Riverboat Stompers
at the Sherborn Inn
March 13, 2012
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Larry Baxter
cornet, Steve Straus leader/soprano sax/clarinet, Frank Bachelor
trombone, Phil Hower piano, Dave Macmillan banjo, Pierre Lemieux
tuba, Rich Malcolm drums This is a crowd-pleasing fun band,
many vocalists, fine Dixieland Band peppered with a bit of Spike
Jones. They gave an enlivening performance and the fans
loved every minute of it.
They started right out with
Macmillan
vocal on Honeysuckle Rose nicely backed by muted
cornet. “Be Sure It's True When You Say I Love You” -
with the whole band singing very resounding vocals on It's a
Sin To Tell a Lie
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Big Butter & Egg Man, Steve Straus on clarinet and
vocal, Phil tasty piano solo buoyed by the rhythm
section.
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They dedicated a song to Rush Limbaugh, The Lady is a
Tramp. Steve on soprano sax with Rich rim tapping the drum. They ended this tune appropriately, on a
sour note.
Next was a lovely ballad from their first CD, played in three
different keys, drum intro marking the beat to
Bourbon
Street Parade. Fantastic! We don't care how many keys
they play in, when they get serious, they play flaming HOT
Dixieland Jazz! But they aren't serious for very long - there
was a sudden blast from a Spike Jones' Model T car horn that
made everyone jump out of their seats.
Rich's
blistering multiple drum tags
tore the house down!
They play games - Stump The Band, and someone tries to win a
CD by guessing the tune. They're getting more difficult,
picking a tune that Streve says was so little known it was
never published, but the Paris Washboard plays it. Cornet
took a break on this one while the piano did the intro to Fat's
Waller's 1937 Our Love Was Meant To Be. The band
stumped the audience.
From the unknown to the very known, with Dave Macmillan
"featured on 18 string banjo" on a spirited Baby Face.
Larry Says Dave was "pre-disposed to play banjo."
Piano intro to Blues My
Naughty
Sweetie Gave to Me --The lyrics of this tune are
extremely fast, with many choruses that would test even the best
vocalist. The band stopped, leaving Larry on his own, with
his razor sharp phrasing of all the testy lyrics.
Bravo! The full band returned, Larry cornet, Steve soprano sax,
Frank trombone, Phil piano. Pierre's fine tuba solo was
backed only by drums. Rich closed with a clever solo
played only on the snare drum!
Steve counted out the beat
for Putting On The
Ritz.
It
was his vocal, and he enlisted the help of the audience,
who
responded
with "Putting on the Ritz!" Frank's impressive trombone solo was backed by
Pierre's tuba.
Pierre is always present, with his own
exciting solos, driving the band, or in the background behind other solos,
playing so softly you hardly know he's there. |
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It was break time, so they chose to play a familiar tune a
propos of the fine early spring weather New England has been
experiencing. They called it " 'ave a lawn".
(Avalon) Cute. It was WILD, with Dave on vocal - he doesn't need
a megaphone! Rich tapping the top hat with
with a
trad one-beat,
and
finishing with a hard charging drum solo, leading into break
time.
When they returned, Steve soberly announced that Dave would
play some serious banjo. But after he started, Larry and
Steve took out their kazoos.
The full band jumped back in, with a fine clarinet solo
by Straus.
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Dave showed them - playing incredible,
charging, banjo, with
There'll Be Some Changes Made.
Dave is the primary vocalist with the band, starting
with the first tune,
It’s
a Sin to Tell a Lie,
then
,
Bourbon Street Parade, Avalon, Chinatown, and the
finale, Wrap
Your Troubles In Dreams. |
Steve said "Many of these old songs were colorful, and naughty.
We're not making any social commentary with a not very well
known tune, but it's that universal excuse,” in I've Been
Floating Down That Old Green River
They have recorded a tune especially for March, a very
special waltz,
Take Me Out To The Ball Game!!
There was a request (from the band) for C'est Ci Bon,
Larry on poignant vocal - in perfect French.
Glorious to this Frenchwoman!
Chinatown, was rowdy, with Frank
playing briskly on double mute trombone.
Rich hit everything he could reach on
the drum set, even the cow bell. |
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Back Home Again in Indiana. Larry
carrying the melody, soprano sax and trombone in
counterpoint. Nice. |
While the audience was focused on the front line's melody -
Rich got up from the drums and did a little dance on the side!
Macmillan continued unaware, strumming a banjo solo with tuba backup.
The band connected again, closing with a wonderful ensemble.
Stump the band again. "A tune
we frequently use - we'll play it until we get it right. It's a
genuine copy of a knock-off from our
CD." Phil looked
puzzled, since
nobody
had
told him what they were going to
play.
Steve on sax, Rich taking a
drum solo against the front line's stop-time rhythm, they
started nice and easy, then raised the tempo for a smoking
Limehouse
Blues, then moved into great New Orleans
polyphonic sound. Somebody won a CD on this one.
Phil had the piano intro to
Cole
Porter’s Miss Otis Regrets, another
fine vocal by Larry, Steve on low register clarinet.
Goody Goody.
While the front line concentrates on melody,
Rich provides the beat tapping the rim with right hand and hitting the underside of the top hat for emphasis with the
left hand.
We enjoy watching him - now he keeps the
rhythm going by softly rim-tapping on opposite edges with both
drumsticks, and hitting center snare for a resounding
beat, then
ending the number with a dynamic flourish!
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Time's up. It's time for the Finale.
Piano intro to
Wrap Your Troubles In Dreams, with Steve playing a full
chorus on high
register soprano sax, then a
chorus on low register sax.
Marvelous! |
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Despite the clowning around,
these are talented musicians who play flaming HOT Dixieland
Jazz; they are absolute crowd pleasers!
Watch for them in their New
England stomping grounds at this website and at
http://riverboatstompers.com/
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By Marce, Updated
March 18, 2012 |
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