Billy Novick and Guy VanDuser have been
working together longer than most marriages; they celebrated
their 35th Anniversary at Passim Coffee House in Harvard Square last
month.
Billy was jet-lagged - just returned
from a performance in Sacramento with his Great Gatsby - Blue Syncopators.
It went very well - and he ended up doing some old fashioned scatting for
some 2400 listeners.
Guy is a wizard on guitar. He said his Father got him
interested in music when he was 11 with his Chet Atkins records.
Tonight they played many Dixieland tunes, and kicked it off
with Bix Beiderbecke's
Royal Garden Blues, George Gershwin's Mine. Fats Waller's
Ain't
Misbehavin', Jitterbug Waltz.
Scott
Joplin's rag Swipsey Cakewalk - we remember Jack and Mary Curran doing the
Cakewalk at the Sticky Wicket. Embraceable You, Wabash Blues - the two harmonizing. Beautiful,
The crowd was utterly silent.
Billy Novick wrote Sonora's Blues for a Disney Movie,
Wild Hearts Can't Be Broken
(it's about a horse.) It's a very
nice blues, but Disney never used it.
Guy and Billy encouraged everyone to dance with Stomping at the
Savoy. Wabash Blues - Billy taking the
lead, Guy comping - beautiful. The crowd was absolutely silent. A New Orleans spiritual,
Just a Little While to Stay Here; they were both singing on an up-tempo Sweet Sue.
Composer Theron Catlan Bennett introduced Saint Louis Tickle at the 1904 World's Fair
in Forest Park, St. Louis. In the 60's it was made popular by folk
guitarist Dave Van Ronk. (There was much discussion and folks
checking their IPods for this one.)
Chet Atkins was Guy's favorite guitar player, and he wasn't going to let the
evening go by without some folk guitar. He started Back Home Again in Indiana with the original verse. Another spiritual,
Sing
On, was great jazz with low register clarinet, Guy sneaking in some Chet Atkins
licks. He said "Chet never traded fours".
Guy taught himself to play guitar listening to Chet on his Father's
records. Listening carefully, he didn't realize that Chet was using
artificial background echoes that made the guitar sound huge. So Guy learned to
do all the parts himself, became his own echo, and developed the breath-taking technique of playing bass lines, chords and
melodies all at the same time.
Juan Tizol learned from Chet Atkins, when he composed the jazz standard
Caravan. For the Finale, Billy and Guy demonstrated with Billy's clarinet playing
the melody, and Guy's guitar playing melody, chords and echo.
In spite of their longevity, Guy can still
sneak in something that will catch Billy by surprise and make him
laugh. Camaraderie - it comes out in their music,
and they make a lot of music!
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