagasaki, because Neville never could find a drummer who could keep up with his flying fingers.  He continued playing at a dizzying pace, but Dave Bragdon kept up with him!
Dave Neville 1Neville reprised the first boogie ever written, Pine Top Smith’s Sheik of Araby, with the left hand leaping back and forth on the keyboard.

There was a request for him to play solo piano – which is his general mien; he does for hours at most other venues. With Dave’s accompaniment, he played Willie the Lion Smith’s finger breaking Swanee River Boogie.  He said “It’s a joy to do this gig – Sutton & Surrey.”

Too soon, the band closed with a sizzling Found a New Baby.  As he was leaving, heading for New Jersey, Neville said “Please Keep supporting live jazz.”

We sure will.  Thank you for being here with us, Neville, see you again next year!!

You may catch Neville when he’s at home in the Sutton Jazz Club, Thomas Wall Centre, Benhill Avenue, Sutton, Surrey, England.  The Club was formed by Pat and Neville Dickie in 1989 and is noted its music, as well as Neville’s famous prawn vol-au-vents. They also serve a wide choice of hot food, such as fish, chicken, meat pie, saveloy, or vegeburger, all served with chips, and backed by Neville’s Trio comprising  of Neville Dickie (piano), Terry Lewis (bass), and Norman Davey (drums). Top class musicians from the United States, Europe, Australia and, of course, Great Britain, join them each month.

Steve Taddeo’s Swing Senders

at Milford TV
with host Harry Platcow

Steve’s “Dream Team”, with Jeff Hughes trumpet, John Clark clarinet and bari sax, Ross Petot keyboard, Justin Meyer string bass, and himself, Steve Taddeo on drums,  was televised at  Milford’s new Community Center TV station on South Main Street, to be broadcast locally in Milford, Hopedale, Mendon and Upton, Comcast Channel 8, Verizon 40.   Video

Steve showed his admiration for Gene Krupa with Don’t Be That Way.  Ross introduced Crazy Rhythm with a nice groove, with Clark taking over on clarinet, trumpet comping.  Piano intro with the verse to I’ve Got a Right to Sing The Blues, Jeff Hughes featured on that beautifully toned Yamaha tuneable bell trumpet.


You Do Something To Me, written by Cole Porter, was the first number in Porter’s first fully integrated-book musical Fifty Million Frenchmen (1929).  Ross performed in his specialty stride piano.

Next was some early George Gershwin, I’ll Build a Stairway to Paradise. Nice trumpet.  John Clark took out the baritone sax for Billy Strayhorn’s Day Dream.  Beautiful!

They closed with a barn-burning Dinah, with Steve doing his drum-walk-around to the string bass and sneaking in some of Bob Haggart and Ray Bauduc’s Big Noise From Winnetka, Steve drumming on the string bass, somebody sneaking in the whistling!  It was WILD!

Justin Meyer, a superb free lance bassist, plays full rich tone on acoustic string bass.

A consummate side man, he lifts any band he plays with.

Our favorite ex-DJ, Harry Platcow, now Professional Photographer, features local Jazz musicians at Milford TV several times a month.

Thank you, Harry!!

Steve Taddeo and the Swing Senders with Special Guest Stars – The Midiri Brothers of New Jersey, will present a Live Jazz Concert – Free! at Classic Jazz at Lincoln Center,  Bemis Hall, Bedford Rd. Lincoln MA on Wednesday, May 22 – 7:30.   Mark your calendars!