Seacoast Stompers at the Acton Jazz Cafe
January 9, 2010
by Marce
The Seacoast Stompers began a new Decade
at the Acton Jazz Cafe with another full house, on a beautiful, sunny,
cold New England winter day. They opened with their usual tune, an upbeat At The Jazz Band Ball.
But that was the only thing that was usual.
Leader pianist Frank Stadler announced that they would
try something different. Ordinarily he brings in a list of tunes, they
work at trying
different styles, changing the keys, making sure they do not duplicate any melody.
But they are jazz musicians, and
generally ignore the list anyway. This time he asked the band members
to rotate picking the tunes, tempo and keys. So with this team of
first-rate jazz musicians, off we went into superb Dixieland Jazz for the
next three hours! Eat your heart out, World!
Note: Pictures are all thumbnails - click on picture for
full size.
Scott Philbrick
led off with Mama's Gone, Goodbye. |
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The best thing about this band is that Jimmy gets to
sing 98% of the songs. For all us Mazzy fans, this is Jazz Heaven! |
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He picked Bad, Bad, Leroy Brown, sung in his own
incredible style, playing single-string banjo that dumbfounds banjo players all over the world.
"How does
he DO that?? Jimmy also had many heartfelt ballads,
Baby, I Want You Tonight, You Brought a New Love to Me, I Can't Give You
Anything But Love.
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Craig tossed a few tunes at the band, asking Steve to begin with 4
bars on the high hat, Craig came in with a blistering
Who's Sorry Now. |
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Frank's turn; cornet intro into Is You Is Or Is You Ain't My
Baby. |
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Bob picked Basin Street, which immediately posed a
problem - no trombone. There was a debate, teamwork. Craig on very
LOW register clarinet shared the intro with Scott
playing softly on his large toned, vintage 1938 cornet. Who
needs a trombone? But
the mellow didn't last with Craig going into high register Benny
Goodman style, and Scott playing hot vibrato. Fantastic! |
Steve's turn - he counted out the beat for a drum
intro into Don't Be That Way, flipping and tossing the batons like the pro
that he is. Bob had a marvelous, string bass solo, with Steve backing
him softly with rim shots. (A rimshot is the sound produced by
hitting the rim and the head of a drum at once, with a drum stick,
usually played to produce a more accented note, and typically played
loudly.) But soft rim shots are possible.
Steve Taddeo |
That was about as much soft drumming
Steve could take - he soared into highly energetic and flamboyant Gene Krupa
mode for a full chorus. He even looks like Gene Krupa! Check out Steve's technique
on this video taken by Hal at a previous AJC session. |
Krupa & Goodman |
Craig's clarinet was scorching on After You've Gone;
Scott, not wanting to be left behind, played a full chorus of
rapid-fire cornet. Moving to the other end of the 'stage' by the
drum, Craig and Steve reminisced with memories of Benny Goodman - Gene
Krupa duets.
With no one actually controling the tunes, ending tags became a problem,
after flubbing a couple,
they made a rule for no tags, but that is dull and unacceptable
to Dixieland musicians, so they played all 7 tags in one tune and got
it over with.
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Carrie Mazzy came up with a fine rendition of
I'm Gonna Sit Right Down and Write Myself a Letter. |
The fun afternoon continued with In My Baby's Loving Arms with
a great duet of cornet and string bass. Jim called for "Wrap Your Trouble In
Drums" (no comment!) and sang Wrap Your
Trouble in Dreams.
That's a great dance tune, but the AJC has no dance
floor. However, Charlie & Evelyn have no problem -
they find room to
dance everywhere! |
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San was too much for our favorite Music Therapy Doc and her
daughter. There was no keeping them down. |
The afternoon ended with a barrel-burning China Boy, and left
everyone making reservations for the first Saturday in February and
hoping for another beautiful New England winter day - with no snow!
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