The Blue Horizon Jazz Band

at the Sherborn Inn

April 21, 2009


The Blue Horizon Jazz Band at the Sherborn Inn (photo by Ellen McDonald)

 

Stan McDonald was like a thoroughbred racehorse at the starting gate after being away from his passion, traditional jazz, since February.  He came back with verve and vigor, the Bechet-style soprano sax giving his life direction. This quintet consisted of Stan on soprano sax/clarinet/vocals, Jeff Stout trumpet, Robin Verdier filling in for Ross Petot on piano, Al Ehrenfreid acoustic bass, Dave Bragdon drums.   These musicians are in sync, invoking the tight rhythmic sound of pure Trad Jazz.

They began with Stan's forceful soprano sax on Irving Berlin's All By Myself in the Morning, moving to Buddy Bolden's Blues, and the foot stomping Everybody Loves My Baby.  Introducing I Would Do Most Anything For You, Stan spoke about the time he played with the pianist/composer, Claude Hopkins, in Boston in 1975 when he was with the New Black Eagle Jazz Band.


Stan McDonald and Jeff Stout first met over 30 years ago. Jeff has the fine-tuned instinct for how and when to play off Stan, sometimes taking the lead, sometimes responding.  Both respectfully shared the front line.

They had exceptionally fine duets on Don Redmond's Gee Baby, Ain't I Good To You, Jeff giving it a Bix ending, also with Irving Berlin's When I Leave The World Behind, and Armstrong and Bechet's Honky Tonk Town.

Photo by Ellen McDonald

A special treat this evening was Nuages, sung in French by fine chanteuse, Molly Malone, in reverence to Billie Holiday.  This was the first time we've ever heard lyrics to this Django's tune, never mind in French!  She followed that with Sophie Tucker's Some Of These Days.  Molly will return to the Sherborn Inn on June 23rd with the Gypsy Jazz Band, Sinti Rhythm.

The evening continued with barn burner Running Wild, and Wild Man Blues; and for the dancers, Stan's soprano sax solo on a sensual Love For Sale.  Robin's supple fingers, harmonically exploring, bouncing and striding, and Dave Bragdon's austere Traditional Jazz drumming lent superb finishing touches and stimulating ensembles.

Approaching the end of the evening, Stout's inventive trumpet work was featured on  Louis's Sleepy Time Down South, with a dynamic solo on acoustic bass by Al Ehrenfreid. 

McDonald  understands the spirit of Sidney Bechet, and presented it with reverence and affection on Si Tu Vois Ma Mère, (aka) Remember Me, (the title of a Blue Horizon CD.)  while Jeff's trumpet responded, solemnly beseeching, from the far end of the room.  Absolutely stunning! 

They closed with an energetic, upbeat, Lover Come Back to Me.  The old Stan was back - in rare form.   The Blue Horizon Jazz Band will return to the Sherborn Inn on May 19th with more fine Traditional Jazz.

Stan McDonald's Blue Horizon Jazz Band plays the third Tuesday of every
month at the Sherborn Inn at the intersections of Routes 16 & 27 in Sherborn, MA.

    Boston born and bred Stan McDonald began a long career playing alto sax in traditional jazz with the Log Cabin Band in Dedham Massachusetts in 1952 when he was 17.  Harvard PhD, Walt Miller was on trumpet, Tommy Benford on drums.  Tommy told Stan that his style reminded him of his old friend Sidney Bechet.  Entering U-Mass Amherst, Stan met Tony Pappas, a cornetist, and soon dropped the alto for a soprano sax and began learning clarinet.  Gil Roberts, an old-time banjo man, was a maintenance man at an Amherst fraternity. 

  They formed the he New Orleans Jazz Doctors, featuring Roberts's irrepressible banjo, vocals, and showmanship, playing at college parties and concerts through New England and New York State.  This band persisted through 1962, with support from drummers Eddy Marshall, Jimmy Parker,  trombonists Gil Poyton, Cliff Carr, Stan Vincent, pianists Paul Waldron, Bob Pilsbury and Robin Verdier.

   Graduating in 1958, Stan headed to Paris for the summer to study French.  He carried with him a note to Sidney Bechet from Tommy Benford, urging Bechet to "treat him right", but Bechet was on tour.  Stan met two of Sidney's cohorts, Mezz Mezzrow and Albert Nicholas, but Bechet, the greatest influence on Stan's playing, died the following spring.

   Stan came home and began a two-year stint in the Army, taking clarinet lessons at the U.S. Navy School of Music in Washington D.C., where he managed to play with the likes of Slide Harris, Stuff Smith, and guitarist Danny Barker.  For the next 1 1/2 years, he played solo clarinet in the 25th Infantry division Band in Hawaii, and kept in shape sitting in at piano bars in Waikiki. He returned to the Historic Jazz Band in Boston, playing Morton, Oliver and Ellington compositions, plus original rags by pianist Robin Verdier.  On trumpet was Stan's old pal Walt Miller.  From 1969-1971, playing music was sporadic.  Then he met Tony Pringle, of the Black Eagle Jazz Band, whose founder and reed man Tommy Sancton had left for a Rhodes' Scholarship.  Pringle took the New Black Eagle Jazz Band to the Sticky Wicket Pub, in Hopkinton Massachusetts on Halloween of 1971 with Stan McDonald on reeds.  The band played countless clubs, concerts, TV, radio and festivals throughout the US and Europe, and many nights at the Sticky Wicket Pub, gaining world-wide recognition and acclaim.
(Above Notes excerpted from liner notes of the LP "Dawn of the Blue Horizon Jazz Band", Stan McDonald at Sandy's Jazz Revival, written by Alan C. Webber, Silver Spring MD in January 1983.)

Ellen McDonald    In 1981 Stan left the Eagles and with the help of Ellen, his wife, manager and biggest fan,  started his own band, Blue Horizon Jazz Band – named for Bechet’s clarinet solo composition Blue Horizon. The rest is history. Led by McDonald's power, proficiency and passion for the music, the band has played this revered style of traditional jazz all over the country for 28 years - with many more years to go.   Stop by the Sherborn Inn on the 3rd Tuesday each month and see/hear for yourself! www.bluehorizonjazzband.com

 

 

 

Ellen McDonald