Bria Skonberg and Jim Fryer's Borderline Jazz Band
at the Sherborn Inn, April 14, 2009
Photos by Larry Swain
The Sherborn Inn presents world-class, classic jazz every
Tuesday night, thanks to the hard work and good judgment of Ellen
McDonald. But this evening was particularly outstanding, with
the Bria Skonberg and Jim Fryer Borderline Jazz Band.
Bria Skonberg trumpet/vocals, Jim Fryer trombone/vocals, John
Clark clarinet/bari sax, Ross Petot piano, Jim Mazzy banjo/vocals,
Ed Wise acoustic bass, Kevin Dorn trad drum. This was rousing,
free-wheeling Dixieland.
Bria is from Chilliwack, British Columbia. As this was her
first trip to New England., native Jim Fryer, who was raised in Westboro,
Massachusetts,
took a detour coming from their Monday gig at the University of
New Hampshire and gave her a quick tour of Boston's Faneuil Hall,
stopping at the Union Oyster House for some Chowdah.
Still riding high from their great reception at UNH, they began with my favorite,
Limehouse Blues, followed by a tune on their CD, with Bria starring in
Buddy Bolden's Blues. Her diction is razor sharp; on
her sensitive vocal, All of
Me she had the unique support of Fryer on euphonium sharing
the stage with Clark on baritone sax.
Ross Petot and Jimmy took the first chorus on Louis's Struttin'
With Some Barbecue, with Jim throwing in a little bit of Struttin
All Around backed by Ross's dynamic energy and pulsating rhythms. The dance floor was
packed for Pennies from Heaven
and the mellow Wabash Blues.
A high spirited jazz duet by trombone and
banjo augmented Bria's song about A Girl Named LuLu. |
Larry Swain: "This beautiful
25-yr-old plays like someone from the 20's, seemed to enjoy playing
with Dave Whitney (and kept up with him, if not eclipsed him a bit),
has a lovely voice and a number of distinct vocal stylings, once
again right out of the 20's."
"I think just about everyone there (and there were too many empty
seats) was totally transfixed by her combination of beauty, charm,
warmth, trumpet-playing, and vocalizing. She also has a great sense
of humor, and is truly a joy (and a thrill) to speak with, as I did
at least twice."
"She blew us away, just she did when Carol and I first saw and heard
her at the Olympics Jazz Fest in Port Angeles, WA in April 2005, at
the tender age of 21.
The 8 of us at our table were totally under her spell, and were
entertained unlike any time before." |
Bria & Jim
share affection for this kind of music, as illustrated with My Blue Heaven. Then
all the band members exited except for Kevin, while Jimmy sang what he calls a 'morality story',
Nobody's Sweetheart Now, his banjo in a fiery, blistering,
tempo! How does he do that??? |
It
was a rare treat having Kevin Dorn in our neighborhood. A
competent, talented drummer, he avoids flamboyant displays and
concentrates on keeping time, guiding, conducting the
musicians, providing the foundation for them to soar. |
Jim Mazzy is bittersweet with the plaintive Mr. Johnson's Blues
No. 2, "Worry
will kill you, quicker than anything you buy." He slips into
scatting, while Ed is humming and bowing the bass, Kevin delicately
tapping the top hat with brushes. |
Surprise guest, Dave Whitney stepped up out of the audience, trumpet
firmly in hand. Thirty-three years ago, Dave happened into
Robinson's Music Store in Westborough, a favored hangout for many musicians, and for
the first time, he met 17-year-old Jim Fryer. Dave took
him in as an understudy, and as the saying goes, "The rest is
history." Jim Fryer is now known internationally as an
exceptional musician and educator, and traditional jazz trombonist.
He's most
grateful to Whitney for having been at the right place at the right
time. (www.jfryer.com)
Jim had also been sneaking into Sticky Wicket at the time (under
age) to hear the New Black Eagle Jazz Band. He gives credit
to these fine musicians, having learned about solid tailgate trombone from Stan Vincent,
chorus from Tony Pringle, and passion, emotion, and the feeling for jazz
music from Stan McDonald.
Dave Whitney joined Bria on trumpet for Shine, brilliant
interchange between two trumpets. Dave on muted trumpet, John
Clark on mellow baritone sax, backed Bria's sweet, relaxed, vocal on
Sugar. Breathtaking. One of the finest
arrangements/vocals of this tune we've ever heard.
Kevin opened Everybody Loves My Baby. Fryer, in
consideration of the folks in the left corner who had been only
seeing his back, focused his trombone facing towards them, while
Jimmy sang it in triple time. |
Like Slam Stewart,
Ed Wise was featured, bowing and singing along
with his bass
on Johnny Mercer & Matty Malneck's If I Had a Million Dollars (from
the 1934 movie, Transatlantic Merry-Go-Round)
A sensitive and steady player, Ed Wise
conveys a Million dollars worth of
creativity!
|
They finished with Jimmy Noone's
Apex Blues, Dave
Whitney's wonderful trumpet, Fryer unbounding energy on trombone,
drum and bass maintaining a seductive rhythmic pulse.
Petot was tenaciously whipping the keys; Mazzy scatting his heart
out; John
Clark playing low register, mellow
Jimmy Noone clarinet. (In John's 'younger' years, he had immersed
himself in the generous Trad Jazz collection at Connecticut College.
and fervently absorbed all of it!) Whew!
Trombonist Tom McAllister summed up this evening: "It was an
experience of a life-time".
The next day, they continued Bria's Eastern tour with Connecticut College, The
Garage in Greenwich Village, Tri-State Jazz in NJ, a Private club in
Fairfield County (that replaced their gig in the Silvermine Taven, that
unfortunately has closed,) then to the Pennsylvania Jazz Society,
Bickford Theatre, NJ, and Tom's River NH.
Now Jim Fryer is back at the New Orleans
Steakhouse (now the Cajun Queen) at 680 Amboy Ave. Woodbridge NJ
732.634.6060 where he and his Usual Suspect play twice a
month, when he's not out with Vince Giordano's Nighthawks, or the
Titan Hot 7.
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By Marce,
Updated July 12, 2009.
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