Seacoast Stompers

at the Acton Jazz Cafe, March 6, 2010

by Marce 


Jimmy Mazzy, Bob McHenry, Scott Philbrick, Craig Ball
6 Mar 10 by Marce
Mar 10 AJC Jimmy Mazzy
Feb 10 AJC Carrie Mazzy
Dec 09 AJC
Nov 09 Taddeo walk-around
Sep 09 - w/ drummer Reardon
May 09  at Bemis
March 09
November 08 1
November 08 2
November 08 3
(New England's Gene Krupa)

Sketch by Bob Nilsen 

Seacoast Stompers returned to the Acton Jazz Cafe on the first Saturday of the month, March 6, 2010 with another full house.   Full complement of this exuberant band was there, Frank Stadler piano/leader, Craig Ball clarinet, Jimmy Mazzy banjo/vocals, Bob McHenry acoustic bass, Scott Philbrick cornet, Steve Taddeo drums. They always warm up with At The Jazz Band Ball.  Proceed to HOT!

Frank let the musicians pick the tunes this afternoon.  Jimmy took the next one, changing the words a bit - You Gotta See Your Papa Every Night, Or You Can't See Your Papa At All.  Piano intro to As Long As I Live, then Slow Boat to China, Alabama Jubilee.  Each of these musicians is a pro in his own right; nurtured and inspired by New Orleans music, they are phenominal!

Bob McHenry chose Moonglow, giving an emotional, powerful performance, which also featured an ornate and lovely solo by Frank Stadler on the Brambach piano, and Craig's precise, spot-on Artie Shaw clarinet. 

A note about Bob McHenry.  Originally from the western part of Massachusetts, he's played with many jazz notables such as Phil Woods (alto sax), Joe Morello (drums) and Sal Salvadore (guitar).  In over 65 years of playing music, bob has played acoustic upright bass, and more recently, 5 string electric upright bass, with many small groups in the area as well as Frank Chalis Orchestra in Springfield, the Billy May Band with Anita O'Day on vocals, the Marty Paich DekTet on the west coast, and the local Chris Powers Big Band.   He has appeared on the "Meredith Wilson Music Room" in NYC, and more recently played with Paul Broadnax, Dave Whitney, Charlie Jennison, Jeff Stout, and numerous other Greater Boston and New England musicians.  Perhaps Bob is best known in music circles as providing a "driving" beat to enhance the rhythm section of any musical aggregation, and its ability to "get into the pocket" or "groove" quickly and remain there.

We'll get the history of each member of his fine band eventually.  They are a passionate and energetic group!  Steve Taddeo did the intro to St. Louis Blues, changing to a Latin beat in the middle, with the band in pursuit - a combustible combination.

Everybody Loves My Baby, Old Fashioned Love, Jimmy vocals.  As his number #1 Fan, I'm glad that he has the freedom to sing so many tunes.  Thanks, Frank!   (We'll miss him in May, when he heads for Europe.  They can't wait!)

This room is so crowded that there's no room to dance, but Charlie always finds a way somehow.  His regular partner, Evelyn, had a sprained ankle, so Marce filled in - temporarily.

The band continued with Sweet Georgia Brown.  Great stuff!  There's a wonderful chord pattern that permeates all these tunes, and these musicians are skilled at pitching them, as in Scotty's rapid fire cornet and Craig's high register clarinet - very high - on Beale Street Blues!  Craig called for an incredible tempo on The World Is Waiting For The Sunshine, sending Jimmy's fingers flying up and down the frets.  They stopped on a dime, but the band felt as if they'd played a whole day in 5 minutes.

Jimmy presented Buddy Bolden's Blues, with Craig on soft, mellow clarinet, while Scotty played muted wa wa cornet. Beautiful!  Another Mazzy vocal on I Would Do Most Anything For You (within reason) throwing in a little bit of Bessie Smith, and Please Don't Talk About Me When I'm Gone, with Bob tapping the bass with a drumstick instead of plucking the strings.   Never gets dull!

Steve did his infamous drumming walk around - tapping on anything in sight, handing somebody a pepper shaker, blowing his nose, reading a paper over somebody's shoulders (who could be reading a paper with all this great music filling the room????)  Steve still drumming, never missing a beat. 

By Mir Bis Du Schoen was WILD, with Jimmy tossing in another snippet of Constantinople, then they moved to Duke's Don't Get Around Much Anymore

Carrie & Jimmy had a tender duet on A Good Man Is Hard To Find.

Hal McAleer, hard at work here,  making another You Tube Video of a Carrie & Jimmy Mazzy duet on What a Little Moonlight Can Do

Hal has numerous Seacoast Stompers' videos on You Tube.  Check them out - Good work!

Getting close to the end of the 3-hour concert, (where did the time go???)  Craig and Scott collaborated on I Let A Song Go Out Of My Heart, with a stirred-up Jim Mazzy fiercely scatting.  The band went WILD on Stealing Apples, then nice and easy on Up A Lazy River, with McHenry maintaining a sweet dialogue behind the band.  It Don't Mean a Thing If It Ain't Got That Swing, last number, they were playing their hearts out, nobody could sit still - then it all ended with that infamous Jimmy Mazzy scream!  WOW!  It doesn't get any better than this!

See you next month for our next Jazz 'fix'.  First Saturday of the month, as usual.

 

 

Updated March 28, 2010

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Updated January xx, 2010