Seacoast Stompers at the Acton Jazz Cafe

January 9, 2010

by Marce

The Seacoast Stompers began a new Decade at the Acton Jazz Cafe with another full house, on a beautiful, sunny, cold New England winter day.  They opened with their usual tune, an upbeat At The Jazz Band Ball.  But that was the only thing that was usual. 

Leader pianist Frank Stadler announced that they would try something different.  Ordinarily he brings in a list of tunes, they work at trying different styles, changing the keys, making sure they do not duplicate any melody.  But they are jazz musicians, and generally ignore the list anyway.  This time he asked the band members to rotate picking the tunes, tempo and keys.  So with this team of first-rate jazz musicians, off we went into superb Dixieland Jazz for the next three hours! Eat your heart out, World!

Note: Pictures are all thumbnails - click on picture for full size.

Scott Philbrick led off with Mama's Gone, Goodbye.  

The best thing about this band is that Jimmy gets to sing 98% of the songs. For all us Mazzy fans, this is Jazz Heaven!

He picked Bad, Bad, Leroy Brown, sung in his own incredible style, playing single-string banjo that dumbfounds banjo players all over the world. "How does he DO that??  Jimmy also had many heartfelt ballads, Baby, I Want You Tonight, You Brought a New Love to Me, I Can't Give You Anything But Love.

Craig tossed a few tunes at the band, asking Steve to begin with 4 bars on the high hat, Craig came in with a blistering Who's Sorry Now.  



 

Frank's turn; cornet intro into Is You Is Or Is You Ain't My Baby. 

Bob picked Basin Street, which immediately posed a problem - no trombone. There was a debate, teamwork. Craig on very LOW register clarinet shared the intro with Scott playing softly on his large toned, vintage 1938 cornet.  Who needs a trombone? But the mellow didn't last with Craig going into high register Benny Goodman style, and Scott  playing hot vibrato. Fantastic! 

Steve's turn - he counted out the beat for a drum intro into Don't Be That Way, flipping and tossing the batons like the pro that he is.  Bob had a marvelous, string bass solo, with Steve backing him softly with rim shots.  (A rimshot is the sound produced by hitting the rim and the head of a drum at once, with a drum stick, usually played to produce a more accented note, and typically played loudly.) But soft rim shots are possible.


Steve Taddeo

 That was about as much soft drumming Steve could take - he soared into highly energetic and flamboyant Gene Krupa  mode for a full chorus.  He even looks like Gene Krupa!  Check out Steve's technique on this video taken by Hal at a previous AJC session.


Krupa & Goodman

Craig's clarinet was scorching on After You've Gone; Scott, not wanting to be left behind, played a full chorus of  rapid-fire cornet.  Moving to the other end of the 'stage' by the drum, Craig and Steve reminisced with memories of Benny Goodman - Gene Krupa duets.

With no one actually controling the tunes, ending tags became a problem, after flubbing a couple, they made a rule for no tags, but that is dull and unacceptable to Dixieland musicians, so they played all 7 tags in one tune and got it over with.

Carrie Mazzy came up with a fine rendition of I'm Gonna Sit Right Down and Write Myself a Letter.

The fun afternoon continued with In My Baby's Loving Arms with a great duet of cornet and string bass. Jim called for "Wrap Your Trouble In Drums" (no comment!) and sang Wrap Your Trouble in Dreams.  That's a great dance tune, but the AJC has no dance floor. However, Charlie & Evelyn have no problem - they find room to dance everywhere! 

San was too much for our favorite Music Therapy Doc and her daughter. There was no keeping them down.

The afternoon ended with a barrel-burning China Boy, and left everyone making reservations for the first Saturday in February and hoping for another beautiful New England winter day - with no snow!

 

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Updated January 10, 2010