Jeff and Joel’s House Party 2015 – Saturday Evening

Completed videos have been sent to musicians for approval and will appear here as they are received.  Some of these pictures will disappear. Enjoy for now.

——–>     Friday    Saturday Afternoon     Sunday

After a delicious Dinner Buffet the first Saturday Evening band was led by Gordon Au, with Jim Fryer, Jim Lawlor, Dan Levinson on clarinet, Genevieve Rose on string bass, and Jeff Barnhart on piano.  They began with a HOT Buddy’s Habits.

7 pc trad jazz band

Band One led by Gordon Au, Saturday Evening at Jeff & Joel’s House Party, 2015

Same crew, Dan Levinson in charge, a 1922 tune played by the New Orleans Rhythm Kings, Nobody’s Sweetheart Now.  This is a Banjorama tune – Joel couldn’t help but come up to sing the melody.

Donn Trenner on keyboard

 

Don Trenner traded places with Jeff, but before he could start, Dan Levinson pointed his clarinet at Donn and singlehandedly played Thanks For The Memories, in commemoration of all the years Donn played with Bob Hope.

 

 

Honeysuckle Rose – Fryer gets to sing

Scott and Noel played together in John Sheehan's

Scott and Noel played together for years  in John Sheehan’s Heritage Jazz Band.

 

 

 

Change of crew – Noel Kalesky, Kevin Dorn, Scott Philbrick, Brian Nalepka and Jeff, The Things We Did Last Summer. Masterful duet between Scott and Noel.  They’ve been friends for a long time.

 

Donn Trenner back, with Noel Kaletsky and Scott Philbrick with a rousing  Lady be Good,

Dan Levinson on his fabulous tenor sax, Gordon Au, Tom Boates, Donn Trenner, Brian Nalepks, and Molly Ryan were up with Wrap Your Troubles in Dreams

explained above

Molly Ryan captures the crowd with Wrap Your Trouble in Dreams

Gordon continued with Molly singing Ain’t She Sweet, with Dan, Gen, Brian, and Donn.  Gen on string bass marvelously trading 4’s with Donn Trenner.

Pianists kept switching with Jeff replacing Donn for Molly’s sweet Sugar.

 Molly and Jeff were left alone for  Bewitched, Bothered, and Bewildered.

Fryer on euphonium

Jim Fryer dedicates Easy Living to Connecticut

 

 

Jim Fryer has a Connecticut background, living in Wallingford for 12 years.  He came up with Gen, Kevin, and Donn for  Billie Holidays’ Easy Living.  Jim dedicated it to the State of Connecticut.

 

 

 

 

Mood Indigo – Tom Boates and Jim Fryer

Scott and Noel, a tune they often played in Maine with Muriel Havenstein, Jeff and Brian joining them, for Swing That Music – Barnhart going WILD on keyboard!!

see above

They do Swing That Music!!

Brian Nalepka plays bass and sings

Brian Nalepka is also an excellent vocalist.

 

 

 

Brian’s turn to lead, with his vocal, on Linger Awhile, with Tom Boates added on trombone.

 

 

 

 

Gotta give the boss his due – Joel on vocal with Scott, Noel, Tom, Jeff, Jim Lawlor – with a Father’s Mustache Honky Tonk Town..

Boss gets his chance to shine.

Boss gets his chance to shine.

Gordon Au on trumpet, Scott, Molly and Tom Boates on guitar, for 3-guitar session on I’ve Got The World On a String.

Donn returned at piano for Exactly Like You with Fryer, Gordon, Dan, Molly on guitar, and Lawlor drums.  Dorothy Fields did this with Jimmy McHugh in 1935, Lawlor vocal. Gordon played powerful trumpet, Gen couldn’t help bouncing with the rhythm.  She and Dan had marvelous exchange on clarinet and string bass.

Lawlor plays drums and sings Exactly Like You

Lawlor sings too!

Molly

Molly

 

 

Kevin, Gordon, Fryer, Dan, Gen, Donn with Molly vocal on Meet Me Tonight Dreamland – 1909. The song came from Coney Island which was then only attended by the wealthy, hence “Dreamland”.  It had very many lights.  One night they caught fire and the place burned down.

 

 

 

Everyone left except Molly, Gen, and Donn for You Took Advantage of Me.

You Took Advantage of Me with Donn Trenner backing Molly

You Took Advantage of Me with Donn Trenner backing Molly

Molly took a break.  Leaving the Trio, with Gen shining on string bass, Kevin drums, and Donn piano on Sunny Side of The Street.

Bogalusa Strut, with Gordon, Scotty, Noel, Dan on tenor sax, Boates, Fryer on euphonium, Barnhart and Lawler, with Joel sitting in, Nalepka tuba – euphonium and tuba duet!  Superb drumming by Lawlor!  The whole band joined in singing New Orleans.

Barnhart standing with arms folded looking at brass musicians.

Barnhart stunned by all that brass!

Clarinet duet, Dan and Noel, with Lawlor, Scott on guitar, Joel, Brian on string bass, Jeff on Avalon

described above

Amazing clarinet duet on Avalon with Dan Levinson and Noel Kaletsky

Noel, Jeff, and Jim Lawlor continued with a wild fast tempo tune done by Wild Bill misguidedly named Sleep.

Time for Jeff’s Banjorama, with Joel, Kevin, Brian on tuba, Jeff, When Day is Done, Sweet Adeline, and many, many more, with all the fans and volunteers singing along.  Your Fathers Mustache banjo players came from North Carolina and Christ Fennimore (left) came from Pittsburgh Pennsylvania to join Joel.  Fans and Volunteers joined heartily in the sing-along.

band members laughing as Joel leads fans in song

Everyone gets in on the act for the Banjorama

Donn Trenner back for Molly Ryan vocal on Jeepers Creepers, with Gen, Kevin, Gordon, Tom Boates, Scott on guitar. Dan on tenor sax. Fantastic.

Molly, Jeff, Gen, Tom, Kevin, Scotty still on guitar, I Ain’t Got Nobody. Growling trombone, Hot Stuff.  Molly doing vocal duet with Jeff piano.
NobodyTime for a slow waltz.  This was not on the list. Molly vocal, Dan, Gen, Jeff, Kevin, Hushaby Mountain.  Nice piano and Molly vocal, Gen bowing the bass, Dan on tenor sax.  Ended the way it started, with piano and vocal.

Lawlor back, Noel on clarinet, Nalepka tuba, Scott on cornet, Gordon trumpet, Jim Fryer, Jeff.  I Ain’t Got Nobody.

Gordon and Scott battling on I Ain't Got Nobody

Gordon and Scott battling on I Ain’t Got Nobody

Scotty cornet and Noel clarinet absolutely fantastic, Gordon and Fryer, trumpet and trombone trading, 4’s  for Lu Waters’ Come Back Sweet Poppa. 

The Au Brothers were raised on Lu Waters by their uncle, Howard Miatta, who plays with the High Sierra Jazz Band. Our guys continued with a stormy version of Struttin’ With Some Barbecue. 

There was time for one more ‘classy’ tune with a small ensemble, before the final fiasco. Donn Trenner called for Duke’s  A Train, Donn in constant, fluid, rhythmic motion.  Absolutely beautiful! This man loves to play piano.

A train

Gordon ended it as he had begun, leading the Finale, a rip roaring Panama!

Everyone up for Panama

Everyone up for Panama

Breathless.  That’s how we were left this Saturday Evening of Jeff and Joel’s House Party!   Yet there was more coming on Sunday……

Eli and The Hot Six at Primavera, August 20, 2015

6-pc trad jazz/swing band

Eli and The Hot Six, with Dave Burdette

Bob Winter keyboard, Eli Newberger tuba, Jeff Guthery drums, Ted Casher reeds, Dave Burdette trumpet,  Herb Gardner trombone/vocals, last set: Caroline Newberger washboard.

The band was still wrapped in the glow of their full house and reception at the Barrington Stage Company in Pittsfield, MA at the Berkshire Theatre Festival. They were relaxed and jovial; there wasn’t even a set list.  Everyone was featured!  They played a game – “Let’s stump the trumpet player” – with Bo Winiker’s substitute, Dave Burdette.

But Dave Burdette is one of the most in-demand trumpet players in the country and can play jazz, classical and everything in between. The Dave Burdette orchestra played for 10 years at Boston’s Ritz Carlton Hotel Roof Top.

They began with Do Nothing ‘till You Hear From Me, Nice Work If You Can Get It, Limehouse Blues tore the house down!

Everyone had a chance to solo.  There was no amplification whatsoever, but that didn’t stop Herb from singing;  Wonderful World, special request for Bill Bailey. They began with the verse, front line magnificent, with Dave on muted trumpet, Jeff reverberating the tuba on the hi hat.   It was a never-ending tune, with Eli pointing to each musician to give it a final blast.

Winter laughing

Bob Winter, pianist for the Boston Pops, enjoys being part of this band

 

 

Bob Winter picked a solo that we haven’t heard for a long time, Rhode Island is Famous For You.
Astounding piano!!

 

 

 

Caroline Newberger arrived, with washboard, for what they called “Tap dancing routine #1” for Tea for Two  and  Perdido. Caroline added to the rhythm section for the whole last set.  She was featured on her special, and one of our favorites, Miami Rumba, accompanied by piano.  (Dave’s trumpet sounded like Herb Alpert in the Tijuana Brass.)  Jeff maintained the rumba rhythm on temple blocks.

Caroline Newberger on washboard, with Winter and Eli

Caroline Newberger on washboard

The combined talents of this front line are remarkable!

c;larinet, trumpet, trombone

Ted Casher, Dave Burdette, Herb Gardner

Eli up front on tuba solo

Eli plays Polka Dots and Moonbeams

 

 

With Eli’s prowess on the tuba, he was able to reach low, low and ended up high on Polka Dots and Moonbeams.  This brought back fond memories!

Dave on trumpet

Dave Burdette

 

 

 

Dave’s version of Stardust was absolutely haunting, subtly backed by rhythm.   Beautiful!

Ted couldn’t resist this tune, came in with clarinet ending with a note that hit the stratosphere!

 

 

At The Jazz Band Ball started at a pretty good clip, with fine polyphony. Dave played trumpet softly then with passion, slipping in a bit of  ‘Stumbling’.

Herb up front on trombone

Herb Gardner sang many tunes as well as playing trombone

 

 

Herb sang many tunes, and his marvelous trombone was featured on Rose Room.

 

 

 

 

 

Jeff was let loose on Alexander’s Ragtime Band; he enjoys tapping on those variegated temple blocks!

Jeff tapping graduated temple blocks

Jeff is expert on temple blocks

Ben Pilch wrote:

“It was my second time seeing the group, Eli & the hot 6 concert on Thursday at Primavera.  I enjoyed the concert very much.  The group members are obviously excellent jazz musicians who are technically sound and very good improvisers. In addition, they have an obvious camaraderie, joie de vivre, and love of what they’re doing that is charming and infectious.”

“Another facet of their performance that I enjoyed was their spontaneity.  Rather than clinging to a set playlist, they seemed often to decide on the spur of the moment what would be a good tune to perform at that moment.  This allowed them to easily accept requests, and at this concert there were two, Bill Bailey and Alexander’s Ragtime Band.  I enjoyed these performances a great deal, and I was delighted to hear the verses to these songs, less commonly heard than the more familiar choruses.  A lovely atmospheric rendition of Stardust was, I thought, another high point.  A great show!       Ben Pilch (fan and audience member)

Caroline joins the band

Eli and The Hot Seven

We’re declaring Dave Burdette winner of the “Let’s stump the trumpet player” game!  The Hot Six +1 closed with Louis’s Sleepy Time Down South.

They’ll be back at Primavera on September 10th and October 15th, September 20th. They are at the FREE family-friendly Autumnal Equinox celebration – 12th Annual Revels RiverSing at Harvard Square’s Winthrop Park. They will be at Ken’s Steak House.  They’re also looking forward to their 2nd appearance at Sculler’s Jazz Club on December 17th.  Stay tuned.

New Black Eagle Jazz Band at Primavera 13 August 2015

7pc Trad Jazz Band with string bass

New Black Eagle Jazz Band

Tony Pringle cornet/leader, Billy Novick clarinet/soprano and alto sax, Stan Vincent trombone, Herb Gardner keyboard, Peter Bullis banjo/manager, Jim Guttman string bass, Dave Didriksen drums,

The New Black Eagle Jazz Band will be starting its 45th year next month; you can tell by Tony’s beat-up, metal bowler-hat mute.  They filled the House at Primavera Ristorante with their authentic, happy, foot-tapping Traditional Jazz beat.  People drove for miles to hear this band.  It was worth it, just to hear Billy Novick playing soprano sax!  That was new to us.  It certainly adds dynamism to the music!

Jim Guttmann was a new face on string bass.  The Black Eagles have been using many different string bass players (much as the original Black Eagles Jazz Band did.)  They must be experts in their craft and also know the unique Traditional Jazz Beat.  Tony is uncompromising, maintaining the band’s unique sound.

Jim on string bass

Jim Guttman

 

Jim Guttman, a full-time musician, filled the bill.  He’s taught double bass and coached jazz and klezmer music ensembles at the Rivers School Conservatory since 1989.   He’s performed with a myriad of groups including the Klezmer Conservatory Band, singers Eartha Kitt and Mark Murphy, the Really Eclectic String Quartet, blues masters Johnny Shines and James Cotton, the Boston Philharmonic Orchestra, Texas swing legend Tiny Moore.

 

 

 

Dave smiling at drums

Dave Didriksen

 

Trad Jazz Drummers are also a rarity; Dave Didriksen filled in for Bill Reynolds; not an easy task.  We’ve known Dave as a great drummer starting with the Commonwealth Jazz Band at The Outpost Farm in Holliston in the 80’s, then with the Wolverine Jazz Band, and now as drummer and Manager of Swing Times Five with Debby Larkin.  Oh, and also Willows Book Store in Acton.

 

The New Black Eagles kicked it off with When Your Hair Has Turned to Silver, appropriate for most of us.  (Where did the years go?)   Savoy Blues, a tune that Louis Armstrong recorded in 1927, when he was just coming to prominence as an innovative cornet and trumpet virtuoso.  Great string bass solo by Guttmann; Stan played his growling tailgate trombone.

Every band plays Shimme Sha Wabble differently.  The front line was enhanced by Jim’s complex chords on string bass, pushed by Dave’s drum beat. and Herb’s titanic hands on keyboard.

trombone, cornet with beat up hat, Billy on alto sax

Front Line

Herb on keyboard.

Herb Gardner has massive hands

 

Herb Gardner was featured on If I Had My Way, showing off his stride piano.  He has always been a full-time musician, now with a full-time musical family with daughters Abby and Sarah.  He bounces back and forth to the Carnegie Club in New York, even in the 4-feet of snow we had last winter.  Herb has been filling in here in New England for many pianists, and has just about become the full-time pianist for the Black Eagles.

 

 

Peter with mouth (always) open, playing banjo, and his red sox

Peter Bullis

 

 

Tony, Peter and Stan are retired now, so they are playing full time too.  Peter’s expression hasn’t changed. He is still plucking the banjo, maintaining that beat, as he did in 1971 at the Sticky Wicket, and he’s still wearing his Red Sox.

Once In a While, from Louis’ Hot Five, was fantastic with Billy on clarinet.

 

 

They slowed the tempo with a tune they haven’t played in a long time, Johnny Dodd’s Steal Away, with Jim bowing the string bass.  Billy took the vocal on Jelly Roll Morton’s Sweet Substitute, backed by Tony’s sweet muted cornet.

Sam Morgan’s 1928 Short Dress Gal was one they played at the Wicket.  (Tony mentioned that Cajun bands played this in their Patois in 1927.)

We’ve been listening to Billy since he added younger ideas to the Eagles back in 1986 – but this is the first time we’ve heard him playing soprano sax.
Noting the soprano sax, one fan requested a Sidney Bechet tune, The Fish Vender.  He got I Remember When (Si Tu Vois Ma Mere) instead, with Billy and Jim Guttmann, Herb Gardner, and Dave Didriksen.   Beautiful!

I’m kicking myself for not recording this from the beginning where Billy faithfully played Bechet’s passionate version.  Once we recovered from that one, we heard an old Pop Tune, Girl of My Dreams, a lively tune.  Billy started on clarinet but moved to alto sax in the end, backed by fine string bass.

There was some discussion about how to handle the beginning and ending of Delta Bound, ensemble or somebody on solo?  They left it up to Billy; both beginning and end were amazing ensemble, Tony taking the lead with Billy comping on alto sax, Stan’s trombone stretched out low, low, as it could go.

They closed with Weary Blues, or Shake It And Break It – take your pick – same song.  It was WILD; even Herb’s hands went wild on the keyboard.  They ending as they began, with Billy on lovely soprano sax.   WOW!  What a night.

There were many dedicated New Black Eagle Fans here; they filled the room.  They will be back at Brandeis University on October 4th; Cultural Center of Cape Cod on October 11th; Rogers Center for the Arts at Merrimack College, North Andover MA on November 6th. Primavera Ristorante November 19th.

They will be traveling – check out their site at www.blackeagles.com.

Steve Taddeo’s Swing Senders with the Midiri Brothers at Bemis Hall August 12, 2015

9 pc band

Steve Taddeo’s Swing Senders and The Midiri Brothers

by Marce
videos by Harold McAleer

Joe Midiri clarinet/soprano sax/vocal, Paul Midiri vibes/trombone/drums, John Clark clarinet/alto sax, Paul Monat cornet, Gerry Gagnon trombone, Ross Petot piano, Justin Meyer string bass, Dave MacMillan guitar, Steve Taddeo drums/leader.

Harold McAleer invited us into the Senior Center at Bemis Hall in Lincoln, MA for a free concert by  Steve Taddeo’s Swing Senders and The Midiri Brothers from New Jersey.

There are Smiles

Joe Midiri plays Sidney Bechet

Joe Midiri plays Sidney Bechet

 

 

There was a full house with nine musicians, sponsored by CJALL, Classic Jazz at Lincoln Center.   Joe Midiri won the audience over immediately with his soprano sax with Sidney Bechet’s Si Vous Vois Ma Mere.

 

 

Don’t Be That Way featured the two masters of the clarinet, John Clark and Joe Midiri.

dark haired vocalist with big smile

Swing Senders’ vocalist, Caroline Griep

 

 

 

Vocalist Caroline Griep was introduced singing Candy and I Can’t Get Started.  She puts a song across with emotion and a spirited voice.

 

 

 

John on alto, Joe on soprano

John Clark and Joe Midiri

John Clark was featured with the Midiri Brothers and rhythm section on Sidney Bechet’s 1938 What a Dream.  Ross Petot took the intro on piano, and then it went wild with a duet of John Clark on alto sax and Joe Midiri on soprano sax.

Ross Petot had the antique Bemis piano singing!

 

Paul Monat revived some of his Wild Bill spirit with Stomping at the Savoy.  Paul Midiri slipping in a bit of There’s a Small Hotel on vibes.  Taddeo did his infamous walk-around before he let loose – it’s his band, everyone just got out of the way!

They took a break after that one, and Steve Taddeo made a presentation to Jason Ricky, an aspiring young drummer, by presenting him with one of his drums.

After the break, the Midiri Brothers were featured on Avalon with the rhythm section.  Justin Meyer, Dave MacMillan with Ross Petot and Steve Taddeo kept the rhythmic fires burning, providing a solid foundation that let the others fly.   Ross’s piano solo resounded across the cavernous room.

Paul Monat was featured on Bing Crosby’s first theme song, Blue and Broken Hearted – that Crosby ended up turning over to Will Bill Davison before he moved to The Blue of The Night.  Paul did a take-off on Wild Bill that would have done him proud!

Paul on cornet with rhythm section

Paul Monat revives Wild Bill Davison

Caroline Griep was back with Lullaby of Birdland.  It was a brief vocal;  Gerry Gagnon’s masterful trombone played a duet with Dave Macmillan guitar, each of the eight musicians took fine solos before Caroline returned for the close.

two trombones

Paul Midiri and Gerry Gagnon wild trombones

 

 

That’s a Plenty was pure pandemonium!  Justin’s string bass took a solo and traded fours with Ross on piano.  There were two trombones with Paul Midiri and Gerry Gagnon.

 

Dave MacMillan guitar

Dave MacMillan guitar

 

 

Dave MacMillan played an energized solo guitar while the musicians in the front line continued, bent down onto their knees, so everyone could see and hear him.  This is comraderie!

 

 

 

Steve pulled out his theme song, Dinah for a drum duel with Paul Midiri that is indescribable!  video by Marce

They closed with Joe Midiri singing in his amazing Louis Armstrong voice. John Clark was cookin’ with the Midiri Brothers, Joe closing with a long drawn out note on soprano sax, then hit the stratosphere!

This was an incredible evening.  These musicians enjoyed playing together and kept the audience totally engaged. It’s the fourth time Steve Taddeo has played with the fabulous Midiri Brothers, and they were always memorable.  We look forward to Paul and Joe Midiri returning next year!

Seacoast Stompers at ACTIII, August 8, 2015

piano, banjo, cornet

Seacoast Stompers with Dave Whitney

The Seacoast Stompers had a rip-roaring afternoon with a Full House at ACTIII in Littleton, MA.  Dave Whitney ruled the roost, amazing the audience with his new prowess on cornet.

Dave is well known for his amazing Louis-type trumpet for many years, but he was still in charge on this marvelous afternoon of great Traditional and Dixieland Jazz and Swing.

It was great to have Jimmy Mazzy back.  He’s no longer at the Colonial Inn; after 35 years he’s now looking for a new venue.  But all the local bands want Jimmy, and they have kept him busy all summer.  But WE had him tonight, scatting on Canal St. Blues and Stealing Apples, How Come You Do Me Like You Do, singing on Write Myself a Letter, I Cover the Waterfront, Do You Know What It Means To Miss New Orleans (Dave slipping in snippets of multiple songs.)

Jimmy on banjo and singing

The one and only, Jimmy Mazzy

But Dave Whitney has some favorite songs, and he did some singing too, besides leading the band with his fantastic cornet.

Dave with silly grin on his face, singing

Dave sang some of the tunes

 

 

Curse of an Aching Heart, Back o’ Town Blues.  His cornet sounds almost like a trumpet when he hits those high notes.

 

 

 

Al with large tuba

Al Bernard on tuba

 

 

Al Bernard is a master of the tuba, listening to the soloists and backing them with many different chord phrasings.  He even becomes part of the front line, playing a full chorus of melodies on that monstrous tuba, as if it were easy!

 

 

 

 

Frank with surprise look on his face

Dave catches Frank by surprise

 

Frank Stadler is leader of the Seacoast Stompers, but he was happy to let Dave take over and call the tunes.   Frank introduced many of the songs and had that piano singing.

But Dave was constantly catching him off guard with his many surprising antics on cornet and vocals.

 

Catch the Seacoast Stompers Quartet next month on September 12th, 2-5pm, and you’ll be surprised too!!  POSTER
Be sure to make a reservation, because they will surely sell out!  Act III, 529 King St. Littleton MA (978) 486-3600.  They have music from Tuesday through Sunday.  Check it out.  ‎Monthly music schedule

Playlist for Seacoast Stompers 2015-08-08
Set 1
1  At The Jazz Band Ball
2  Canal Street Blues
3  Don’t Be That Way
4  Keepin Out Of Mischief Now
5  World is Waiting for the Sunrise
6  I’m Gonna Sit Right Down And Write
7  I Would Do Anything For You
8  I Cover the Waterfront
9  It Don’t Mean a Thing If it Ain’t Got That Swing
10  Stealin Apples
Set 2
1  Soft Winds
2  Limehouse Blues
3  Do You Know What It Means To Miss New Orleans
4  Curse of an Aching Heart
5  Back o’ Town Blues
Set 3
1  Porter’s Love Song To A Chambermaid
2  Deed I Do
3  Take Your Tomorrow
4  Swing That Music
5  Devil and the Deep Blue Sea
6  Louisiana Fairy Tale
7  Jelly Roll (Ain’t Gonna Give You None)

Blue Horizon Jazz Band with Phil Person at Primavera August 6, 2015

Blue Horizon Jazz Band

Blue Horizon Jazz Band: Dave Didriksen, Stu Gunn, Gerry Gagnon, Phil Person, Jack Soref, Leader Stan McDonald

The Blue Horizon Jazz Band had a perfect mix of musicians this Thursday at Primavera with Phil Person leading on trumpet and Jack Soref on guitar.  Phil brought along his sense of humor, tossing quips as they played, and everyone had fun.   The whole band played a memorable, hard-driving performance!

The combined talents of the front line sharing ideas enlivened the evening.

trombone, trmpet, clarinet, string bass in back

Front Line

Phil Person, white hair, pulled back in long tail, with muted trumpet

Phil Person

 

 

Phil Person is leader of the Phil Person Sextet, Quintet, and Quartet, and teaches all levels of Ear Training at Berklee.  In the summertime, he teaches classes of teens.  He kept this evening light with his good humor, adding jokes for the musicians.  They obviously enjoyed playing together, and it reflected on the audience.

 

 

They kicked it in with ensemble playing I Can’t Believe That You’re in Love With Me.   What Is This Thing Called Love?

Gerry Gagnon is a ? on that trombone.

Gerry Gagnon is a intense on that trombone.

 

 

 

All by Myself in The Evening – guitar played front line solo, Stan singing, tune has a nice bounce, with Gerry playing killer muted trombone!

 

 

Soref with Django style guitar

Jack Soref on domed guitar

 

 

Soref’s guitar played rhythm and also became part of the front line.   Jack soloed on It Had To Be You, playing  gypsy flavored ‘jazz manouche’ with swing articulation.

Note the Selmer guitar favored by Django Reinhardt.  The top of the guitar is gently arched or domed—a feature achieved by bending a flat piece of wood rather than by the violin-style carving used in archtop guitars.

Jack brings an added flair to the band.

 

Found A New Baby – Stan plays the verse on soprano sax,  I Would Do Anything For You, Baby Ain’t I Good To You –  great trumpet, clarinet comping, fine string bass behind them.

 

Dave with big smile on gold colored Ludwig drums

Dave Didriksen

 

 

Rose of the Rio Grande started with energized ensemble with Dave’s great timekeeping skills behind them.   Dave Didriksen plays great Traditional Jazz, playing hi hat softly behind solos, brushes on snare drum.  He lets the soloists shine.  He let loose on one of the tunes showing he can romp with the best of them!

 

 

They played My Gal Sal in in marvelous  fluid rhythm. They recalled that on the Jacky Gleason show, Gleason would be found wiping down the bar, singing the end of “My Gal, Sal” in his wonderful howl.

Stu concentrating on bass, hands just a blurr

Stu Gunn

 

 

Stu’s magical string bass took the intro to W. C. Handy’s Ole Miss.  Stu plays many styles of string bass, listening carefully, playing just the right cords.

Phil took the lead on trumpet with beautifully placed phrases, with Stan comping on soprano sax. Marvelous!  Stan sang the vocal.  Jack played a dazzling Django guitar solo.

 

 

Stan on soprano sax

Stan McDonald

 

Sidney Bechet’s Le Marchand de Poisson started with a 4-bar rhythm Habanera intro, Dave’s foot heavy on bass drum.   Phil wasn’t familiar with it so Stan took the lead and played a fabulous first chorus on sop sax.  Phil picked it up quickly.   They played a fantastic Habanera ending with horns stinger taking it out.

 

 

 

 

Stan’s sax took a wild intro into Wild Man Blues, with two bar breaks on solos, Phil playing wa wa trumpet.  Soref’s guitar began a wild finale, China Boy.

6-pc Dixieland band

Fine musicians shared flow of ideas, playing in sync.  It was a fine evening.

These fine musicians  combined talents to play New Orleans old time jazz with new time energy and the fans took part with foot-tapping and head-nodding.  The Jazz was fabulous, and we all had a good time!

Jeff Hughes JazzNews at Primavera in Millis MA, July 30, 2015 by Bill Falk

6 pc Swing/Trad Jazz band

Jeff Hughes Jazz News

Guest writer: Bill Falk
Narragansett, RI

I am not a jazz musician, nor am I knowledgeable about music, so this review expresses my feelings as an undying fan of over 70 years. I thought the band was sensational. They were really “hot” as they romped through many great standards with outstanding improvisation around the melodies. Jeff Hughes did a terrific job both leading the group and playing the trumpet. He blended everyone’s talents wonderfully – especially since his usual group of stalwarts were augmented by the addition of Jack Soref on guitar and Kellian Adams on vocals.

Soref plays in the style of the master gypsy guitarist Django Reinhart. He was phenomenal, and he blended in with his new mates quite easily, Jeff gave him plenty of time to show how terrific he is.

Jack bent over playing guitar

Jack Soref, gypsy Jazz guitar

Kellian can belt out tunes focusing mostly on middle range. She provided a change of pace nicely.

Kellian at mic, pretty dark haired vocalist that also  revived some Ethel Merman

Kellian Adams Pletcher is a Joy!

Herb Gardner was outstanding on the keyboard as usual. He also entertained us with a couple of solos on the trombone.

Herb on trombone

Herb Gardner, keyboard and trombone

Herb’s daughter Sarah Nova was in the audience. She showed us she has the
inherited talent of her father when she got up and sang.

Pretty blond at mic

Sarah Gardner Nova

John Clark is an extremely versatile reed man as he alternated playing clarinet, soprano sax and baritone sax – all with excellent results.

John on bari sax

John Clark on baritone sax

Steve Taddeo is really into it on drums. He’s wonderful setting the beat and soloing.You can tell the he really loves playing, and it rubs off on the audience.

like Gene Krupa

Steve Taddeo on his brand new Slingerland Drums

Al Bernard handles the tuba great as he anchors the rhythm section – plus he solos excellently.

Al on 5 valve tuba

Al Bernard, tuba, rhythm,

Unfortunately, the heavy rain kept the crowd down, but Jeff and the group will return to the Primavera on October 22nd.

Come see them perform – you’ll love their music and they are a congenial, friendly bunch appreciative of everyone who comes to see them play.

The music took me back to the days when jazz was extremely popular, and bands like this played all over New England. I wish I could see more of this band – they are so great. They really have no weaknesses for an old time jazz fan like me.

Bill Falk

Riverboat Stompers in Bellingham MA Concerts on the Grass, July 29, 2015

7-pc band in Pavillion

Riverboat Stompers at Bellingham’s Concert on the Grass

Steve Straus, leader/clarinet/soprano sax/vocals, Neil Flewelling cornet, Frank Batchelor trombone, Phil Hower keyboard, Steve Caddick banjo/vocals, Pierre Lemieux tuba, Richard Malcolm drums

Videos by Marce

The Riverboat Stompers are a seven-piece ensemble specializing in Traditional and Dixieland Jazz of the 20’s to 40’s. It’s obvious that this is the music they cherish and have played for many years.  They have been playing all over New England this summer – one of their best years ever.  It was a pleasure to catch them in my home town, Bellingham MA.  This was their first time here at the Bellingham Summer Concerts in the park – but they will be back!

They are masters of Dixieland Jazz, playing well-known standards with feeling and passion.  The three members of the front line play tight ensemble, complementing each other.  They keep this Jazz HOT!

cornet, soprano sax, and trombone

Dave Flewelling, Steve Straus, Frank Batchelor

Steve sings You Took Advantage of Me:

paving stone that says "Marcelle Fleuette Enright"  "We love you."

Part of the ‘Dance Floor’ that surrounds the building.

 

 

Part of the “dance floor”.

Concerts on the Grass are a family occasion and  also have horseback rides over by the Veterans’ Memorial
https://www.nejazz.com/Wordpress/2015/03/pierre-lemieux-tuba/

 

Pierre sitting and smiling, holding monstrous tuba

Pierre Lemieux

 

Pierre Lemieux does a fine tuba solo.  He keeps busy playing with many bands.

The band continued with Sweet Georgia Brown,

 

That’s a Plenty was plenty HOT!

Malcolm smiling at camera with Red Seacoast Stompers shirt

Rich Malcolm plays great Trad. He also teaches at Berklee.

 

 

Phil in red shirt smiling at the camera

Phil Hower

 

The drummer is the heartbeat of Traditional Jazz.    Rich is an excellent Trad drummer  (hard to find!) and keeps the musicians in perfect time.  He took the intro to SAN, starting with an Indian beat, hitting the toms, and continued backing Straus’s marvelous soprano sax – this tune was a gem!

 

 

 

Pianist Phil Hower listens carefully; responds with delicate and resourceful phrases.

 

 

 

 

Frank playing muted trombone

Frank Batchelor

 

 

 

Frank Batchelor was featured on Basin St. Blues with a lyrical sliding melody linked to the original tailgate style of New Orleans. Awesome!.

 

 

 

Royal Garden Blues

Neil in red shirt on cornet

Neil Flewelling, cornet

 

 

We were introduced to a tune: You Meet the Nicest People; this is the first time we’ve heard this tune. Fine cornet by Neil.

Neil Flewelling has admirable technique with solos that move lightly from phrase to phrase.   We do meet the nicest people listening to Traditional and Dixieland Jazz!!

 

 

They added some fine blues, Jazz Me Blues.  Buddy Bolden’s Blues was played slowly, melancholy and bluesy.  Straus changed the mood singing a happy Floatin’ Down to Cottontown.  “Hear the folks all singin’,  banjos ringin’ ’till the break of day.”

Steve in white shirt and red vest playing banjo.

Steve Caddick teaches banjo all over the world by Skype.

 

Steve Caddick (Banjo Hall of Fame inductee) on banjo and vocals, was a welcome addition to the band. Besides playing strong background rhythm,  Steve Caddick had many vocals, There’ll Be Some Changes Made, Exactly Like You, Somebody Stole My Gal, Hard Hearted Hannah, It’s a Sin to Tell a Lie, My Honey’s Lovin’ Arms, Ain’t She Sweet, and the closing tune on banjo and vocals, drum finale.

Avalon

 

These Concerts on the Grass are broadcast on Bellingham/Mendon video station http://abmi8.org.  You might be able to get them on line.
The Riverboat Stompers were heading for Cohasset the next day, with Jimmy Mazzy on banjo.  Check our calendar on www.nejazz.com and search for Riverboat Stompers to find when this marvelous Dixieland Jazz Band will be in your neighborhood.   www.riverboatstompers.com.

Seacoast Stompers Quartet at ACT3, July 11, 2015

piano, cornet, reeds, tuba

Seacoast Stompers Quartet at ACT3, Littleton MA

Bob MacInnis cornet/flugelhorn, John Clark alto sax/clarinet, Al Bernard tuba, Frank Stadler piano/leader

by Marce
Videos by Harold McAleer

These musicians are so proficient, skilled, that the Quartet sounds like a 7-piece band!

Mood Indigo, Louisiana,, Indiana, Sweet Lorraine, There’ll be Some Changes Made, Ain’t Got a  Thing if it Ain’t Got That Swing; playing all our favorites with fantastic Swing and Dixieland.

Limehouse Blues

It’s great to have MacInnis’ sweet cornet back for the summer.  He knows how to put a song across.   Sweet, smokey flugelhorn on New Orleans, with Albie’s tuba playing low, low, low.

Cornet played rubato and propelled the band into After You’ve Gone.  It was WILD! Bob sounded just like Bix on San; John Clark on alto sax, added his own accompaniment He and MacInnis are a band unto themselves.

cornet, clarinet, and tuba

Seacoast ‘front line’

Undecided

John holding clarinet and singing

John Clark sings Swing That Music

 

 

John Clark’s alto sax sounds much like a tenor when he hits those low notes on I Want a Little Girl  trading fours with Albie’s tuba.  I loved this tune!   He also surprised Frank Stadler with a vocal on Swing That Music.  John has been singing more often lately, pushed by his #1 fan, Betty Weaver.

 

Albie on tuba

Albie plays melodic tuba on every tune too!

 

 

Albie represents a 3-piece rhythm section by himself, as well as playing the front line with a melodic solo chorus on every tune.  ‘Deed I Do.

He can push the band with a heavy chord, or softly back all of Franks piano solos.

 

 

 

Frank leads the band, but gives them much leeway.  A nimble fingered pianist, he favors a lighter touch, but plays an integral role in the band. His piano intro on Ain’t Gonna Give Nobody None of my Jelly Roll set the band on fire.

Frank on piano

Frank Stadler, pianist, leader

Mandy, Make Up Your Mind – nobody called the key, it took a few choruses before they made up their minds and then played fabulous ensemble.

They closed with Runnin’ Wild, clarinet and cornet intertwined, with Albie pushing the band by taking a deep breath and playing 4/4 notes.  It was a fabulous afternoon!  It would have been nice to have had the whole 7-piece band, but we’ll take this Quartet anytime!!

Trust me – it’s much more exciting seeing them interact and hearing them LIVE!  The next Seacoast Stompers Quartet will return to Act3 August 8th, with Dave Whitney trumpet or cornet – he’s playing both now, and the Seacoast Base – Jimmy Mazzy banjo/vocals, Albie tuba, and Frank Stadler piano.  Come join us for great Jazz and ACT 3 cuisine!

 

ACT3 – July 11, 2015  —  Seacoast Stompers Quartet set track

Set1
1       At The Jazz Band Ball
2       Everybody Loves My Baby
3       Mama’s Gone Goodbye
4       China Boy
5       Mood Indigo
6       Limehouse Blues
7       Louisiana
8       San
9       Singin the Blues
10      Struttin With Some Barbecue
set2
11      There’ll Be Some Changes Made
12      New Orleans
13      Jelly Roll (Ain’t Gonna Give You None)
14      I Want A Little Girl
15      Mandy Make Up Your Mind
16      Deed I Do
17      Swing That Music
set3
18      After You’ve Gone
19      It Don’t Mean a Thing If it Ain’t Got That Swing
20      Undecided
21      Dinah
22      Sweet Lorraine
23      Indiana
24      Running Wild

 

Eli and The Hot Six at Marce’s surprise birthday at Primavera

Eli & 5 piece band (Mazzy not here)

Eli and The Hot Six

Bo Winiker trumpet/flugelhorn, Ted Casher clarinet/tenor and soprano sax, Herb Gardner trombone, Bob Winter piano, Eli Newberger tuba, Carolyn Newberger washboard.  (Jimmy Mazzy was on his way to the Olympia WA Festival.)

This was all about ME ME ME!  Surprise birthday party with my son and daughter-in-law Charles and Carol Sardonini in collusion with Eli Newberger, Briana Musto of Primavera Ristorante, and my drivers Tina and Ralph Cass.  They had this planned for a whole month and I never got wind of it!

Marce coming in the door and surprised to see her whole family there!

It was a complete surprise!!

Many of my children and grandchildren were here.  Youngest son, Dave Sardonini, and his wife Jennifer, and grandson DJ, flew up from Lake Mary Florida to be here.  It was very festive, tables loaded with balloons, with a big 80 in the middle.  It was a blast!   Granddaughter Alison Sardonini took many PICTURES!

Eli and The Hot Six were fired up, having just returned from a very successful  Swingin’ Gershwin at the Barrington Stage Company in Pittsfield.  They led this evening off with Bo Winiker singing Louis Armstrong’s Hello Dolly.  Muscrat Ramble was in a Bossa Nova beat, reinforced by Eli’s tuba and Jeff’s pulsating drums.  Kid Ory retired to Hawaii on the proceeds of that tune!

tuba and trumpet up front

Eli & Bo on Hold Tight

 

In the ensemble sections, clarinet, cornet and trombone played a three-part counterpoint line typical of 1920s New Orleans bands.

Eli and Bo were featured on Hold Tight.

 

Herb singing

Herb is multi-instrumental!

 

 

Ted was up up for more Gershwin with I’ve Got Rhythm on his awesome tenor sax.

Herb took the vocal on Pennies From Heaven.  His voice is his other instrument, besides trombone, piano, and who knows what else!

 

 

 

The band swung into high gear.  When the music gets to you, you gotta move! Eli’s tuba was the Tiger in Tiger Rag:

Son David (of the Sports Den in Orange City, Florida,) was thrilled to join the band with Cab Calloway’s theme song, Minnie The Moocher. Our official photographer, Alison Sardonini took this fine video of the band and our family.
 Dave Sings Minnie The Moocher.
Dave shook hands with each member of the band afterwards, elated to have been able to sing with this band!

Carolyn Newberger is an accomplished artist and usually sketches the musicians while they are playing.  She caught David in the act. (Sorry Herb!)

pencils sketch of all musicians except Herb Gardner, who was erased so she could add David

Carolyn Newberger’s pencil sketch of David Sardonini with Eli and The Hot Six

Bo playing trumpet in front of my table

Bo Winiker comes right up to our table with

 

 

The last set was mine – each of the band members played a song for me!  Eli on a breathtaking tuba solo on Over The Rainbow, Bob Winter getting classicistic on Of Thee I Sing, Bo came right up to the table with The Very Thought of You.

 

Carolyn Newberger played exciting washboard on a Latin tune, Miami Rhumba

Ted on soprano sax

Ted plays Petite Fleur

 

 

 

Ted touched the bottom of my heart on soprano sax with Bechet’s Petite Fleur. This is a special for me, because I was born a “Petite Fleuette”.

 

 

 

Bo dedicated a tune to my whole family with I’ve Grown Accustomed To Your Face on flugelhorn. Herb played and sang You Can Depend on Me.  He’s very dependable; has a famous family of his own – daughters all involved with music.  Ted played clarinet and sang a rousing vocal on Swinging on a Star.
“Carry moonbeams home in a jar – And be better off than you are”.  I sure was!

Bob plays keyboard

Bob Winter

 

 

Eli asked me to pick the last tune, I like Limehouse Blues, and wouldn’t you know, they had never played it together.

Bob Winter played the first chorus – of course they all knew it.  Ted Casher sang the vocal with the actual lyrics written by Douglas Furber in 1922.   This was the finale for this most auspicious evening.

 

Thank you, Eli and The Hot Six, Carolyn, Family: Joe and Ellen Sardonini, DeeDee Towne and Daniel Hulub, Dave and Jen Sardonini and Grandkids, Friends, Primavera, Tina and Ralph, Ali for her photos, and especially Carol and Charlie Sardonini for a birthday that I will never forget!

very large birthday cake!

Eli and The Hot Six will be back here on August 20th, and Sculler’s Jazz Club on December 17th.  Stay tuned – we’ll let you know if anything pops up in between.

Thank you all!   Marce