N ew England jazz fans got a taste English stride and
boogie-woogie, along with Neville Dickie's dazzling solos and
entertaining stories at the Sherborn Inn on Tuesday, August
3rd. He'd just returned from the Tri-State Jazz Society in
Delaware and was on his way to Orange County. This
was Dickie's 8th appearance at the Sherborn Inn. He entertained the
fans with some Fats Waller, ragtime, boogie-woogie, and his forte,
Stride.
Joining Dickie were Dave
Bragdon, drums, Stan McDonald clarinet and soprano sax, and Jeff Hughes on trumpet.
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Dickie touched off the evening with the sole
assist of Mrs. Bragdon’s favorite drummer (she was sitting nearby) with
Them There Eyes and
followed it with what he called a "slow boogie-woogie blues",
Harlem
Blues.
There were several piano players sitting nearby too -
watching, listening, learning. |
Neville called up his 'partners in crime', Stan
McDonald and Jeff Hughes, for Save It Pretty Mama, with Stan
on vocal. He acknowledged the several requests he received
from folks who have been waiting for him all year. He recognized
Lynne Sickle, sitting in her usual seat by the piano, saying
"She's been here for 25 years and hasn't missed one yet." All
the musicians at the Sherborn Inn play All Of Me for Lynne,
even Neville Dickie, but she's never heard such an eloquent
interpretation!
The camaraderie between these musicians is
evident, Neville has been playing here since 2001. The friendly,
congenial gentleman from Surrey is featured on many tunes, but most
of the time he becomes a part of the band, cheerfully backing the
local musicians with his eloquent interpretations.
Jeff was featured on a lovely tune for Mrs.
Bragdon, Fat's Waller's It's Been So Long, with Neville and the band
behind him.
Willie the Weeper and Wild Man Blues were fantastic. Stan moved to soprano
sax for What Is This Thing Called Love, with Jeff on flugel horn,
and Neville in beautiful stride - you never know
where he's going with it!
Neville explained that Marlene Dietrich's Golden Earrings
was really "a love
story", with Neville lightly tickling the notes with his right hand
while the left was in full stride. They filled a request for
one of his favorite Bechet tunes, Indian Summer, even though it was
out of season. We're looking forward to it following this
fine, hot summer. Winter will be here before we know it. They wrapped this set up with a barn-burning
Tijuana.
Ross Petot took over the piano
in the interim, playing
familiar ballads It’s Nice Work If
You Can Get It,
I Got Rhythm,
turn-of-the-century parlor piano, along with some
of his own ragtime, stride and barrelhouse compositions. He's had a
deep personal relationship with this kind of music over the years,
and recently cut a new CD of his own compositions "New Ragtime
& other stuff".
Ross is here tonight at Neville's special request, and we all anticipated the
four-handed piano that was sure to come.
Neville joined him for a four-handed,
intertwined duet on James P Johnson's How Can I Be Blue.
With Ross
at the bass end they were on fire, brilliantly
interweaving, jumping up and trading places, improvising on
Johnson's masterpiece with Bragdon beating
passionately behind them.
Brilliant.
Neville was a ferocious wild man on Swanee River Boogie
Woogie, then he asked Stan what
he wanted to do. Stan fondly remembered his former trumpet
player and mentor Walter Miller, and requested Chicago Breakdown,
that Miller did so well. We've lost many music friends. Last year, George and Janet Borgman were here
listening to Neville. We've lost George, but Janet was here
enjoying Neville's great performance, accompanied by their son Eric. Neville asked if he was still
awake?
Neville enjoys giving the
band's on top of the beat
drummer Dave Bragdon a workout. Nagasaki was a test. Not
a problem - we could actually hear the melody
in his drumming. Neville said 'Have you ever seen a prouder
Mother?"
The band was recalled for the WWI tune Roses of Picardie, prompting
him to remark "The world hasn't learned much
over the last 75 years."
Jeff Hughes was
marvelous on 1953 Selmer trumpet, as was Stan McDonald on clarinet on a
tune originally meant for two clarinets, Bechet’s Fantasy, a
heart-wrencher that Bechet played with Al Nicholas 50 years ago.
They took turns playing lead and harmony, with Neville's dazzling
piano behind them.
At the Finale, Neville began improvising a
boogie woogie beat, challenging the others to join him, "just
to see what comes out". Fabulous Lover Come Back To Me. Perfect way to end a
fine evening.
Neville said
"It's always a pleasure to play with this group, there aren't many
of us. It was my pleasure to play with Dave Bragdon." He
thanked Ellen McDonald for all the work she does in keeping Traditional Jazz alive
at the Sherborn Inn, and asked the fans to please continue supporting live
jazz.
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The Sherborn Inn is located at the
junction of Routes 27 and 16 in Sherborn, MA. The Sherborn Inn is an
accessible building.
Reservations are recommended; call (508) 655-9521.
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