Wolverine Jazz Band at Primavera Ristorante, February 19, 2015

Trad Jazz Septet

The Wolverine Jazz Band

Jeff Hughes trumpet, John Clark clarinet and bari sax, Tom Boates trombone, Ross Petot keyboard, Jimmy Mazzy banjo, Rick MacWilliams tuba, Dave Didriksen drums

An energetic, rambunctious Wolverine Jazz Band raised the temperature on this very cold February evening with uplifting, toe-tapping Traditional Jazz at Primavera Ristorante.  This was the band’s first time here.  They checked out the sound with Ain’t Misbehaving and were very pleased.

Just a few days after Mardi Gras, this was an evening of tunes from the essential spirit of early New Orleans up to the 1950’s.  They played a mix of Armstrong, Oliver, Ellington, Bix and Whiteman, many tunes from their last CD ( 12th ), Moonlight, and some from their next one, yet to be named.

Jeff on trumpet, wearing black shirt and paper-boy's cap

Jeff Hughes plays Michigander Blues

 

New Orleans Mardi Gras,
Clarence Williams’ Cake Walking Babies, Shake it And Break It; from their next CD, a ‘baker’s dozen’, Michigander Blues.

 

 

The Chant, a Mel Stitzel tune arranged by Jelly Roll Morton,  resurrected fond memories of the early Sticky Wicket Days, as did Panama.

The front line, Tom Boates, Jeff Hughes, leader John Clark

The front line, Tom Boates, Jeff Hughes, leader John Clark

Jimmy is world renowned on banjo and vocals.  He chose the next tune, Mill’s Brothers’ ‘Till Then.

#1 Fan, Betty Weaver, persuaded John to sing, he chose Oceana Roll, a tune depicting the arrival of the US Navy in Japan in 1911.  They ended it with a line of Anchors Aweigh.

John Clark played Rose Room on low register clarinet, backed by a playful trombone and trumpet playing an entirely different tune.

John on baritone sax

John on baritone sax

 

 

Clark took out the baritone sax, with Jeff on flugelhorn, for a “good ol’ good one” done by Louis Armstrong and Velma Middleton in 1951, That’s My Desire.

 

 

 

Tom with head back and mouth wide open

Tom Boates sings Honky Tonk Town

 

 

 

Tom Boates, who drove 125 miles from Connecticut to get here, was featured on trombone and vocal, putting heart and soul in a New Orleans tune recorded in 1940 by Sidney Bechet and Louis Armstrong – Down in Honky Tonk Town,

 

 

 

The Wolverine Jazz Band is backed by the dynamic duo of Rick MacWilliams pushing on tuba, keeping the music lively, and Dave Didriksen on drums, keeping it on time.

Rick with tuba on lap

Rick MacWilliams

Dave on drums

Dave Didriksen

Tom on trombone

Tom Boates plays tribute to Harry Arnold

 

 

Do You Know What It Means to Miss New Orleans, was Tom Boates’ tribute to Connecticut trombonist Harry Arnold, who died a year ago January.  They both played in the Hartford Jazz Orchestra that is now featured at the Arch Street Tavern in Hartford every Monday night.

Jimmy in red shirt, singing and playing banjo

Jimmy Mazzy, the one and only!

 

 

 

 

 

Tight ensemble on Frankie Trumbauer’s There’ll Come a Time; a Lil Hardin tune, Do What Ory Say, with Jimmy scatting.  The band sat out as he began the verse to Stealing Away Blues, singing and playing banjo as only he can.

 

 

Jeff Hughes sings

Jeff Hughes sings

 

 

It’s always a pleasure to listen to Jeff Hughes sing.  He introduced  a cute ditty, Sentimental Gentleman from Georgia, that was recorded by the Boswell sisters with the Dorsey Brothers Band in 1932.

 

 

 

Pianist extraordinaire, Ross Petot teaches on Thursday evenings.  He is pianist for many bands, so we’ve really missed him at Primavera.   Fortunately, this was School Vacation Week – we were very happy to have him back!

Ross on keyboard.  Primavera has no piano.

Ross Petot on keyboard

Down to the wire, the band had a romping New Orleans take on the Original Jelly Roll Blues, 100 years old this year, and a wild wind up with another hot tune, Panama.

Hot Traditional and Dixieland Jazz will continue at Primavera  for the rest of the year – you can bet The Wolverine Jazz Band will be a significant part of it, when they aren’t playing at a festival someplace.  So far, they are invited to The 25th Annual America’s Jazz Classic in Washington State in June, and The Bar Harbor Jazz Festival Maine in July.  There will be more.
You can purchase any of their fine CD’s at www.wolverinejazzband.com.

Dan Gabel and The High Society Jazz Orchestra  at Primavera Ristorante, January 29, 2015

10 pc orchestra with vocalist

Dan Gabel and The High Society Jazz Orchestra

The High Society Jazz Orchestra played to a small but appreciative audience at Primavera Ristorante on Thursday.  Sounding way beyond their numbers, the 11-piece band reached deep down and created beautiful music that enlivened our spirits.

Dan under High Society banner playing trombone

Leader, Dan Gabel

They led with their theme song Whispering, and continued with arrangements by Dan Gabel and John Clark, revoicing tunes from the 20’s and 30’s.  They kept this memorable music flowing, giving the musicians a chance to show off their fine solos as well as ensemble.

The weathermen scared people away, but with a smaller crowd the atmosphere was more intimate, with the members of the band exchanging banter with the audience and taking requests.

Brass and Reeds

Trumpets: Mike Peipman, lead: Adam Mejaour
Saxes Tyler Burchfield on tenor, John Clark on bari, Richard Garcia on alto,

The energetic instrumentals made the band feel twice its size, rekindling this enduring music associated with a bygone era.  This is as good as it gets!  They practiced new arrangements swinging so hard you’d never know it was the first time they saw the chart.

Elise Roth sings refrains for the first time.

Elise Roth sings Irving Berlin’s refrains for the first time.

 

 

Vocalist Elise Roth’s warm sweet voice seemed effortless.  She even sang three refrains using Irving Berlin’s original 1927 lyrics of Am I Blue, made famous in the 20’s by vocalist Annette Henshaw.

 

 

 

Mike on trumpet

Mike Peipman

 

 

Mike Peipman was on trumpet for their inventive reimagining of the Artie Shaw theme Nightmare.

 

 

 

Herb on keyboard.  We don't have a piano - yet.

Herb Gardner plays Earl ‘Fatha’ Hynes’ Cavernism

 

We had our own ‘Fatha’ Hines in Herb Gardner, playing his1933 Cavernism.
(He and daughters Abbie and Sarah are performing at the Bickford Theatre in Morristown New Jersey on Groundhog Day, February 2nd.)

 

 

There was a new arrangement of Stormy Weather, appropriate for the Nor’Easter that just left us with three feet of snow. One of our favorites was John Clark’s arrangement of Chicago Rhythm.

Tuba, guitar, keyboard, drums

The Rhythm Boys, Herb Gardner, Bill Reynolds, Bill Doyl, Rick MacWilliams

Dan had an arrangement of Rogers and Hart’s Thou Swell, with Clark playing solo on baritone sax and Elise singing Lorenz Hart’s beautiful lyrics.

Bill Doyle moves to 1928 banjo

Bill Doyle moves to 1928 banjo

 

Bill took out a 1928 banjo for Fats Waller’s St. Louis Shuffle, with the ensemble playing a rarely heard verse, and drummer Reynolds playing the breaks on choke cymbal.  Bill regularly plays Benedetto guitar.

 

 

Tubist Rick MacWilliams had a chance to show his stuff on a solo on You Belong To Me – a request from Tom James in the audience, with Dan taking the vocal.

There were two altos and a tenor sax on King Oliver’s Mule Face Blues.  We heard Duke’s Cotton Club Stomp, Who’s Sorry Now vocal by Dan Gabel.  One tune we never heard before, Maori, (A Samoan dance) was arranged by John Clark, composed in 1919 by William H. Tyres and Henry S. Creamer.

They closed with Elise singing Dan’s arrangement of There’ll Be Some Changes Made, with new strains we’ve never heard before.  It was an exhilarating evening of melliflous music.  We were glad that we ignored the weathermen!

Members of the band were:
Trumpets: Mike Peipman, Adam Mejaour
Saxes: Tyler Burchfield on tenor, John Clark on bari, Richard Garcia on alto, and all played clarinet.
Trombone and leader: Dan Gabel.
Keyboard: Herb Gardner
Guitar and banjo: Bill Doyle, band manager
Tuba: Rick MacWilliams
Drums: Bill Reynolds
Vocals: Elise Roth

The High Society Jazz Orchestra will be at the  Feast of Music After Party at the Oval Room of the Fairmont Copley Plaza, Boston February 21 for NEC’s scholarship fundraiser. March 7 they will be at the WGBH studio for An Evening Inspired by Downtown Abbey, and at Sculler’s March 26 for the HOT release of their CD, Business in “F”, recorded at PBS Studios by Peter Kontrimas with cover and drawings by Elise Ross.  Elise’s recital of classical vocals at NEC is March 29th 4:00pm at Williams Hall, and is free and open to the public.

Eli and the Hot Six at Primavera Ristorante in Millis January 22nd

Good times were had by all when  Eli and the Hot Six enjoyed their debut at Primavera Ristorante.  Their passion for this music is obvious.  It was infectious; the audience became totally engaged.

piano, tuba, drum, reeds, trumpet, trombone

Eli and The Hot Six

Bo Winiker trumpet and flugelhorn, Ted Casher on clarinet, tenor and soprano sax, Herb Gardner trombone and vocals, Bob Winter on keyboard, Eli Newberger tuba, Jeff Guthery on drums, Frank John intermission tuba.

There was a popular band in New Haven in the 50’s and 60’s called Eli and the Chosen Six.  Louis Armstrong had his Hot 5 and Hot 7.  Eli Newberger paid homage to all of them by changing the name of the band from Eli and His All-Stars to Eli and the Hot Six.

Struttin’ With Some Barbecue, usually a fast, upbeat tune, was played slowly and swinging, inviting everyone to enjoy this evening.

Bob Winter on keyboard – You’ve never heard Oh By Jingo played like this, with blazing runs up and down the keyboard!  Kathy Wittman did a video of it back at the Sherborn Inn.  https://www.youtube.com/watch?v=QvWIIwCU-jg   This alone is more than worth the $10 admission at the Primavera!!

As this was their first time playing here, they tested the acoustics with Basin St. Blues.  No mics of any kind.  Glorious horn solos,  Ted’s tenor sax, Bo on smoky flugelhorn, low low tuba, closing with Herb’s trombone.

Bob sitting Eli standing behind him as they laugh playing keyboard.

Is this fun or what?

 

 

 

Eli joined Bob for Night Train.
They do have fun!

 

 

 

 

Eubie Blake was remembered with Bo Winiker sweet trumpet on Memories of You.  

Jeff on very simple drum set

Jeff Guthery plays lyrical drums

 

 

 

Jeff Guthery played melody tapping on woodblock and bell and snare drum on Tiger Rag, before they all took off marching through the audience!

 

 

 

 

trombone, tuba, trumpet (clarinet not visible)

The band played New Orleans Jazz marching around the tables.  The fans loved it!

Ted Casher clarinet, tenor sax, alto sax.

Ted Casher clarinet, tenor sax, alto sax.

 

 

 

Ted Casher said,  “Great gig! Great food! Great atmosphere! Always enjoy myself playing with the Six!”

Young tuba player

Frank John, Freshman at NEC

 

 

 

 

Eli’s latest ‘Mentee’ is NEC Freshman Frank John, who took over Eli’s tuba at intermission,  playing around with scales.

Eli’s tuba is older than he is, and it was missing some notes that Frank is accustomed to on his own tuba.  Nevertheless he managed to reach a Pedal F tone, lower than the lowest F on the keyboard!  We’ll be hearing more from him in the future.

 

 

Rambunctious front line played Muscat Ramble in a Bossa Nova beat.

clarinet, trumpet, trombone

Hot Six Front Line

Bob Winter honored us with the World Premiere of his composition of a Trad tune that had all the band site-reading!  Paul’s Phonic Dream.   New to everybody – first time we ever see Eli reading from a chart!

Eli standing playing tuba

Eli solo

 

 

 

Eli gets a lively solo on Ain’t Misbehaving, backed only by the rhythm section; eloquent, touching.

 

 

 

 

Bo is sitting, left foot kicking the air as he blows wild trumpet

Bo Winiker lets it all out

 

 

Great ensemble on Sweet Sue, Ted playing marvelous clarinet.  Bo got carried away on trumpet, putting his whole body into it.

George Gershwin’s Fascinating Rhythm calmed him down on smoky flugelhorn, with all the instruments taking turns trading 4’s.

 

 

 

Herb smiling with trombone in hand

Herb Gardner sang

 

 

Multi-instrumentalist Herb Gardner also graced us with a trombone solo on Ain’t Misbehavin‘ and vocals.

He’ll be celebrating Groundhog Day with his talented daughters Abby and Sarah at the Bickford Theatre in New Jersey on  February 2nd.

 

 

Bob returned for solo on Ida, playing unceasing rhythm, finishing with a Count Basie ending.  Michael Steinman says,” He doesn’t rush; he doesn’t attempt to impress us with pianisms. His playing verges on the formal, but it is based on a serene respect for the melody rather than a tied-to-the-notes stiffness.”

They closed with a controversial tune that turned out to be Louis Armstrong’s last greatest hit.  It was a request that Louis had never heard before.  He listened  to a recording of Hello Dolly, and you know the rest.  Trumpet and trombone played masterful duet..

Bo one handed trumpet, Herb muted trombone

Bo Winiker and Herb Gardner duet on finale

The Hot Six were on fire on this splendid evening of Jazz at Primavera Ritorante.  They will return on February 26th for more of the same, with Rebecca Sullivan on vocals, and they’ll have their new CD for sale: “Contemporary Classic Jazz:  Eli and The Hot Six LIVE”     Join us??

Primavera will also feature Dan Gabel’s fabulous High Society Orchestra on January 29th. We’ll be between snow storms.  Don’t let the weathermen scare you away – this is worth the trip.

Seacoast Stompers at Bemis Hall January 11, 2015

Seacoast Stompers feature

Dave Whitney cornet, Craig Ball clarinet, Steve Piermarini trombone, Frank Stadler piano/leader, Scott Philbrick banjo/cornet, Al Bernard sousaphone, Bob Reardon drums

by Marce
videos by Harold McAleer

The Seacoast Stompers brought their vitality and spark into a New Year at Bemis Hall in Lincoln, Massachusetts.  There were changes made.  Any substitution makes a difference in the sound of a band – and tonight we had three: Dave Whitney filling in for Scott, who moved to banjo, and Steve Piermarini subbing for Lee Prager.

They were marvelous!  You can’t go wrong with Whitney’s wit, knowledge of classic Jazz, and on – surprise – cornet!  Leader Frank Stadler put him in charge of the microphone.  Piermarini excels on smooth, smoky trombone.  He’s had the bell since 1980, but had the slide replaced by Shires.

They were raring to go with their theme song, At The Jazz Band Ball, then Little Girl
I Want Some Lovin’.

Jelly Roll Morton’s Buddy Bolden’s Blues.   Buddy was famous for his powerful horn: “his trumpet could be heard all over New Orleans, and even across the river in Algiers”. We had two powerful cornets, Whitney played his new Getzen Cornet that he’s been using on various gigs including his Whitney Big Band.  Trumpet wasn’t missed at all. Scott played both cornet and 6-string banjo, much like a guitar, but using tremolo for emphasis.

Al Bernard wrapped in sousaphone

Al Bernard wrapped in sousaphone

 

 

 

Who’s Sorry Now?  Gave Al a chance to solo  on sousaphone.

 

 

 

Louisiana featured both cornets –

Hindustan is a spicy tune, one of Craig Ball favorites.  They slowed down for Sugar,  playing it in the vein that Peggy Lee sang in Pete Kelly’s Blues.

Bob drumming so fast his hands are a blur

Bob Reardon

 

 

Love is Just Around The Corner, Bob playing drumsticks on snare drum. His drumming is discreet, he drives the rhythm, yet he never gets in the way of the soloists.

 

 

 

Swing That Music, a Louis Armstrong composition, all had hot solos with Albie setting the pace.

Someday Sweetheart – is one of Jelly Roll Morton’s tunes that became a jazz standard.  Blues My Naughty Sweetie Gives To Me is definitely not a blues!

There’ll Be Some Changes Made – Frank enjoying every minute of playing on this Steinway piano.  He said this is the finest piano he’s ever played.

Stadler at beautiful Steinway grand

Frank Stadler, Band Leader

 

Scott and Dave on cornet

Two cornets

 

Scott joined Dave on cornet for a Bix Beiderbecke tune (when Bix was playing with Frankie Trumbauer).  They inspired the audience with Take Your Tomorrow and Give Me Today.

 

 

Curse Of An Aching Heart was in fast time, with Craig’s feisty clarinet, and Al driving on turbo-charged sousaphone, hardly taking a breath.

Ain’t Gonna Give You None of My Jelly Roll, Dave vocal, squeezed in a snippet of Stumbling on cornet; he always slips it in somewhere!  Stealing Apples is one of Dave Whitney’s favorite, a Fats Waller tune made famous by the Benny Goodman Orchestra.

There were three guest vocalists this afternoon. Steve Smith vocal on Pennies From Heaven and I Can’t Give You Anything But Love.  Joe Brandisi usually plays vibes, but let it all out with a fine vocal on Bye Bye Blackbird. Mollie Malone was in fine voice for Exactly Like You.  (We caught the trombone slipping in a bit of Stumbling.)

vocalist in royal blue shirt Joe Brindisi singing Mollie with baided hair atop her head

A Craig Ball favorite, Three Little Words was upbeat. Bob let loose on drums.

Bix Beiderbecke was resurrected with two cornets for the finale, with I’ll Be a Friend With Pleasure.

It was a thrill having the Seacoast Stompers back!  We look forward to hearing them more often.  They will return to Bemis Hall on Saturday, February 14th at 1-4pm and March 14th at their usual time 2-5pm.  It’s a great way to spend a cold winter afternoon.  Join us!

Marce

Tune List
Set 1
1  At The Jazz Band Ball
2  I Want A Little Girl
3  San
4  Buddy Bolden’s Blues
5  Who’s Sorry Now
6  Louisiana
7  Hindustan
8  Sugar
9  Love Is Just Around The Corner

Set 2
1  Swing That Music
2  Pennies From Heaven
3  Someday You’ll Be Sorry
4  Blues My Naughty Sweetie Gives To Me
5  There’ll Be Some Changes Made
6  Take Your Tomorrow
7  Curse of an Aching Heart
8  Blues in G
9  Jelly Roll (Ain’t Gonna Give You None)

Set 3
1  Stealin’ Apples
2  I Can’t Give You Anything But Love
3  Bye Bye Blackbird
4  Rosetta
5  Exactly Like You
6  Three Little Words
7  I’ll Be a Friend with Pleasure